Yuri Landman

From Wikipedia, the free encyclopedia

Yuri Landman @ Output Festival 2007
Yuri Landman @ Output Festival 2007

Yuri Landman (born February 1, 1973) is a Dutch experimental luthier[1] and musicologist[2] who has made a biheaded guitar called The Moonlander for Lee Ranaldo of Sonic Youth[3], and an electric 12-string 3rd bridge overtone zither called The Moodswinger for Aaron Hemphill of Liars.[4] He has also been active as a comic artist, musician, and singer.

Contents

[edit] Comic books

Yuri Landman made his debut in the comics field in 1997 with 'Je Mag Alles Met Me Doen' (in Dutch). In the follow-up, released in 1998, 'Het Verdiende Loon', Landman described his negative experiences on a daily job.[5] For the second title he received the 1998 Breda Prize,[6] an award for rising new comic artists in Holland. Since then he has published no other comic books.

[edit] Musician

Together with Cees van Appeldoorn, he formed the lo-fi band Zoppo playing bass and prepared guitar.[7] After 2 albums and several 7”singles, Landman left the band. Landman then formed the noise band Avec Aisance (aka Avec-A) with drummer/producer Valentijn Höllander and released a CD, Vivre dans l’aisance.

[edit] Music instrument builder

While with Zoppo, Landman began creating and building several experimental string instruments, including electric zithers, electric Cymbalum, and electric Koto.

four early prototypes
four early prototypes

In the period 2000-2005 Landman created 9 prototype instruments.

  • The black 4-string movable 3rd bridge zither.
  • The red capozither, shown on the cover of Vivre dans l’aisance.
  • Robocop, a 6 string heavily adjusted guitar with 2 additional bridges and 3 outputs.
  • The 12 string overtonezither, the first prototype of Aaron Hemphill’s Moodswinger.
  • The blonde 3 string stereo-guitar, 1 bassstring tuned B, and 2 thin B tuned guitarstrings.
  • The green 7 string trio-guitar, 1 bassstring, DAD tuned guitarstring and 3 G#-strings.
  • The Electric Spring"
  • The electric cymbalum, 72 strings, 12 pickups, one for each tone.
  • The blue 4 string supertremolo-guitar, with no fretboard, but an adjustable pitchcontroll for the left hand.

[edit] Moodswinger

In March 2006 Landman contacted the noiseband Liars to make an instrument for them. After 6 months he finished 2 copies of The Moodswinger, an electric 12 string 3rd bridge overtone koto, one for guitarist/drummer Aaron Hemphill and one for himself.[8]

In 2006 luthier Yuri Landman built the Moodswinger, a 12 string overtone zither for Aaron Hemphill of Liars
In 2006 luthier Yuri Landman built the Moodswinger, a 12 string overtone zither for Aaron Hemphill of Liars

Although it closely resembles an electric guitar, it is actually a zither, as it has neither frets nor a proper neck. The pickup and electronics are built into the neck instead of in the body like usual electric guitars.

Tone combination
Tone combination[9]

The 3rd bridge divides the strings into two segments with different pitches. Depending on where the string is played, a bell-like harmonic second tone is created. The string resonates more or less when the back side is struck, depending on the position of the 3rd bridge along the string. This can be explained by acoustic resonance and microtonality. At harmonic nodal positions, the string resonates more than at other positions. For instance, dividing the string 1/3 + 2/3 creates a clear overtone, while 24/33 + 9/33 creates an indistinct overtone.

[edit] Tuning and scales

The Moodswinger is focused on an easy non-atonal playing technique. A mathematical scale is added to specify 23 harmonic positions on the strings. Because the instrument has 12 strings, tuned in a circle of fourths, it is always possible to play every note of the equal tempered scale. However some positions have a + or - indication, because the equal tempered scale is not a perfect well-tempered scale.[10]

Piano keys translated to Moodswinger tuning
Piano keys translated to Moodswinger tuning

The tuning of this instrument is a circle of fourths: E-A-D-G-C-F-A#-D#-G#-C#-F#-B, arranged in 3 clusters of 4 strings each to make the field of strings better readable.

Because of this tuning all five neighbouring strings form a harmonic pentatonic scale and all seven neighbouring strings form a major scale, available in every key. This allows a very easy fingerpicking technique without picking false notes, if the right key is chosen.

Moodswinger scale, based on overtone positions
Moodswinger scale, based on overtone positions

The instrument has 3 printed scales, used as guides for positioning the moveable third bridge and reading the played notes:

  • The normal guitar (equal-tempered) scale
  • An inverse scale (large steps between the frets at the top of the neck, small ones at the body bridge)
  • A microtonal scale which shows "logical" string divisions in the following color-coded groups:
    • Grey dot: 1/2
    • Red dot: 1/3+2/3
    • Orange dot: 1/4+3/4
    • Yellow dot: 1/5-4/5
    • Green dot: 1/6+5/6
    • Blue dot: 1/7-6/7
    • And a smaller subscale for the higher-pitched overtones near the body bridge in colored lines:
      • Grey line: 1/8
      • Red line: 1/9
      • Orange line: 1/10
      • Yellow line: 1/11
      • Green line: 1/12
      • Blue line: 1/16

[edit] Moodswinger overtone diagram

The sound of a 3rd bridged string is a combination of 3 tones. A soft sounding attack tone of the string part hit at the body side, the corresponding overtone of both sides and a resonating low fundamenal tone of the counterpart of the string at the head side. The diagram below shows the tone combinations of the overtone (above) and the low tone of the counterpart (below). The attack tone is in most positions exact the same note as the overtone. Exceptions are 3/4, 3/5, 3/7 and 5/7. In the 3/... positions the overtone is a perfect fifth of the attack tone, in the 5/7 positions the overtone is a major third of the attack tone.

Moodswinger overtone diagram, click for full-size image
Moodswinger overtone diagram, click for full-size image
Bridge position Colour codes Attack tone

related to open string[11]

Resonating fundamental of the counterpart [12]

related to open string

Corresponding overtone

related to open string

Corresponding overtone

related to fundamental of the counterpart

Cents

of string parts[13]

Body : Neck

0 Unison Unison
1/16 Grey line 4 Octaves Diatonic semitone 4 Octaves Augmented fourth 21ma
111.73 : 4800.00
1/12 Green line Just Perfect fifth 21ma Lesser undecimal neutral second Just Perfect fifth 21ma Just Perfect fourth 21ma
150.64 : 4302.00
1/11 Yellow line Greater septimal tritone 21 ma Greater undecimal neutral second Greater septimal tritone 21 ma Just major third 21ma
165.00 : 4151.30
1/10 Orange line Just major third 21ma Just minor tone Just major third 21ma Just minor tone 21ma
182.40 : 3986.30
1/9 Red line Just minor tone 21ma Major second or Just minor tone Just minor tone 21ma 3 Octaves
203.91 : 3803.90
1/8 Grey line 3 Octaves Diminished third 3 Octaves Just Major sixth 15ma
203.91 : 3600.00
1/7 Blue dot Augmented sixth 15ma Septimal minor third Augmented sixth 15ma Just Perfect fifth 15ma
266.87 : 3368.80
1/6 Green dot Just perfect fifth 15ma Just minor third Just perfect fifth 15ma Just major third 15ma
315.64 : 3102.00
1/5 Yellow dot Just major third 15ma Just major third Just major third 15ma 2 Octaves
386.31 : 2786.30
1/4 Orange dot Fifteenth Just perfect fourth Fifteenth Twelfth
498.04 : 2400.00
2/7 Blue dot Augmented sixth 8va Augmented fourth or tritone Augmented sixth 15ma Just major third 15ma
582.51 : 1782.51
1/3 Red dot Twelfth Just perfect fifth Twelfth Octave
701.96 : 1901.96
2/5 Yellow dot Just major third 8va Just major sixth Just major third 15ma Just Perfect fifth 8va
884.36 : 1586.31
3/7 Blue dot Septimal minor third 8va Augmented sixth Augmented sixth 15ma 2 Octaves
968.83 :1466.87
1/2 Grey dot Octave Octave Octave Unison
1200.00 :1200.00
4/7 Blue dot Augmented sixth Septimal minor third 8va Augmented sixth 15ma Just Perfect fifth 8va
1466.87 : 968.83
3/5 Yellow dot Just major sixth Just major third 8va Just major third 15ma Octave
1586.31 : 884.36
2/3 Red dot Just perfect fifth Twelfth Twelfth Unison
1901.96 : 701.96
5/7 Blue dot Augmented fourth or tritone Augmented sixth 8va Augmented sixth 15ma Octave
1782.51 : 582.51
3/4 Orange dot Just perfect fourth Fifteenth or 2 Octaves Fifteenth Unison
2400.00 : 498.04
4/5 Yellow dot Just major third Just major third 15ma Just major third 15ma Unison
2786.30 : 386.31
5/6 Green dot Just minor third Just Perfect fifth 15ma Just Perfect fifth 15ma Unison
3102.00 : 315.64
6/7 Blue dot Septimal minor third Augmented sixth 15ma Augmented sixth 15ma Unison
3368.80 : 266.87

[edit] Moonlander

Ranaldo's Moonlander, Yuri Landman, 2007
Ranaldo's Moonlander, Yuri Landman, 2007

In November 2006 Landman contacted Sonic Youth to make an instrument for them. After 3 months he finished 2 copies of The Moonlander, a biheaded electric 18 string drone guitar, one for guitarist Lee Ranaldo and one for himself.[14]

Based on a biplane, Landman combined the theorbo with the electric guitar. The 12 droning strings create a natural reverb, with specific desired frequencies, depending on in which tones the strings are tuned. The standard tuning for the droning strings is a circle of fourths divided over two octaves.

Besides this acoustic reverb possibility the guitar is also a stereo guitar. The two rotated pickups individually send out different signals coming from different strings, to make it possible to play two different guitarparts on one instrument at the same time. The nut and bridge allow repositioning of the strings, modifying the moonlander into a coursed instrument.

The Moonlander is visually a hybrid of the offset-waist body shaped lake placid blue Fender Electric XII with matching headstock and the Vox Mark VI. The name is derived from the 1973 computer game Moonlander aka Lunar Lander.

The bi-headstock
The bi-headstock

The Moonlander is a biheaded electric guitar with 18 strings: 6 normal strings and 12 sympathetic strings. Although it closely resembles an electric version of a harp guitar it is actually an electric sympathetic string guitar, because the droning strings are not meant to be plucked, but resonate on the played tones from the six normal strings.[15] The drone strings cross the plucked strings at an angle, and are attached to the machine head by a raised headstock.

The guitar has four separate outputs:


  1. The output for the bridge pickup, like on any other normal guitar
  2. The output for the droning strings pickup
  3. Output 3 for the upper rotated neck pickup, for a stereo option
  4. Output 4 for the lower rotated neck pickup, for a stereo option


Similar to the Liars' Moodswinger, two blue copies of this instrument have been made, one for Ranaldo and one for Landman himself. Currently Landman is finishing another experimental instrument for Jad Fair of Half Japanese.

[edit] Springtime

Main article: Springtime (guitar)
Springtime, 2008
Springtime, 2008

The Springtime is an experimental electric guitar with seven strings and three outputs. The first prototype of this instrument created in 2008 was made for guitar player Laura-Mary Carter of Blood Red Shoes.[16]

[edit] Music

After Liars received their Moodswinger, they started recording their fourth album Liars. The song Leather Prowler is played with the Moodswinger,[17] in many reviews confused with a piano.[18]

[edit] Discography

with Zoppo

[edit] audio

  • Chi pratica lo impare zoppicare (1998)
  • Nontonnen promo 7" (1998)
  • Double the fun splitt 7" (1999)
  • Belgian Style Pop (1999)

[edit] video

  • Flooded made by Dan Geesin (1999)

with Avec Aisance

[edit] albums

  • Vivre dans l'aisance (2004)

[edit] video

  • Not like my sister behaves (2004)
  • A second too lazy (2005)
  • Like my friend blue (2005)

[edit] References

  1. ^ Oddmusic A website dedicated to unique, odd, ethnic, experimental and unusual musical instruments and resources.
  2. ^ http://www.vpro.nl/programma/cantina/afleveringen/39240169/ VPRO radio 6
  3. ^ Dutch article on spunk.nl a youth e-zine of NRC Handelsblad
  4. ^ Experimental Luthier Yuri Landman Introduces the Moodswinger
  5. ^ http://lambiek.net/artists/l/landman_yuri.htm Lambiek.net - Comicclopedia of Lambiek
  6. ^ zozolala 103 - A copy of the article on [1], line 7 in the text notices the Prijs van Breda (Breda Prize)
  7. ^ [2] Zoppo bio in English on The Dutch Rock & Pop Institute
  8. ^ Article on modernguitars.com
  9. ^ http://id.mind.net/~zona/mstm/physics/waves/interference/ waveInterference1/WaveInterference1.html
  10. ^ BAIN: The Harmonic Series (Overtone Series)
  11. ^ http://www.xs4all.nl/~huygensf/doc/intervals.html List of interval names in English
  12. ^ http://www.xs4all.nl/~huygensf/doc/intervals.html List of interval names in English
  13. ^ BAIN ATMI 2002: Cents/RatioToCents Appl
  14. ^ http://www.amsterdamweekly.nl/pdf/volume4/AmsterdamWeekly_Issue35_30August.pdf Page 15
  15. ^ http://www.amsterdamweekly.nl/pdf/volume4/AmsterdamWeekly_Issue35_30August.pdf Page 15
  16. ^ [3][4][5] Three articles on modernguitars.com, vintageguitars.com and the website of The Dutch Rock & Pop Institute
  17. ^ [6] Pitchfork interview with Yuri Landman
  18. ^ [7][8][9][10][11] 5 reviews which describe the sound of a piano.

[edit] Sources

[edit] Dutch

[edit] External links