Showgirls

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This article is about the film Showgirls. For a dancer/performer, see Showgirl.
Showgirls

Theatrical release poster
Directed by Paul Verhoeven
Produced by Lynn Ehrensperger
Charles Evans
Mario Kassar
Alan Marshall
Written by Joe Eszterhas
Starring Elizabeth Berkley
Kyle MacLachlan
Gina Gershon
Music by Rena Riffel
David A. Stewart
Cinematography Jost Vacano
Editing by Mark Goldblatt
Mark Helfrich
Distributed by -USA-
MGM Distribution Co.
United Artists
-Non-USA-
Carolco Pictures
Release date(s) September 22, 1995 (USA)
Running time Theatrical cut:
131 min
R-rated version:
128 min
Country Flag of the United States United States
Language English
Budget $45,000,000 (estimated)
Gross revenue $20,350,754
Allmovie profile
IMDb profile
Ratings
Australia:  R18+
Canada:  18
United States:  NC-17

Showgirls is a 1995 film directed by Paul Verhoeven starring former teen actress Elizabeth Berkley as a drifter who wanders into Las Vegas and climbs the social ladder from stripper to showgirl.

Significant controversy and hype about the film's gratuitous amounts of sex and nudity preceded its release[citation needed]. In the United States, the movie was rated NC-17 for "nudity and erotic sexuality throughout, some graphic language and sexual violence." Showgirls was the first NC-17 rated film to be given a wide release in mainstream theaters.[1]

After bombing at the box office, Showgirls enjoyed huge success on the home video market, becoming one of MGM's top 20 all-time bestsellers.[2] For its video premiere, Verhoeven prepared an R-rated cut for rental outlets which refused to carry films with an NC-17 rating; this edited version runs 128 minutes and deletes some of the more graphic footage.


Contents

[edit] Plot

Nomi Malone (Elizabeth Berkley) is a young drifter who hitchhikes to Las Vegas hoping to make it as a showgirl. After being stranded with no money or spare clothing, Nomi meets Molly Abrams (Gina Ravera), a seamstress and costume designer who takes her in as a roommate. Molly invites Nomi backstage at Goddess, the Stardust Casino show where she works, to meet Cristal Connors (Gina Gershon), the diva-like star of the topless dance revue. When Nomi tells Cristal she dances at Cheetah's Topless Club, Cristal derisively tells her that what she does is akin to prostitution. This makes Nomi furious and sparks a feud like the rivalry between Margo Channing and Eve Harrington in All About Eve.

When Nomi is too upset to go to work that night, Molly takes her dancing at The Crave Club, where James Smith (Glenn Plummer) works as a bouncer. James asks Nomi to dance with him, and when he criticizes her dancing, she kicks him in the groin. James falls into the crowd, starting a brawl on the dance floor with several male patrons. After Nomi is arrested for causing the melee, James bails her out of jail, but she still pays him little notice.

Shortly, Cristal and her boyfriend Zack Carey (Kyle MacLachlan), the entertainment director at the Stardust, visit Cheetah's and request a lap dance from Nomi. Although the bisexual Cristal is attracted to Nomi, her request is also informed by her desire to humiliate Nomi by proving she is little more than a hooker. Nomi reluctantly performs the lap dance after Cristal offers to pay $500 for it within earshot of Nomi's boss, Al Torres (Robert Davi), who pressures her to perform. After giving Zack an explicit nude lap dance which brings him to orgasm while Cristal watches, Nomi takes the money from Cristal, who gloats that she has made Nomi feel cheap.

Cristal arranges for Nomi to audition for the chorus line of Goddess. Tony Moss (Alan Rachins), the show's director, humiliates Nomi by asking her to put ice on her nipples to make them hard. Furious, Nomi leaves the audition and again runs into James, who says he has written a dance number for her and contends that Nomi is too talented to be a stripper or showgirl. Despite her outburst at the audition, Nomi gets the job and quits the Cheetah. Cristal further humiliates Nomi by suggesting she make a "goodwill appearance" at a boat trade show which turns out to be a thinly disguised form of prostitution.

Undeterred, Nomi sets out to destroy Cristal and claim her mantle. She seduces Cristal's boyfriend, Zack, who secures an audition for her to be Cristal's understudy. Nomi wins the role, but when Cristal threatens legal action against the Stardust, the offer is rescinded. After Cristal gloats and taunts Nomi at a performance, Nomi pushes her down a flight of stairs, breaking her hip. Unable to perform, Cristal finds herself replaced by Nomi as the show's lead.

Although Nomi has finally secured the fame and fortune she sought, she alienates Molly, who saw her push Cristal down the stairs. Later Molly relents and attends Nomi's opening night celebration at a local hotel, where she meets her idol, musician Andrew Carver (William Shockley). In a bizarre twist, Carver lures Molly to his room, where he and two of his security guards brutally beat and rape her.

Molly is hospitalized after the assault. Nomi wants to prosecute Carver, but Zack tells her the Stardust will give Molly hush money instead; their primary interest is to protect their high-profile celebrity client, not to seek justice. Zack then confronts Nomi with the details of her past: she is a runaway and former prostitute named Polly, her father murdered her mother and then killed himself, and she has been arrested several times for drug possession, prostitution, and assault with a deadly weapon. Zack blackmails Nomi by vowing to keep her past quiet if she will play along.

Unable to obtain justice for Molly without exposing her past, Nomi resorts to vengeance: she gets Carver alone in his hotel room and violently assaults him by kicking him repeatedly with her boots until he is bloodied and unconscious. Nomi then pays two hospital visits — one to Molly to deliver news of the assault, and another to Cristal to apologize for injuring her. Because of her world-weariness (She mentions that when she was younger she did something similar to the star of one of her first shows and as a result she became the lead.) — and the fact that her lawyers managed to secure her a large cash settlement — Cristal forgives Nomi. Before she leaves, Nomi grants Cristal one passionate kiss.

The movie comes full circle when Nomi, leaving Las Vegas, hitches a ride to Los Angeles with Jeff (Dewey Weber), the same man who gave her a ride in the opening scene. The film's last shot juxtaposes a billboard advertising Nomi's starring role in Goddess with a road sign indicating the distance to Los Angeles.

[edit] Reaction

Showgirls' subject matter was relatively controversial: rape, lesbianism, and interracial relationships were just some of the topics explored. The film's gratuitous nudity, simulated sex, and $2 million screenplay[3] (written by Joe Eszterhas, who had worked with director Paul Verhoeven before) did not lend itself to what might have been a provocative film. The 1998 film Burn Hollywood Burn, also written by Eszterhas, contains a reference to Showgirls as a "terrible" film.

Roger Ebert wrote that Showgirls received "some bad reviews, but it wasn't completely terrible."[4] Despite Ebert's views, the movie was heralded as one of the worst ever made, winning seven 1995 Golden Raspberry Awards or "Razzies" (from a record thirteen nominations). Paul Verhoeven gamely appeared in person at the Razzies ceremony to accept his award for Worst Director; Showgirls would later win a record-setting eighth Razzie Award for Worst Picture of the Last Decade in 2000.

Due to Showgirls' poor reception, Striptease, a 1996 film about nude dancers starring Demi Moore, had to be distanced from Showgirls in advertisements;[5] Striptease nonetheless won the next year's Razzie Award for Worst Picture. Rena Riffel, who played Penny/Hope in Showgirls, also was cast in Striptease as Tiffany Glass. Riffel is the only actress to claim back-to-back Razzie Award-winning roles.

The term "Showgirls-bad" has been adopted by film critics and fans to refer to films considered guilty pleasures, or "so-bad-they're-good."[6][7][8]

The film's reviews and poor theatrical showing damaged Berkley's career; she had difficulty finding work, but did land small parts in movies such as The First Wives Club, The Real Blonde and The Curse of the Jade Scorpion. Her career has rebounded in recent years, largely on television. Gershon managed to survive the scourge of the movie, going on to moderate acting success.

[edit] Cult status

Since its release, the movie has achieved a certain cult status. According to activist writer Naomi Klein, ironic enjoyment of the film initially arose among those with the video before MGM capitalized on the idea. MGM noticed the video was performing all right, since "trendy twenty-somethings were throwing Showgirls irony parties, laughing sardonically at the implausibly poor screenplay and shrieking with horror at the aerobic sexual encounters."[9]

Showgirls is shown at midnight movies alongside films like The Rocky Horror Picture Show and The Adventures of Priscilla, Queen of the Desert. It is heralded as one of the best "bad movies" of all time, somewhat of a camp classic in the vein of Beyond the Valley of the Dolls. Although the film was not successful when first released theatrically, over the years it has become increasingly popular; it was among the hottest video rental titles of 1996 [10] and has since become one of MGM's top 20 all-time bestsellers.[11]

The rights to show the movie on TV were eventually purchased by the VH1 network. However, because of the film's rampant, gratuitous nudity, a peculiar moment in cinema history occurred: a censored version was created with black bras and panties digitally rendered to hide all exposed breasts and genitals. Also, several scenes were removed entirely. Berkley refused to redub her lines, so a noticeably different actress' voice can be heard on the soundtrack.

As revealed on the DVD release, a sign showing the distance to Los Angeles in the last shot of the film hinted at a sequel in which Nomi takes on Hollywood. Any such plans were scrapped upon the film's massive failure at the box office.

Recent years have seen a reevaluation of the movie's merits. Critics such as Jonathan Rosenbaum and Charles Taylor, as well as filmmaker Jacques Rivette, have gone on the record defending Showgirls as a serious satire. Actor Patrick Bristow, who plays choreographer Marty, defended the movie as "not that bad" except "that horrible rape scene."[citation needed] Quentin Tarantino has stated that he enjoyed Showgirls, referring to it as the "only [...] other time in the last twenty years [that] a major studio made a full-on, gigantic, big-budget exploitation movie", comparing it to Mandingo.[12]

[edit] DVD releases

In 2004, MGM released "The V.I.P. Edition" of Showgirls in a special boxed set containing two shot glasses, movie cards with drinking games on the back, a deck of playing cards, and a nude poster of Berkley with a pair of suction-cup pasties so viewers can play "pin the pasties on the stripper."

The DVD itself includes several bonus features, including a "how-to" tutorial for giving a lap dance hosted by real strippers, and a special "trivia track" feature that can be turned on or off. When left on, it adds humorous comments and factoids in the vein of VH1's Pop Up Video that relate to the scenes as they play out. It also includes "The Greatest Movie Ever Made: a commentary by David Schmader."

In 2007, MGM re-released the V.I.P. edition DVD without the physical extras.

[edit] Cast

[edit] Stage musical

On September 21, 2006, Joe Eszterhas announced he was planning a stage musical version of the film with the producers of the hit Broadway musical Urinetown. The musical was set to open in Las Vegas[13] and “celebrate the over-the-top and campy nature of the piece” [14]. Earlier, Gina Gershon expressed a similar desire to revive the source material in an Off-Broadway, New York City production: "I might be making a musical of it. I’d write it. I’d want to make it as Off-Broadway, but from my perspective. There’s a really funny way to go about it, it just has to be exactly right" [15].

[edit] See also

[edit] References

  1. ^ First Major Film With an NC-17 Rating Is Embraced by the Studio - New York Times. Retrieved on 2008-05-21.
  2. ^ Showgirls (1995) - Trivia
  3. ^ Maureen Dowd, "Bucks and Blondes: Joe Eszterhas Lives The Big Dream", New York Times, May 30, 1993.
  4. ^ Roger Ebert, "An Alan Smithee Film Burn Hollywood Burn," Chicago Sun-Times, February 27, 1998. Rumors of the some $40 million budget being spent on cocaine for the set ran rampant.
  5. ^ Chris Nashawaty, "Demi Goes Undercover: Moore's 'Striptease' Bumps into Trouble." Entertainment Weekly 04/26/96, URL accessed 16 August 2006.
  6. ^ Review of Catwoman by Pork Tartare
  7. ^ Review of Blair Witch 2: Book of Shadows by Exclaim
  8. ^ Speculation on Basic Instinct 2 by New York Magazine
  9. ^ Naomi Klein, No Logo, Vintage Canada Edition, 2000, p. 79.
  10. ^ MGM giving Showgirls another look - 3/26/2004 - Video Business
  11. ^ Showgirls (1995) - Trivia
  12. ^ (1998) in Peary, Gerald: Quentin Tarantino: Interviews. Univ. Press of Mississippi, pages 172—173. ISBN 1578060516. 
  13. ^ Showgirls (1995) - News
  14. ^ ‘Showgirls’ The Musical! - New York Magazine
  15. ^ CP NEWS: Gina Gershon Interview - Dallas Dance Music - Dallas nightlife, music, tickets, and more

[edit] External links

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[edit] Reviews

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Feature films directed by Paul Verhoeven