List of compositions by Sergei Rachmaninoff
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The compositions of Sergei Rachmaninoff (1873–1943) cover a variety of musical forms and genres. Born in Russia, he studied at the Moscow Conservatory with Nikolai Zverev and Anton Arensky, and while there, composed some of his most famous works, including Prelude in C-sharp minor (Op. 3, No. 2), and his first piano concerto (Op. 1). His Symphony No. 1 (Op. 13) was one of his first compositions as a "Free Artist" after graduation, and subsequently his first critical failure. The derision he received sent him into depression. After being sent through autosuggestive therapy, he composed his second piano concerto (Op. 18), which is still part of the major orchestra repertoire today. In 1909, he made his first tour of the United States, and composed Piano Concerto No. 3 (Op. 30), notable for its difficult cadenza. After this, due to migration from Russia in 1917 and his busy concert career, his output as a composer decreased, and during this period, he completed only six compositions. His last work, Symphonic Dances (Op. 45), was completed in 1940.
Contents |
[edit] Works
| Opus | Title | Instrumentation | Date completed | |
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[edit] Orchestra |
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| Scherzo in D minor | orchestra | 1888? |
Symphony No. 1 (Op. 13) was a critical failure at its premiere.
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| Manfred | 1891, lost | |||
| Youth Symphony, unfinished | 1891 | |||
| Prince Rostislaf | 1891 | |||
| 7 | The Rock | 1893 | ||
| Two Don Juan Episodes | 1894, lost | |||
| 12 | Caprice Bohémien | 1894 | ||
| 13 | Symphony No. 1 | 1896 | ||
| 27 | Symphony No. 2 | 1908 | ||
| 29 | Isle of the Dead | 1909 | ||
| 44 | Symphony No. 3 | 1936 | ||
| 45 | Symphonic Dances | 1940 | ||
[edit] Chamber |
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| Romance in A minor | violin and piano | 1880s? | ||
| String Quartet No. 1 | two violins, viola, and cello | 1890? | ||
| Lied | cello and piano | 1890 | ||
| Mélodie on a Theme of Rachmaninoff | violin or cello and piano | 1890? | ||
| Trio élégiaque No. 1 | violin, cello, and piano | 1892 | ||
| 2 | Two Pieces (Prelude, Danse orientale) | cello and piano | 1892 | |
| 6 | Two Pieces (Romance, Danse hongroise) | violin and piano | 1893 | |
| 9 | Trio élégiaque No. 2 | piano, violin, and cello | 1893, revised 1906 | |
| String Quartet No. 2 | two violins, viola, and cello | 1896? | ||
| 19 | Cello Sonata | cello and piano | 1901 | |
[edit] Piano and orchestra |
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| Concerto in C minor, projected | piano and orchestra | 1889 | ||
| 1 | Piano Concerto No. 1 | 1891 | ||
| 18 | Piano Concerto No. 2 | 1901 | ||
| 30 | Piano Concerto No. 3 | 1909 | ||
| 40 | Piano Concerto No. 4 | 1926 | ||
| 43 | Rhapsody on a Theme of Paganini | 1934 | ||
[edit] Solo piano |
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| Étude in F-sharp major | piano | 1886? | ||
| Lento in D minor | 1887? | |||
| Four Pieces (Romance, Prelude, Mélodie, Gavotte) | 1887 or later? | |||
| Three Nocturnes (Andante cantabile, Andante maestoso—Allegro assai, Andante) | 1888 | |||
| Piece (Canon) in D minor | 1891 | |||
| Prelude in F major | 1891 | |||
| 3 | Morceaux de Fantaisie | 1892 | ||
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| 10 | Morceaux de Salon | 1894 | ||
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| Four Improvisations (with Arensky, Glazunov, Taneyev) | 1896 | |||
| 16 | Six Moments Musicaux | 1896 |
Six Moments Musicaux (Op. 16), range in style from the slow Andantino (pictured) to the torrential Presto.
Listen, excerpt |
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| Morceau de Fantaisie in G minor | 1889 | |||
| Fughetta in F major | 1889 | |||
| 22 | Variations on a Theme of Chopin | 1903 | ||
| 23 | Ten Preludes | 1903 |
Prelude in G minor (Op. 23, No. 5) embodies his Russian spirit
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| 28 | Piano Sonata No. 1 | 1908 | ||
| 32 | Thirteen Preludes | 1910 | ||
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| 33 | Études-Tableaux | 1911 | ||
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| 36 | Piano Sonata No. 2 | 1913, revised 1931 | ||
| 39 | Études-Tableaux | 1916 | ||
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| Three Pieces (Prelude in D minor, Oriental Sketch, Fragments) | 1917 | |||
| 42 | Variations on a Theme of Corelli | 1931 | ||
[edit] Other piano |
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| Two Pieces (Valse, Romance) | piano six hands | 1891 |
The first movement of Suite No. 2 (Op. 17) is full of idiosyncratically large and thick chords.
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| Russian Rhapsody | two pianos | 1891 | ||
| 5 | Suite No. 1 (or Fantaisie-Tableaux for two pianos) | two pianos | 1893 | |
| Romance in G major | piano duet | 1894? | ||
| 11 | Six Morceaux | piano duet | 1894 | |
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| 17 | Suite No. 2 | two pianos | 1901 | |
| Polka Italienne | piano duet | 1906? | ||
[edit] Transcriptions |
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| Transcription of Tchaikovsky: Manfred Symphony | piano duet | 1886, lost | ||
| Transcription of Tchaikovsky: The Sleeping Beauty | piano duet | 1891 | ||
| Transcription of Glazunov: Symphony No. 6 | piano duet | 1896 | ||
| Paraphrase of Bizet: Minuet from L'Arlésienne | piano | 1900, revised 1922 | ||
| Paraphrase of Behr: Lachtäubchen (Op. 303) (published as Polka de V.R.) | piano | 1911 | ||
| Cadenza of Liszt: Hungarian Rhapsody No. 2 | piano | 1919 | ||
| Paraphrase of Kreisler: Liebesleid | piano | 1921 | ||
| Paraphrase of Mussorgsky: Gopak from The Fair at Sorochintsï | piano | 1924 | ||
| Paraphrase of Schubert: Wohin? (D795/2) | piano | 1925 | ||
| Paraphrase of Kreisler: Liebesfreud | piano | 1925 | ||
| Paraphrase of Rimsky-Korsakoff: Flight of the Bumblebee | piano | 1929 | ||
| Paraphrase of Mendelssohn: Overture to "A Midsummer Night's Dream" Scherzo | piano | 1933 | ||
| Paraphrase of Bach: movements from Partita No. 3 in E major for unaccompanied violin (BWV1006) | piano | 1934 | ||
| Paraphrase of Tchaikovsky: Lullaby | piano | 1941 | ||
[edit] Operas |
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| Esmeralda, projected | 1888 | |||
| Aleko | 1892 | |||
| 24 | The Miserly Knight | 1904 | ||
| 25 | Francesca da Rimini | 1905 | ||
| Salammbô, projected | 1906 | |||
| Monna Vanna, unfinished | 1908 | |||
[edit] Choral works |
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| Deus Meus | six-part mixed chorus | 1890? | ||
| O Mother of God Perpetually Praying | mixed chorus | 1893 | ||
| Chorus of Spirits | mixed chorus | 1894? | ||
| Song of the Nightingale | four-part mixed chorus and piano | 1894? | ||
| 15 | Six Choruses for Women's or Children's Voices | Women's or Children's chorus | 1895 | |
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| Panteley the Healer | mixed chorus | 1899 | ||
| 20 | Spring Cantata | baritone solo, chorus, and orchestra | 1902 | |
| 31 | Liturgy of St. John Chrysostom | chorus | 1910 | |
| 35 | The Bells | voice soloists, chorus, and orchestra | 1913 | |
| 37 | All-Night Vigil | chorus | 1915 | |
| 41 | Trois Chansons Russes | chorus and orchestra | 1927 | |
[edit] Solo voice and piano |
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| "Again you are Bestirred, my Heart" | 1890 or 1893 | |||
| "At the Gates of the Holy Cloister" | 1890 | |||
| Two Boris monologues | 1891? | |||
| "C'etait en Avril" | 1891 | |||
| "Dusk was Falling" | 1891 | |||
| 4 | Six Songs | 1890-1893 |
The lyrics of "Oh, My Corn Field!" (Op. 4, No. 5) are based on a text by Aleksei Tolstoy that laments a failed harvest.
Listen, excerpt |
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| "Song of the Disenchanted," | 1893? | |||
| "Do you Remember the Evening?" | 1893? | |||
| "The Flower Died" | 1893 | |||
| 8 | Six Songs | 1893 | ||
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| 14 | Twelve Songs | 1896 | ||
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| "Were you Hicupping?" | 1899 | |||
| "Night" | 1900 | |||
| 21 | Twelve Songs | 1902 | ||
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| 26 | Fifteen Songs | 1906 | ||
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| "Letter to Stanislavsky" | 1908 | |||
| 34 | Fourteen Songs | 1912 |
Vocalise (Op. 34, No. 14) is a slow piece either sung without words or played on a string instrument.
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| "From the Gospel of St. John" | 1915 | |||
| "Prayer" | 1916 | |||
| "All Things Wish to Sing" | 1916 | |||
| 38 | Six Songs | 1916 | ||
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[edit] References
- Bertensson, Sergei; Jay Leyda (2001). Sergei Rachmaninoff: A Lifetime in Music. Bloomington, Indiana: Indiana University Press. ISBN 0-2532-1421-1.
- Harrison, Max (2006). Rachmaninoff: Life, Works, Recordings. London: Continuum. ISBN 0-8264-9312-2.
- Norris, Geoffrey (1993). The Master Musicians: Rachmaninoff. New York City: Schirmer Books. ISBN 0-02-870685-4.
- Randel, Don M. (1999). The Harvard Concise Dictionary of Music and Musicians. Cambridge, Massachusetts: Harvard University Press (Belknap). ISBN 0-674-00978-9.
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