Theme from New York, New York
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| “Theme from New York, New York” | |||||
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| Song by Frank Sinatra | |||||
| Album | Trilogy: Past Present Future | ||||
| Released | 1980 | ||||
| Recorded | September 19, 1979 | ||||
| Genre | Traditional pop | ||||
| Length | 3:26 | ||||
| Label | Reprise Records | ||||
| Writer | Fred Ebb | ||||
| Composer | John Kander | ||||
| Producer | Sonny Burke | ||||
| Trilogy: Past Present Future track listing | |||||
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- This article is about the theme from the movie "New York, New York". For other songs called "New York, New York", see New York, New York (disambiguation).
"Theme from New York, New York" (or "New York, New York") is the theme song from the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It was written for and performed in the film by famed singer-actress Liza Minnelli, and has become identified as her signature song, which she also sang in the Olympic stadium during the 1984 Olympics, accompanied by 24 pianos and strobe lights.
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[edit] History
In 1979, it was recorded by Frank Sinatra, for his album Trilogy: Past Present Future (1980), and has since become closely associated with him. He occasionally performed it live with Minnelli as a duet. Sinatra recorded it a second time in duet with Tony Bennett for his 1993 album Duets.
The first line of the song is
“
Start spreadin' the news, I'm leaving today
I want to be a part of it: New York, New York.”
The song concludes with the line
“
If I can make it there, I'll make it anywhere,
Come on come through, New York, New York.”
It should not be confused with the song "New York, New York", from Leonard Bernstein/Adolph Green/Betty Comden's musical On the Town, which features the lyric "New York, New York, it's a helluva town / The Bronx is up and the Battery's down..."
Composers Kander and Ebb stated on the A&E Biography episode about Liza Minnelli that they attribute the song's success to actor Robert De Niro, who rejected their original theme for the film because he thought it was "too weak."
The song did not become a popular hit until it was picked up in concert by Frank Sinatra during his performances at Radio City Music Hall in October 1978. Subsequently, Sinatra recorded it in 1979 for his 1980 Trilogy set (Reprise Records), and it became one of his signature songs. The single peaked at #30 in June of 1980, becoming one of his final hits on the charts. Sinatra made two more studio recordings of the song in 1981 (for his NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
The lyrics of the Sinatra versions differ slightly from Ebb's original lyrics. Notably, the phrase "A-number-one," which does not appear at all in the original lyrics, is sung twice at the song's rallentando climax. (Ebb has said he "didn't even like" Sinatra's use of "A-number-one." [1]) The phrase is both the first and fourth on a list of four superlative titles the singer strives to achieve — "A-number-one, top of the list, king of the hill, A-number-one" — where Ebb's original lyrics were closer to "king of the hill, head of the list, cream of the crop, at the top of the heap."
[edit] Appearance in popular culture
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The song has been embraced as a celebration of New York City, and is often heard at New York-area social events, such as weddings and bar mitzvahs. Many sports teams in the New York area have played this song in their arenas/stadiums, but the New York Yankees are the most prominent example. It is played over the Yankee Stadium loudspeakers at the end of every Yankee home game. Sinatra's version is played after a Yankees win, and the Minnelli version after a loss. Minnelli also raised some controversy when, in 2001, she demanded that the Yankees play her version after a win, or not play it at all. The Yankees took the latter option, and played Sinatra's version after wins and losses. As of the 2005 season, at the Richmond County Bank Ballpark following Staten Island Yankees games, the Sinatra version is heard regardless of the game's outcome, and was formerly done at Shea Stadium at the end of New York Mets games after the September 11, 2001 attacks. Previously, Mets fans believed that the song was a "Yankee Song," and began booing it when it was played. It actually first had snipets of the song played after World Series home runs by Ray Knight and Darryl Strawberry during Game 7 of the 1986 World Series. The song is also sometimes played at New York Knicks games.
Since 1997, the song has also been performed during the post parade of the Belmont Stakes horse race, either as an edit of the Sinatra version or a live trackside performance by singers such as Linda Eder or Ronan Tynan. It replaced "Sidewalks of New York" as the horse race's signature song, although the latter tune is still sung by the on-track crowd before the race.
The song is also played a few seconds after the ball drop in Times Square every New Year's, after Auld Lang Syne.
The rock band Phish performed the song as part of their 1997 New Year's Eve celebration at Madison Square Garden.
Despite Sinatra's version becoming more familiar, original singer Minnelli had two of the tune's most memorable live performances -- during the July 4, 1986 ceremony marking the rededication of the Statue of Liberty after extensive renovations, and in the middle of the seventh inning of a New York Mets game that was the first pro sports event in the metro area after the September 11, 2001 attacks.
The line "If I can make it there, I'll make it anywhere" appears as "If I can make it here, I can make it anywhere" above the locker room doors at the Arthur Ashe Stadium at the USTA National Tennis Center in Flushing Meadows Park, site of the US Open tennis championships.
This song is also played as the closing track every Friday and Saturday night on Suggs' Party Classics show on Virgin Radio in the UK.
The song is also traditionally played at the closing of the annual Commencement Ceremonies of Columbia University in New York.
In 1986, the band Queen recorded a partial version of this song for the soundtrack to the film Highlander. Sung by Freddie Mercury, an avowed Liza Minnelli fan, it carried a feel reminiscent of classic rock. It was used in the sequence in which The Kurgan drove down the wrong side of the highway to the final battle, running over pedestrians and playing chicken. It has never been released.
The band Reel Big Fish also recorded an a capella version of the song on their album Cheer Up! in 2002.
In March 2006 Michael Bolton covered the number on his Frank Sinatra tribute album Bolton Swings Sinatra.
Cat Power also does a cover of the song on her newest album Jukebox.
In Gremlins 2: The New Batch the song is performed by the Gremlins prior to their demise at the end of the movie.
In an Arrested Development episode, Tobias (David Cross) begins singing the song in the Sinatra style, leading Liza Minelli to remark--in character--that everyone thinks they're Sinatra.
[edit] See also
- I Love L.A. by Randy Newman
[edit] External links
- Present at the Creation (segment of NPR radio show Morning Edition about the song)
