Ready to Die
From Wikipedia, the free encyclopedia
| Ready to Die | |||||||||||
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| Studio album by The Notorious B.I.G. | |||||||||||
| Released | September 13, 1994 | ||||||||||
| Recorded | 1993-1994 at The Hit Factory, New York City, New York, D&D Studios | ||||||||||
| Genre | East Coast hip hop, Hardcore hip hop | ||||||||||
| Length | 68:58 or 1:17:01 (Extended Version Bonus Track) | ||||||||||
| Label | Bad Boy Records | ||||||||||
| Producer | Sean "Puffy" Combs (exec.), Easy Mo Bee, Chucky Thompson, Poke, Bluez Brothers, DJ Premier, Lord Finesse, Darnell Scott | ||||||||||
| Professional reviews | |||||||||||
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| The Notorious B.I.G. chronology | |||||||||||
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Ready to Die is the Grammy Nominated and Billboard Award Winning debut studio album by East Coast rapper The Notorious B.I.G., released on the Bad Boy Records label on September 13, 1994.
The partly autobiographical hardcore hip hop album gained strong reviews on release and became a commercial success, reaching quadruple platinum sales. It is significant for revitalizing East Coast hip hop at a time when the genre was mostly dominated by West Coast artists.[1] In 2006, Time magazine named it one of the 100 greatest albums of all time.[2] It was nominated for Best Rap Solo Performance for "Big Poppa" at the 1996 Grammy Awards.
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[edit] Background
[edit] Recording
The album was recorded in New York City (mainly in The Hit Factory recording studio) in two stages between 1993 and 1994. Biggie was signed to the Uptown Records label by A&R Sean "Puffy" Combs in 1992. The following year Biggie started recording his debut album in New York, after having made numerous guest appearances on label mates' singles the previous year. The first tracks recorded include the album's darker, less radio-friendly content (including “Ready To Die,” “Gimme The Loot” and “Things Done Changed”). In these sessions, XXL magazine describe an "inexperienced, higher-pitched" Biggie sounding "hungry and paranoid".[3]
When Executive Producer, Sean "Puffy" Combs, was fired from Uptown having only partially completed the album, Biggie's career hung in limbo. After a brief period dealing drugs in North Carolina, Biggie returned to the studio the following year on Combs' new Bad Boy Records label possessing "a smoother, more confident vocal tone" and completed the album. In this stage, the more commercial-sounding tracks of the album were recorded, including the album's singles. Between the two stages, XXL writes that Biggie moved from writing his lyrics in notebooks to freestyling them from memory.[3]
[edit] Music
[edit] Lyrics
The Notorious B.I.G.'s lyrics on the album were generally praised by critics, although they caused some controversy because of their violent representations and sexually explicit depictions. Many critics applauded his story-telling ability such as All Music Guide writer, Steve Huey, who stated "His raps are easy to understand, but his skills are hardly lacking — he has a loose, easy flow and a talent for piling multiple rhymes on top of one another in quick succession". He also went on to mention that his lyrics are "firmly rooted in reality, but play like [a] scene from a movie".[4] Touré, writing for The New York Times, refered to The Notorious B.I.G., proclaiming that he stood out from other rappers because "his lyrics mix autobiographical details about crime and violence with emotional honesty, telling how he felt while making a living as a drug dealer".[5] The album is also noted for its dark tone and sinister sense of doom.[4] In the original Rolling Stone review, Cheo H. Coker declared that he "maintains a consistent level of tension by juxtaposing emotional highs and lows".[6]
The lyrics on Ready to Die tend to deal with violence, drug dealing, women, alcohol consumption and other elements of Notorious B.I.G.'s environment. Biggie rapped about these topics in "clear, sparse terms, allowing the lyrics to hit the first time you hear them".[6] The album contains a loose concept starting out with an intro that details the birth of Biggie, his early childhood, his adolescence and his life at the point of the album's release.[5] Songs on the album range from homicide narratives ("Warning") to braggadocios battle raps ("The What," "Unbelievable"). The album ends with "Suicidal Thoughts," a song where The Notorious B.I.G. contemplates suicide and finally commits it.
[edit] Production
The production on the album was mainly handled by Combs and Easy Mo Bee, and it received generally well-received by critics. Rolling Stone described the beats as "heavy bottomed and slick," enhancing the lyrics but not standing in their own right.[6] The production is mainly sample-based with the samples varying from the percussion of funk tracks to the vocals of hip hop songs. Steve Huey presented some critism over the beats, stating that the "deliberate beats do get a little samey, but it hardly matters: this is Biggie's show"[4] Cheo H. Coker depicted the beats as "heavy bottomed and slick, but B.I.G.'s rhymes are the showstoppers. The tracks only enhance them, whether it's the live bass driving a menacing undercurrent or [the] use of bluesy guitar and wah-wah feedback" and that the production is used to "push the rapper to new heights."[6]
[edit] Songs
[edit] Content
Three singles were released from the album: "Juicy", "Big Poppa" and "One More Chance". XXL believe the more commercial sound of the singles compared to the rest of the album was as a result of encouragement by Combs during the later recording sessions in which they were recorded.[3] "Big Poppa" was nominated at the 1996 Grammy Awards for Best Rap Solo Performance. The album boasts production from Easy Mo Bee, The Hitmen and DJ Premier. Guests on the album were minimal, with Method Man being the only featured artist.
[edit] "Juicy"
"Juicy" was released as the lead single on August 8, 1994. It peaked at number 27 on the Billboard Hot 100, number 14 on Hot R&B/Hip-Hop Singles & Tracks and reached number 3 on the Hot Rap Singles.[7] It sold over a 500,000 copies and the RIAA certified it Gold on November 8, 1994.[8] Produced by Combs, it features predominate sample of "Juicy Fruit" as performed by James Mtume. All Music Guide's Steve Huey stated that, along with the other singles, it was an "upbeat, commercial moment", calling it a "rags-to-riches chronicle".[4] Andrew Kameka, of HipHopDX.com, stated that the song was one of his "greatest and most-revealing songs" and went on to say it was a "Part-autobiography, part-declaration-of-success. It document[s] the star's transition from Brooklyn knucklehead to magazine cover story."[9]
[edit] "Big Poppa"
"Big Poppa" was released as the second single on April 3, 1995 and like the previous single, it was a hit on multiple charts. It reached number six on the Billboard Hot 100, number four on the Hot R&B/Hip-Hop Singles & Tracks and number one on Hot Rap Singles.[7] It sold over a million units and the RIAA certified it Platinum on May 23, 1995.[8] Featuring production by Combs and Chucky Thompson of The Hitmen, it samples "Between the Sheets" by The Isley Brothers. The song was nominated at the 1996 Grammy Awards for Best Rap Solo Performance, but lost to Coolio's "Gangsta's Paradise". Steve Huey named it a "overweight-lover anthem".[4]
[edit] "One More Chance"
"One More Chance" was released as the third single on June 9, 1995 and became the albums most successful track. It peaked at number two on the Billboard Hot 100 and reached number one on the Hot R&B/Hip-Hop Singles & Tracks and Hot Rap Singles.[7] It sold over a million copies and the RIAA certified it Platinum on July 31, 1995.[8] It boasts production by Combs & Chucky Thompson, it contains samples from multiple tracks. Steve Huey labeled it a "graphic sex rap".[4] Rolling Stone writer Cheo H. Coker had a similar view of the song, noting that it was "one of the bawdiest sex raps since Kool G Rap's classic, 'Talk Like Sex'" and continued, stating it "proves hilarious simply because of B.I.G.'s Dolemitelike vulgarity.[6]
[edit] Reception
[edit] Initial
Upon its release, Ready to Die received strong reviews,[10] and unlike other acclaimed East Coast hip hop albums released at the time (including the Wu-Tang Clan's Enter the Wu-Tang (36 Chambers) and Nas' Illmatic), such critical success was matched commercially, with sales driven by strong radio and MTV airplay for the singles "Juicy" and "Big Poppa". Rolling Stone praised Biggie's ability in "painting a sonic picture so vibrant that you're transported right to the scene". Q magazine wrote "...the natural rapping, clever use of sound effects and acted dialogue, and concept element... set this well apart from the average gangsta bragging".[10] The album peaked at #3 and #13 on Billboard's (North America) Top R&B/Hip Hop Albums and the Billboard 200 album charts and was eventually certified quadruple platinum.[11]
[edit] Retrospective
In retrospect, the album has been highly acclaimed. In 1998, the album was selected as one of The Source magazine's 100 Best Rap Albums[12]. The magazine, which had initially scored the album 4.5 mics (out of five) in its 1994 review raised its rating to five. In 2003, the album was ranked number 133 on Rolling Stone magazine's list of the 500 greatest albums of all time. It is the third highest ranked hip hop album on the list (with Public Enemy's It Takes a Nation of Millions to Hold Us Back and Run-D.M.C.'s Raising Hell ranking above). The album was ranked #30 in Spin's "100 Greatest Albums, 1985-2005".[13]
[edit] Accolades
The information is taken from AcclaimedMusic.net[13] and other website links below.
( * ) designates lists which are unordered.
[edit] Track listing
All songs were written and performed by The Notorious B.I.G. except "The What". The list of samples for each track is only partial.
| # | Title | Time | Songwriter(s) | Producer(s) | Performer(s) | Sample(s)[14] |
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| 1 | "Intro" | 3:24 | Christopher Wallace | Sean "Puffy" Combs for The Hitmen | *Interlude* |
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| 2 | "Things Done Changed" | 3:58 | Christopher Wallace | Dominic Owens and Kevin Scott (remaster version) Darnell Scott |
The Notorious B.I.G. |
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| 3 | "Gimme the Loot" | 5:04 | Christopher Wallace | Easy Mo Bee | The Notorious B.I.G. |
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| 4 | "Machine Gun Funk" | 4:17 | Christopher Wallace | Easy Mo Bee | The Notorious B.I.G. |
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| 5 | "Warning" | 3:40 | Christopher Wallace | Easy Mo Bee | The Notorious B.I.G. |
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| 6 | "Ready to Die" | 4:24 | Christopher Wallace | Easy Mo Bee | The Notorious B.I.G. |
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| 7 | "One More Chance" | 4:43 | Christopher Wallace | Sean "Puffy" Combs & Chucky Thompson for The Hitmen The Bluez Brothers |
The Notorious B.I.G., Total (additional vocals), Chucky Thompson (instruments) |
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| 8 | "Fuck Me (Interlude)" | 1:31 | Christopher Wallace | Sean "Puffy" Combs for The Hitmen | The Notorious B.I.G., (Lil' Kim) |
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| 9 | "The What" | 3:57 | Christopher Wallace Clifford Smith |
Easy Mo Bee | The Notorious B.I.G., Method Man |
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| 10 | "Juicy" | 5:02 | Christopher Wallace | Sean "Puffy" Combs for The Hitmen Poke |
The Notorious B.I.G., Total (additional vocals) |
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| 11 | "Everyday Struggles" | 5:19 | Christopher Wallace | The Bluez Brothers | The Notorious B.I.G. |
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| 12 | "Me & My Bitch" | 4:00 | Christopher Wallace | Sean "Puffy" Combs & Chucky Thompson for The Hitmen The Bluez Brothers |
The Notorious B.I.G., Sybil Pennix (voice), Chucky Thompson (instruments) |
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| 13 | "Big Poppa" | 4:13 | Christopher Wallace | Sean "Puffy" Combs & Chucky Thompson for The Hitmen | The Notorious B.I.G. | |
| 14 | "Respect" | 5:21 | Christopher Wallace | Sean "Puffy" Combs for The Hitmen Jean "Poke" Oliver |
The Notorious B.I.G., Diana King (additional vocals) |
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| 15 | "Friend of Mine" | 3:28 | Christopher Wallace | Easy Mo Bee | The Notorious B.I.G. |
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| 16 | "Unbelievable" | 3:43 | Christopher Wallace | DJ Premier | The Notorious B.I.G. |
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| 17 | "Suicidal Thoughts" | 2:50 | Christopher Wallace | Lord Finesse | The Notorious B.I.G., Puff Daddy (backing vocals) |
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| 18 | "Who Shot Ya"* | 5:19 | Christopher Wallace | Sean "Puffy" Combs & Nashiem Myrick for The Hitmen | The Notorious B.I.G., Puff Daddy (backing vocals) |
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| 19 | "Just Playing (Dreams)"* | 2:43 | Christopher Wallace | Rashad Smith | The Notorious B.I.G. |
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* denotes Extended Version Bonus Tracks
[edit] References
- ^ Steve Huey. The Notorious B.I.G. > Biography. All Music Guide. Accessed March 17, 2007
- ^ Josh Tyrangiel (November 13, 2006). The All-TIME 100 Albums. Time. Accessed May 13, 2008.
- ^ a b c Andrea Duncan (March 9, 2006). The Making of Ready to Die: Family Business XXL. Accessed March 18, 2008.
- ^ a b c d e f Steve Huey. Ready to Die > Overview. All Music Guide. Accessed May 15, 2008.
- ^ a b Touré (December 18, 1994). Pop Music; Biggie Smalls, Rap's Man of the Moment. The New York Times. Accessed March 26, 2008.
- ^ a b c d e Cheo H. Coker (November 3, 1994). Ready to Die Review. Rolling Stone. Accessed March 18, 2008
- ^ a b c Ready to Die - Billboard Singles. All Music Guide. Accessed May 15, 2008.
- ^ a b c RIAA Searchable database - Notorious B.I.G. Singles. RIAA. Accessed May 15, 2008.
- ^ Andrew Kameka (March 7, 2007) Ready To Die - The Notorious B.I.G. | Album Review. HipHopDX. Accessed May 15, 2008.
- ^ a b Ready To Die Product Description. Tower Records. Accessed December 10, 2006
- ^ RIAA Searchable database - Ready to Die. RIAA. Accessed May 13, 2008.
- ^ The Source 100 Best Rap Albums + 100 Best Rap Singles. Rocklistmusic. Accessed May 13, 2008.
- ^ a b Ready to Die. AcclaimedMusic. Accessed December 21, 2006.
- ^ The Notorious B.I.G. sample search. The-breaks. Accessed March 17, 2007.
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