Superman curse

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Cover of the June 16, 1959 edition of New York Post, reporting the death of George Reeves
Cover of the June 16, 1959 edition of New York Post, reporting the death of George Reeves

The Superman curse refers to a series of misfortunes that have plagued creative people involved in adaptations of Superman in various media, particularly actors who have played the role of Superman on film and television. The curse basically states,

If you intend to play the strongest man on Earth, you will either die or end up in the weakest position possible.[dubious ]

The curse is somewhat well-known in popular culture,[citation needed] largely due to the high-profile hardships of Superman actors George Reeves and Christopher Reeve. Other sources deny the curse, stating that several Superman-related actors, such as Bud Collyer and Teri Hatcher, went on to success after their association with the franchise and that many hardships of "cursed" individuals are common in their respective fields.[1]

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[edit] Supposed victims of the curse

  • Writer Jerry Siegel and artist Joe Shuster created Superman in the 1930s but their employer DC Comics held the copyright to the character. In 1946, the two sued DC, arguing that they were inadequately compensated for the character. The New York Supreme Court limited their settlement to $60,000 each, a small sum compared to the millions of dollars Superman comic books, films, television series, and merchandise grossed. In 1975, in response to a campaign launched by Siegel and Shuster and joined by many prominent comic book creators, DC agreed to pay the two lifetime pensions of $35,000 a year and give them credit in every adaptation of the character. While Siegel and Shuster were respected in comic book fandom for Superman, neither went on to work on any other high-profile comic books after Superman. Some tellings of the curse state that Siegel and Shuster themselves cursed the character out of anger for the injustice.
  • Kirk Alyn played Superman in two low-budget 1940s serials but failed to find work afterwards, saying that casting directors thought he was too recognized as Superman. He eventually retired to Arizona. He made an uncredited cameo appearance in the 1978 film Superman: The Movie as the father of young Lois Lane, who witnesses young Clark Kent racing the train they are riding on. (His wife is portrayed by Noel Neill, also uncredited, who played Lois Lane on The Adventures of Superman from 1953 to 1958.[2]) Alyn developed Alzheimer's disease before passing away of related causes and old age in 1999.
  • George Reeves played Superman in the 1951 film Superman and the Mole Men and the ensuing television series Adventures of Superman. Like Alyn, he was recognized only for the role. On June 16, 1959, days before he was to be married, Reeves was found dead of a gunshot wound at his home, his Luger was found by him. The death was ruled a suicide but other theories persist.
  • In 1963, U.S. President John F. Kennedy's staff approved of a Superman story in which the hero touts the president's physical fitness initiatives, scheduled to be published with an April 1964 cover date. On November 22, Kennedy was shot and killed but, at the request of successor Lyndon Johnson, DC published a reworked version of the story[3]
  • Richard Donner, who directed Superman: The Movie (1978), was hired by the Salkinds to direct Superman: The Movie and Superman II. With the completion of the first film released and about 25% of the sequel left to finish, Donner was fired from the project and director Richard Lester was hired on to finish and direct Superman II. Around 50% of Donner's film was scrapped and re-shot by Lester delaying the theatrical release by a few years until 1980 (Superman II was released in 1981 in the United States). In 2006, Donner released his version of Superman II on DVD with all of his footage restored (deleting most of Lester's film) making Superman II: The Richard Donner Cut a close estimation of what it could have been if he was allowed to finish it.
  • Marlon Brando, who played Superman's biological father Jor-El in Superman (1978) underwent various personal tragedies later in his life:
    • In May 1990, Brando's first son, Christian, shot and killed Dag Drollet, 26, the lover of Christian's half-sister Cheyenne Brando, at the family's home above Beverly Hills. Christian, 31, claimed the shooting was accidental. After a heavily publicized trial, Christian was found guilty of voluntary manslaughter and was sentenced to ten years in prison. Christian died 18 years later at the age of 49.
    • The tragedy was compounded in 1995, when Cheyenne, said to still be depressed over Drollet's death, committed suicide by hanging herself. She was only 25 years old.
    • Marlon Brando's notoriety, his family's troubled lives, his self-exile from Hollywood, and his obesity attracted considerable attention in his later career. On July 1, 2004, Brando died at the age of 80. The cause of his death was intentionally withheld, with his lawyer citing privacy concerns. It was later revealed that he died of lung failure brought on by pulmonary fibrosis. He had also been suffering from liver cancer, congestive heart failure and diabetes, which was causing his eyesight to fail.
  • Dean Cain, who played Superman/Clark Kent in Lois and Clark, had trouble finding major roles since the end of the series,recently had a role in smallville and is naff.

[edit] Those who have "escaped" the curse

It can be noted that actors who played villains in the movies have not suffered from the curse. Some of the villain actors experienced just the opposite:

[edit] Possible refutions

  • As a career, animation is a very cutthroat business. The fact that Max and Dave Fleischer started feuding shortly after acquiring the Superman license was likely nothing personal; just the nature of the business.
  • The reason an actor who played the villain was not affected by the curse is because playing that role is much more difficult and requires very convincing acting. If the actor involved is playing the villain, it is their job to make the audience hate them, and in many cases, as film critic Roger Ebert noted, "Each film is only as good as its villain. Since the heroes and the gimmicks tend to repeat from film to film, only a great villain can transform a good try into a triumph."[5] The audience likes the hero by comparison.

[edit] See also

[edit] References

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