Superman and the Mole Men
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| Superman and the Mole Men | |
|---|---|
 Poster from the 1951 release |
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| Directed by | Lee Sholem |
| Produced by | Barney A. Sarecky |
| Written by | Richard Fielding |
| Starring | George Reeves Phyllis Coates |
| Music by | Darrell Calker Walter Greene |
| Cinematography | Clark Ramsey |
| Editing by | Albrecht Joseph |
| Distributed by | Lippert Pictures Inc. |
| Release date(s) | 23 November 1951 |
| Running time | 58 Minutes |
| Country | USA |
| Language | English |
| Preceded by | Atom Man vs. Superman (1950) |
| Followed by | Stamp Day for Superman (1954) |
| IMDb profile | |
Superman and the Mole Men is a 1951 black and white film starring George Reeves as Superman and Phyllis Coates as Lois Lane. It was the first theatrical feature film based on the Superman characters. Produced by Barney Sarecky, directed by Lee Sholem and with the original screenplay by Richard Fielding, it was shot in 12 days on a studio back lot. Fifty-eight minutes long, it served as a trial run for the syndicated TV series Adventures of Superman, for which it became a two-part episode titled The Unknown People.
The film was released on VHS video tape by Warner Home Video in 1987. Both the two-part episode and the full motion picture are featured on the first season DVD release for Adventures of Superman in 2005. The film is also included as a bonus feature on the 4-disc special edition DVD release of Superman (1978) in 2006.
Taglines:
- The All-Time ACE OF ACTION! In his FIRST Full-Length Feature Adventure!
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[edit] Synopsis
Mild-mannered reporter Clark Kent and Lois Lane are sent to the small town of Silsby for the inauguration of the world's deepest oil well. Unbeknownst to the drillers, however, the drill shaft has penetrated the underground home of the "Mole Men", a race of small, furry (though bald-headed) beings. The Mole Men come up through the shaft at night to explore the surface.
Their peculiar appearance, plus the fact that everything they touch then becomes phosphorescent and glows in the dark, scares the townspeople into forming an angry mob, led by the violent Luke Benson, in order to kill the "monsters". Superman is the only one able to resolve the conflict, saving one of the creatures from falling into the town's water supply after it's been shot by taking it to hospital, while the other is chased away. Later a doctor reveals that unless the creature undergoes surgery to remove the bullet, it will die. Clark Kent is forced to assist the doctor when the nurse refuses to out of fear of the creature. Soon after Benson's mob show up at the hospital demanding to have the creature turned over to them, leading Superman to stand guard outside the hospital. Lois Lane stands at Superman's side, until a shot is fired from the mob narrowly missing Lois. Superman sends her inside and begins to remove the mob of their guns, sending the mob away. Later several more mole creatures emerge from the drill shaft, this time bearing a weapon. They make their way to the hospital. Benson and his mob see the creatures and Benson goes after them alone, but when the creatures see him they use their weapon and fire on him. Superman sees this and quickly jumps in front of the blast, saving Benson's life, which Superman says is "More than you deserve!". He gets the wounded creature and returns him and his companions to the shaft, which they soon destroy so no-one can come up or down ever again.
[edit] Themes
As with many of the early episodes of The Adventures of Superman, the film is adult-themed, with a good deal of conflict and violence, or the threat thereof, and is played with total seriousness by all the actors; Reeves' Superman, in particular, is all business, displaying none of the humor that the character would develop over time in the TV series.
The sympathetic view of the aliens in this film, and the unreasoning fear on the part of the citizenry, has been compared by author Gary Grossman to the panicked public reaction to the peaceful alien Klaatu in the film The Day the Earth Stood Still, which was released the same year. Both films have been seen retrospectively as a product of (and a reaction to) the "Red Scare" of post-World War II. Grossman also cites a later film perhaps inspired by this one, called The Mole People.
[edit] Cast
- George Reeves .... Clark Kent/Superman
- Phyllis Coates .... Lois Lane
- Jeff Corey .... Luke Benson
- Walter Reed .... Bill Corrigan
- J. Farrell MacDonald .... Pop Shannon
- Stanley Andrews .... The Sheriff
- Ray Walker .... John Craig
- Hal K. Dawson .... Chuck Weber
- Phil Warren .... Deputy Jim
- Frank Reicher .... Hospital Superintendent
- Beverly Washburn .... Child
- Jack Banbury .... A "Mole Man"
- Tony Baris .... A "Mole Man"
- Billy Curtis .... A "Mole Man"
- Jerry Marvin .... A "Mole Man"
[edit] Production notes
- The central image of Reeves and Coates, on the poster shown here, is a painting derived from flipping a publicity photo of the two, with the "S" shield flipped back in order to read correctly. The photo depicts the final scene, shown in the screen capture at left.
- Some elements were trimmed from the film when it was converted into "The Unknown People", including some portions of a lengthy chase scene, and all references to the term "Mole Men".
- The theme music used for this film had a generic "sci fi sound", with nothing suggesting a specific "Superman theme". The title cards were similarly generic, with low-grade animation of Saturn-like ringed planets and comets sailing by.
- The score was also changed when the film was re-cut into its two-part TV episode. The film featured an original score by Darrell Calker (Woody Woodpecker), which was removed and replaced with music from the production music library used for the first television season's presentation.
- The laser weapon shown in the poster, which the Mole Men brought up from their subterranean home in order to defend themselves and retrieve their injured comrade, was a prop constructed from an Electrolux vacuum cleaner.
- The flying effects were more primitive than those used in the subsequent television series. Wires were used in the few takeoff shots. One "flying" scene was actually a camera tracking at second-story level along a street, i.e. from Superman's viewpoint, thus without seeing Superman himself. The other flying scene occurred when one of the Mole Men was shot and fell off a dam. Animation was used, as with the Kirk Alyn serials, but was rather more poorly done.
[edit] References
- Superman: Serial to Cereal, by Gary Grossman, 1976.
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