Boris (band)

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Boris
Boris performing live in concert (lead guitarist Wata not pictured)
Boris performing live in concert (lead guitarist Wata not pictured)
Background information
Origin Tokyo
Genre(s) Stoner rock
Doom metal
Drone music
Ambient music
Avant-garde metal
Noise Music
Psychedelic rock
Experimental rock
Years active 1992–present
Label(s) Southern Lord Records
Hydra Head Records
Inoxia Records
Diwphalanx Records
Associated acts Sunn O)))
Merzbow
Keiji Haino
Ghost
Website Official site
Members
Atsuo Mizuno
Wata
Takeshi
Former members
Nagata

Boris are a Japanese experimental trio, known for their genre-hopping in between and on records. As of 2008, personnel are drummer Atsuo, bassist/guitarist/vocalist Takeshi, and guitarist Wata.

Boris take their name from a song on the The Melvins' Bullhead, and released their first album Absolutego on their own label, Fangs Anal Satan. Since then, they have released 17 studio albums (including such acclaimed works as Pink and Heavy Rocks), a number of EPs, 7" singles, and full-length collaborative recordings, on various record labels around the world.

Contents

[edit] History

Boris were originally a four-piece, with Nagata on drums. Nagata departed in 1996 leaving Atsuo to take over drumming duties and they have remained a three-piece since.[1]

From their formation, Boris's members have made deliberate efforts to avoid being pigeon-holed, or too strongly associated with any musical style. "Having some kind of preconceived message or theme is very boring to me," noted Atsuo, the band's drummer. "It becomes a crutch. Just say what you want to say."[2]

The band's influences are eclectic, with Sleep, Nick Cave, Nick Drake, Venom, and the Melvins being a few of the more important ones. The group quickly realized that they did not fit in with the Japanese hardcore punk scene that birthed them, though they retain a fondness for the scene and its music.

Inner label artwork for many Boris LPs by fangsanalsatan
Inner label artwork for many Boris LPs by fangsanalsatan

In Japan, Boris release most of their music on the indie label Inoxia Records. Though relatively unknown in their home country, a recent series of reissues on US label Southern Lord Records has seen their popularity in North America increase dramatically, even gaining them widespread recognition in the mainstream music press. Many of Boris's vinyl releases feature similar artwork for the inner label of the record (pictured). This is a parody of the original Roger Dean artwork that Virgin Records used for many of their releases (seen here).

2005's Pink was met with considerable critical praise and a strong response from music fans when reissued in the US on Southern Lord Records. Blender magazine and SPIN magazine both named it one of 2006's best albums.[3] The album also topped the metal section of Canadian magazine Exclaim's 2006 Reader's Poll, and was in the top 10 of Pitchfork Media's Top 50 Records Of 2006.

Boris's recent vinyl-only release, Vein, focused on a sound derived from classic Japanese crust bands, such as Gloom, Confuse, and Gai.

[edit] Sound

Boris began their career as a hardcore punk band before quickly changing to a drone metal group. Their debut album, 1996's Absolutego, clocks in at well over an hour in length, yet features only one "song," essentially a collage of shapeless guitar noise -- with single chords sometimes stretching past the 4-minute mark -- and screamed vocals. Throughout their career, they would continue to dabble in this style; their albums Flood and Feedbacker also consist of single epic-length songs, though typically broken into smaller parts, and their The Thing Which Solomon Overlooked series could be described as being recorded experiments in the drone genre.

However, since about 2000, Boris has become more often seen as an updated version of the blues-rock power trio, influenced heavily by late-'60s and '70s groups such as Motörhead, Blue Cheer, and Cream. Boris first made use of this sound on their album Heavy Rocks, which has since become a fan favorite. This album marked a major shift in tone for Boris; comparing Absolutego to Heavy Rocks, it is as if one were comparing two very different bands.

Boris has collaborated with fellow Japanese musicians Keiji Haino, Michio Kurihara, and Merzbow, as well as the US's Sunn O))).

Another important concept in the band's aesthetic is the idea of "uppercase" and "lowercase" Boris. According to Atsuo, if the band's name appears as "BORIS" on the record cover, the music is a relatively conventional dose of rock or metal. If the name appears as "Boris" or "boris," then, the music is most likely an experimental recording.[1]

[edit] Instrumental setup

As mentioned, Boris play music in a variety of genres. This dictates that their setup in a live environment be equipped with many different effects pedals and other guitar accessories. Wata uses an E-bow to achieve bow-like sounds or to manipulate feedback; this device is held in the hand, like a pick, but relies on a strong magnetic pull to move the guitar's strings.

Further allusion to the sound of '70s hard rock is made in the band's exclusive use of Gibson guitars such as the SG and Les Paul models. Takeshi sometimes plays a double-necked Ibanez SG-style bass/guitar live, which allows him to drone away on the guitar during longer numbers but quickly switch to bass without needing to switch instruments. Wata uses the Orange cabinets and Matamp heads also favoured by stoner metal groups Sleep and High On Fire; Takeshi uses Ampeg bass amps, a trademark of desert rock legends Kyuss, and influential Palm scene guitarist Josh Homme.

In the studio, Boris records on analog equipment. They record as much as possible live, with minimal overdubs and as few takes as possible.[2]

[edit] Members

The members of the band each go by one name only. However, it has been revealed in recent years that Atsuo's surname is Mizuno, and it is possible that Takeshi's surname is Ohtani, as he was known until 1998. Fans often assume that Atsuo is the leader of the group, but since Atsuo speaks near-fluent English, he may be over-represented in English language interviews and press releases.

[edit] Discography

Main article: Boris discography

Listed below are the major releases from the band. For most collaborations, singles, and splits, see the main article.

Full-lengths
1996 Absolutego
1998 Amplifier Worship
2000 Flood
2002 Heavy Rocks
2003 Akuma no Uta
2003 Boris at Last: -Feedbacker-
2004 The Thing Which Solomon Overlooked
2005 Dronevil
2005 Soundtrack from Film “Mabuta no Ura”
2005 Pink
2005 Archive (Live)
2006 The Thing Which Solomon Overlooked 2
2006 The Thing Which Solomon Overlooked 3
2006 Vein
2008 Smile


Full-lengths (Reissues)
2001 Absolutego+
2001 Amplifier Worship
2003 Akuma no Uta
2006 Dronevil Final

Merzbow Collaborations
2002 Megatone
2004 04092001
2005 Sun Baked Snow Cave
2007 Walrus/Groon EP
2007 Rock Dream
200? Mellow Peak

Other Collaborations
1998 Black: Implication Flooding (with Keiji Haino)
2006 Altar (with Sunn O))))
2006 Rainbow (with Michio Kurihara of Ghost and White Heaven)

[edit] References

  1. ^ a b Altar liner notes (Daymare 3LP pressing)
  2. ^ a b "Atsuo - BORIS/boris." Rad Company. Date unknown. Retrieved on March 23, 2007.
  3. ^ "The 50 Greatest CDs of 2006." Blender Magazine Online. Jan/Feb 2007. Retrieved on February 9, 2007.

[edit] External links