Donato Cabrera
From Wikipedia, the free encyclopedia
| Donato Cabrera | |
|---|---|
| Background information | |
| Born | February 4, 1973 |
| Origin | Reno, Nevada, United States |
| Occupation(s) | Musician, Conductor |
| Years active | 1997 - |
| Website | www.donatocabrera.com |
This page has been created based on the information provided by Donato Cabrera official website.
Donato Cabrera (February 4, 1973 - ) is in the vanguard among young American conductors. He made his professional debut with the Reno Chamber Orchestra [1] at the age of 24. Since his 1998 critically acclaimed European debut with the Zwei-Groschen Kammer Oper München, he has pursued a multi-faceted career. He has gained expertise from working with some of the world's leading conductors while also conducting opera companies and symphonic orchestras of the highest caliber. His aptitude and potentiality have been recognized by critics and musicians alike for the rare combination of passion, talent, and experience to conduct in the concert hall and opera house. He is currently the Associate Conductor of the San Francisco Opera.
Contents |
[edit] Biography
[edit] Opera
As the Associate Conductor of the San Francisco Opera, Cabrera was first engaged to prepare the cast and conduct all of the initial rehearsals for the world premiere production of John Adams’s opera, Doctor Atomic. This process has been preserved in the award-winning documentary, Wonders Are Many [2], which will be nationally broadcast in the United States on PBS in the fall of 2008. At the San Francisco Opera, he has conducted and assisted on productions of Don Giovanni, Tannhäuser, Die Zauberflöte, La Rondine, The Rake’s Progress, La Forza del Destino, Madama Butterfly, Manon Lescaut, Das Rheingold, Der Rosenkavalier, and Tristan und Isolde. He made his debut with the company in October 2006 conducting Die Fledermaus. Moreover, in December 2005, he made his highly acclaimed debut with the Portland Opera conducting Britten's The Rape of Lucretia [3]. Cabrera has recently been appointed as an Assistant and Cover Conductor for the Metropolitan Opera, where he will work with the New York Philharmonic’s incoming Music Director Alan Gilbert on a new production of Doctor Atomic.
[edit] San Francisco Bay Area
Cabrera has quickly established himself as an integral member of the Bay Area’s artistic community. He has frequently stepped in to conduct rehearsals for the San Francisco Symphony Youth Orchestra [4] and was a judge for their 2007 Concerto Competition. In the spring of 2008, he conducted a workshop of Brahms’s Symphony No. 1 with the San Francisco Conservatory Orchestra and was immediately reengaged in the 2008-09 season to lead further workshops of the core repertoire. In March 2008, he made his debut with Berkeley Opera [5], conducting a production of L’Elisir d’Amore, which received unanimous praise and glowing reviews [6] [7] [8] [9] [10] [11].
[edit] New Music
As Music Director and co-founder of the American Contemporary Music Ensemble (ACME) [12], Cabrera’s commitment to new music has been fully realized. With ACME, he was able to promote and perform works of promising young composers as well as to conduct modern-day masterpieces. To date, Cabrera has conducted ACME in works by John Adams, Jacob Druckman, Donald Martino, Frederic Rzewski, and Elliott Carter.
[edit] Music Education & Community Outreach
Cabrera is also dedicated to music education and community outreach. For over four seasons, he programmed and conducted Young People’s Concerts for the New Jersey Symphony Orchestra , annually performing to over fifteen thousand children throughout the state of New Jersey. He frequently led the Greater Newark Youth Orchestra [13], an organization that is dedicated to providing a musically enriching and nurturing atmosphere to inner-city youth in and around the city of Newark. In addition, he has conducted the youth orchestras of Juilliard, Cincinnati, Norwalk, CT, and Ridgefield, CT. Cabrera is also committed to working with young singers and has worked with members of the young artist programs of the Portland Opera and San Francisco Opera on numerous occasions.
[edit] Summer Festival
Cabrera has been an Assistant Conductor at many prestigious summer festivals including the Salzburg Festival, Ravinia Festival, Spoleto Festival, and Aspen Music Festival. For two summers, he served as Resident Conductor at the Music Academy of the West. As an assistant conductor, he has worked with many of the world’s leading conductors, including James Conlon, Mariss Jansons, Neeme Järvi, Nicola Luisotti, Zdenek Macal, Kurt Masur, Julius Rudel, Donald Runnicles, and Stanislaw Skrowaczewski.
[edit] Professional Engagements
[edit] Opera
- 2008 (Fall) Metropolitan Opera, Assistant and Cover Conductor for a production of John Adams's Doctor Atomic
- 2008 Berkeley Opera, Music Director and Conductor for a production of Donizetti's L'Elisir d'Amore
- 2006-7 San Francisco Opera, Guest Conductor
- October 2007, Die Zauberflöte
- October 2007, Tannhäuser
- June 2007, Don Giovanni
- October 2006, Die Fledermaus
- May 2006, Opera in the Gardens
- 2006-present San Francisco Opera, Associate Conductor
- Preparing casts and conducting rehearsals for Doctor Atomic, La Forza del Destino, Madama Butterfly, Die Fledermaus, Tristan und Isolde, Manon Lescaut, The Rake’s Progress, Das Rheingold, and La Rondine
- 2001 (Fall) Manhattan School of Music Opera Theater, Music Director for Opera Scenes Program
- 1998 Portland Opera, Guest Conductor for a production of Britten’s The Rape of Lucretia
[edit] Orchestra
- 2003-6 New Jersey Symphony Orchestra, Cover Conductor, including 18 series of subscription concerts per season
- 2002-6 New Jersey Symphony Orchestra, Guest Conductor for Education and Outreach Concerts
- 2004 Norwalk Youth Symphony Orchestra, Guest Conductor
- 2004 (Fall) Fort Worth Symphony Orchestra, Guest Conductor
- 2004 (Spring) Juilliard Pre-College Orchestra, Guest Conductor to lead rehearsals
- 2002 (Summer) Attergau Institut Orchester [14], Assistant Conductor to Mariss Jansons and Marcello Viotti
[edit] Music Festival
- 2005 Ravinia Festival, Assistant Conductor to James Conlon
- 2004 Spoleto Festival, Assistant Conductor to James Conlon
- 2003 Music Academy of the West, Guest Conductor for the Fourth of July Canadian Brass concert
- 2003&2004 Music Academy of the West, Assistant Conductor
- 2001 Aspen Music Festival Opera Theater, Assistant Conductor
- 1998 Zwei Groschen Opera Summer Festival, Music Director
[edit] New Music
American Contemporary Music Ensemble, Music Director & Co-Founder
[edit] Other
Recovering a Musical Heritage [15], Assistant Conductor to James Conlon
[edit] Education
- Manhattan School of Music
- Artist Diploma
- University of Illinois, Champaign – Urbana
- Master of Music – Orchestral Conducting, 1998
- University of Nevada, Reno
- Bachelor of Music Performance – Conducting, 1996
[edit] Repertoire
[edit] Opera
| Adams, John | Doctor Atomic |
|---|---|
| Beethoven | Fidelio |
| Bizet | Carmen |
| Britten | Rape of Lucretia |
| Donizetti | L’Elisir d’Amore |
| Menotti | Amahl and the Night Visitors |
| Mozart | La Clemenza di Tito; Così fan tutte; Don Giovanni; Le Nozze di Figaro; Die Zauberflöte |
| Poulenc | Les Dialogues des Carmelites |
| Puccini | La bohème; Gianni Schicchi; Madama Butterfly; Manon Lescaut; La Rondine; Tosca |
| Rossini | Il barbiere di Siviglia |
| Rota, Nino | Il Cappello di paglia di Firenze |
| Strauss, Johann II | Die Fledermaus |
| Strauss, Richard | Der Rosenkavalier |
| Stravinsky | Mavra; The Rake’s Progress |
| Ullmann, Viktor | Der Kaiser von Atlantis |
| Verdi | Falstaff; La Forza del Destino; Rigoletto; La Traviata |
| Wagner | Der Fliegende Hollander; Das Rheingold; Tannhäuser; Tristan und Isolde |
[edit] Symphonic
| Adams, John | Short Ride in a Fast Machine; Shaker Loops; Harmonielehre; Chamber Symphony;
Naïve and Sentimental Music; On the Transmigration of Souls |
|---|---|
| Arensky | Variations on a Theme of Tchaikovsky |
| Bach | Brandenburg Concerti; Orchestral Suites |
| Barber | Adagio for Strings; First Essay for Orchestra; Violin Concerto |
| Bartók | Concerto for Orchestra; Miraculous Mandarin; Piano Concerti 1 and 3; Violin Concerto no. 1 |
| Beethoven | Symphonies 1 – 9; Piano Concerti 1 – 5; Violin Concerto; Overtures: Egmont, Coriolan,
Leonore no. 3, Fidelio |
| Bernstein | Overture to Candide; Symphonic Dances from West Side Story;
Symphony no. 2 “The Age of Anxiety” |
| Berlioz | Symphonie fantastique; Selections from Romeo and Juliet |
| Bizet | L’Arlesienne Suites; Symphony in C |
| Bloch | Concerto Grosso no. 1 |
| Britten | Serenade for Tenor, Horn, and Strings; Simple Symphony |
| Brahms | Symphonies 1 - 4; Ein deutsches Requiem; Serenades 1 & 2; Piano Concerti; Violin Concerto;
Academic Festival Overture; Tragic Overture; Haydn Variations; Hungarian Dances 1, 3, 5 |
| Bruckner | Symphonies 4 - 7 |
| Copland | Symphony no. 3; Appalachian Spring; El Salon Mexico; Rodeo; John Henry |
| Debussy | Prelude al'Apres-Midi d'une Faune; La Mer |
| Druckman, Jacob | Come Round |
| Dvorak | Symphonies 5 – 9; Cello Concerto; Piano Concerto; Violin Concerto;
Overtures In Natur, Carnival, Otello, Water Goblin; Serenade for Strings |
| Elgar | Symphony no. 1; Cello Concerto; Enigma Variations |
| Glass | Violin Concerto |
| Grieg | Peer Gynt (excerpts); Piano Concerto |
| Haydn | Symphonies 6, 7, 8, 22, 82 – 104; Cello Concerti; Horn Concerti; Trumpet Concerto |
| Hindemith | Concerto for Orchestra; Kammermusik no. 1; Mathis der Maler; Symphonic Metamorphosis |
| Hummel | Trumpet Concerto |
| Mahler | Symphonies 1 - 7, 9 |
| Mendelssohn | Symphonies 3 – 5; Piano Concerto no. 1; Violin Concerto;
Incidental Music to A Midsummer Night’s Dream |
| Menotti | L’Apocalisse |
| Mozart | Symphonies 19, 25, 29, 35 – 41; Concerti: Flute K.314, Bassoon K.191, Clarinet K.622,
Piano K.466 and K.467; Requiem; Sinfonie Concertante K.364; Benedictus, K.117 |
| Nielsen | Symphony no. 4; Overtures Helios and Maskarade |
| Orff | Carmina Burana |
| Pärt | Cantus in Memory of Benjamin Britten |
| Poulenc | Le Bal masqué |
| Prokofiev | Symphonies 1, 5, 7; Piano Concerti 1, 3; Violin Concerti; Romeo and Juliet (selections) |
| Rachmaninov | Symphony no. 2; Piano Concerti 2, 3; Isle of the Dead |
| Ravel | Piano Concerto in G; Daphnis et Chloe Suite no. 2; Bolero; Rhapsodie Espagnol;
La Valse; Ma mere l’oye |
| Rimsky-Korsakov | Scheherazade; Cappricio Espagnol |
| Rossini | Overtures William Tell, La Gazza Ladra, L’Italiana in Algeri |
| Schubert | Symphonies 2, 3, 5, 8, 9; Overture to Rosamunde |
| Schulhoff, Erwin | Symphony no. 5; Piano Concerto; Jazz Suite |
| Schumann | Symphonies 1 – 4, Cello Concerto, Piano Concerto; Overture to Manfred |
| Shostakovich | Symphonies 1, 5, 6, 10, 11, 13 |
| Sibelius | Symphonies 1 – 7; Four Legends of Lemminkäinen; Finlandia; Violin Concerto;
Stenhammer; Piano Concerto no. 1 |
| Strauss, Johann II | Kaiser Walzer |
| Strauss, Josef | Sphärenklänge Walzer |
| Strauss, Richard | Also sprach Zarathustra; Don Juan; Ein Heldenleben; Four Last Songs;
Horn Concerto no. 1; Till Eulenspiegel’s lustige Streiche |
| Stravinsky | Pulcinella Suite; L’Histoire du Soldat; Dumbarton Oaks; Le Sacre de Printemps;
Petroushka; Firebird Suite |
| Suppé | Light Cavalry Overture, Poet and Peasant Overture |
| Tchaikovsky | Symphonies 4 – 6; Piano Concerto no. 1; Violin Concerto; Overture to Romeo and Juliet |
| Ullmann, Viktor | Symphony no. 2 |
| Verdi | Requiem |
| Zemlinsky | Sinfonietta |
[edit] Trivia
- Activities: cycling, music, cooking
- Interests: movies, history, philosophy, literature, ballet, plays, modern art, architecture, New York City, San Francisco, Spoleto, Europe, Italy, Austria, Germany, Vienna, Rome
- Favorite Music: Classical, Opera, Jazz, World, Rock, Mozart, Sibelius, Coltrane, Brahms, Radiohead, John Adams, Coldplay, Gaetano Veloso, Rzewski, Donald Martino, Druckman, Cage, Ben Folds, Beethoven, Peter Gabriel, Verdi, Berg, Dvorak, Ligeti, Monteverdi, Schutz, Xenakis, Mendelssohn, Schumann, Britten, Chris Isaak
- Favorite TV Shows: Madmen, Sopranos, Daily Show
- Favorite Radio Shows: The Brian Lehrer Show, New Sounds, This American Life, The Leonard Lopate Show
- Favorite Movies: Cinema Paradiso, Downfall, 400 Blows, Les Enfants du Paradis, Krzysztof Kieslowski films (Blue, White, Red), Allegro non troppo, Best in Show, Diabolique, Yojimbo, Amadeus, Talk to Her, Blade Runner, Brazil, Waiting for Guffman, Crouching Tiger Hidden Dragon, Motorcycle Diaries, Sideways, Das Boot, Maria Full of Grace, The Widow of St. Pierre
- Favorite Books: Guns Germs and Steel, Collapse, 100 Love Sonnets by Pablo Neruda, Great Expectations, most of Salman Rushdie, a lot of John Updike, Shikar, 100 Years of Solitude, The Sun Also Rises, Short Stories of Ernest Hemingway, The Pilgrimage
- Favorite Magazine: The New Yorker
- Favorite Quote: "Everything in moderation, including moderation."
- Other:
- He is 6'2" tall
- He has been a French horn player
- His parents are from Mexico
[edit] Photo Gallery
[edit] Portraits
[edit] On the Podium
[edit] Video Gallery
- Conducting Wagner's Tannhäuser at the San Francisco War Memorial Opera House, October 2007
- Conducting Mozart's Die Zauberflöte at the San Francisco War Memorial Opera House, October 2007
- Conducting Mozart's Don Giovanni at the San Francisco War Memorial Opera House, June 2007
- Conducting an orchestral rehearsal for Stravinsky's The Rake's Progress at the San Francisco War Memorial Opera House, 2007
[edit] Audio Gallery
- John Adams's Shaker Loops with American Contemporary Music Ensemble
- Overture to Strauss's Die Fledermaus at the San Francisco War Memorial Opera House, October 2006
- Overture from Mozart's Die Zauberflöte at the San Francisco War Memorial Opera House, October 2007
- Overture and Notte e giorno faticar from Mozart's Don Giovanni at the San Francisco War Memorial Opera House, June 2007
- Overture from Wagner's Tanhäuser at the San Francisco War Memorial Opera House, October 2007
[edit] References
- ^ Reno Chamber Orchestra
- ^ Wonders Are Many: San Francisco Film Festival
- ^ Portland Opera's The Rape of Lucretia review by Willamette Week
- ^ San Francisco Symphony Youth Orchestra
- ^ Berkeley Opera
- ^ Berkeley Opera's L'Elisir d'Amore review by East Bay Express
- ^ Berkeley Opera's L'Elisir d'Amore review by San Francisco Classical Voice
- ^ Berkeley Opera's L'Elisir d'Amore review by Berkeley Daily Planet
- ^ Berkeley Opera's L'Elisir d'Amore review by Bay Times
- ^ Berkeley Opera's L'Elisir d'Amore review by Napa Valley Register
- ^ Berkeley Opera's L'Elisir d'Amore review by Opera News Online
- ^ American Contemporary Music Ensemble (ACME)
- ^ Greater Newark Youth Orchestra
- ^ International Orchestra Institute Attergau
- ^ Recovering a Musical Heritage

