Terry Moore (comics)

From Wikipedia, the free encyclopedia

For other persons of the same name, see Terry Moore.

Terry Moore at Heroes Con 2006.

Terry Moore is a comic book author, graphic novelist and illustrator.

He created the popular series Strangers in Paradise, and was involved in the founding of Homage Comics.

1 Biography
2 Themes in Moore's Work
3 Bibliography
4 References
5 External links

[edit] Biography

Following the examples of independent comic creators such as Dave Sim and Jeff Smith, he decided to publish Strangers in Paradise himself through his own Houston-based "Abstract Studios" imprint, and has frequently mentioned a desire to do a syndicated cartoon strip in the authors notes at the back of the Strangers in Paradise collection books. He has also mentioned his greatest career influence is Peanuts' Charles Schulz.^[1] Some of Moore's strip work can additionally be found in his Paradise, Too! publications.

His work has won him recognition in the comics industry, including receiving the Eisner Award for Best Serialized Story in 1996 for Strangers in Paradise #1-8, which was collected in the trade paperback "I Dream of You".

It was announced on June 15th, 2007 that Moore would be taking over for Sean McKeever as writer of Marvel Comics's Spider-Man Loves Mary Jane series starting with a new issue #1. On July 27th, Marvel announced that Moore would also take over for Joss Whedon as writer of Marvel's Runaways.^[2]

On November 19th, 2007 Terry Moore announced in his blog that his new self-published series would be named Echo and its first issue would appear on March 5th, 2008.^[3]

[edit] Themes in Moore's Work

Moore's work is known for its sensitive and realistic portrayals of women in particular.Template:Fact see talkpage At a time when the comics industry was portraying women in highly exaggerated and sexualized images, Moore created female (and male) characters with natural body fat and who had body image problems.^{[citation needed]} Moore continually emphasized in his editorial pages how he wanted to portray real women in real relationships, rather than the busty, unrealistic images that were common in most comic books in the early nineteen-nineties.^{[citation needed]}

Moore also took on the controversial subject of sexuality and lesbianism in his work.^{[citation needed]} His female protagonists, while never explicitly adopting a sexual identity, struggle throughout the stories with their relationships with one another, with their male counterpart, and whether friendship can be or should be discrete from romantic love.^{[citation needed]}