Alien 3 (soundtrack)
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| Alien 3 | |||||
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| Soundtrack by Elliot Goldenthal | |||||
| Released | June 9th, 1992 | ||||
| Genre | Classical Avante garde Modernist Electronic Progressive |
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| Length | 47:58 | ||||
| Label | MCA MCA MCAD-10629 |
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| Producer | Matthias Gohl | ||||
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| Elliot Goldenthal chronology | |||||
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| Alien film series soundtrack chronology | |||||
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The avante garde Alien 3 score was written for the motion picture of the same name, scored by Elliot Goldenthal, it was his first big mainstream score; he described it as an experiment and spent a whole year creating it.[1]
Goldenthal's work for Alien³ is widely considered one of his most intensely inventive, visceral, influential works and indeed, by many listeners, to be his best;[2] Goldenthal himself cites the score as one of his stand-out soundtracks.[3]
Even though the score is generally considered a magnum opus it is also considered to be the case that most of the cues are quite "dissonant" and "bleak" for a casual movie score listener and, more, one for the aficionado.[4][5]
Contents |
[edit] Track listing
- "Agnus Dei" – 4:29
- Boy Soprano: Nick Nackley
- "Bait and Chase" – 4:42
- "The Beast Within" – 3:09
- "Lento" – 5:48
- "Candles in the Wind" – 3:20
- "Wreckage and Rape" – 2:43
- "The First Attack" – 4:19
- "Lullaby Elegy" – 3:41
- "Death Dance" – 2:18
- "Visit to the Wreckage" – 2:04
- "Explosion and Aftermath" – 2:21
- "The Dragon" – 3:08
- "The Entrapment" – 3:42
- "Adagio" – 4:14
[edit] Audio
The atmospheric, menacing cue that comes with the opening sequence of the Sulaco being evacuated by the on-board computer because of the alien presence and fire. This sample is taken from the part where the escape pod is hurtling through the planet's atmosphere.
Cue of the failed attempt to capture the alien; in the track we hear his epic use of horns; it shows his unique time signatures.
Cue from the scene where the sprinkler system is activated to destroy the alien; here Goldenthal's complex string arrangements are exemplified strongly.
The cue from the scene where Ripley commits suicide in the blast furnace; here Goldenthal's epic, anthemic crescendo makes it one of the standout tracks on the score.
[edit] References
[edit] External links
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