Spengler's civilization model
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This is a diagram of Oswald Spengler's civilization model.
[edit] Spiritual epochs
| Phase | Indian Culture since 1500 BC |
Classical Culture since 1100 BC |
Mid-Eastern Culture since 1 |
Western Culture since 900 |
|---|---|---|---|---|
| Spring Intuition, powerful cultural creation from awakening souls, unity and abundance. |
Birth of a grand myth signifying a new conception of God. Fear and longing for the world. | |||
| 1500 BC-1200 BC | 1100 BC-800 BC | 1-300 | 900-1200 | |
| Earliest metaphysical organization of the world. High scholasticism. | ||||
| Contained in the oldest parts of the Vedas |
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| Summer Maturing consciousness. Earliest urban-civil society and critical thought. |
Reformation: revolt of the religious moderates against the early religion. | |||
| 10-9th century BC | 7th century BC
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| Beginnings of a purely philosophical movement. Contrasting idealistic and realistic systems | ||||
| Contained in the Upanishads | 6-5th century BC | 6-7th century | 16-17th century | |
| Mathematical breakthroughs leading to a new conception of the world. | ||||
| Missing | 540 BC
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| Rationalism. The depletion of mysticism from religion. | ||||
| Traces in the Upanishad | 540 BC
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650s |
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| Fall Urban rise. High point of disciplined organizational strength. |
Faith in the omnipotence of rationality. Cult of Nature. | |||
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| The height of mathematical thought. | ||||
| Zero as a number | ||||
| The last idealists. Theories of knowledge and logic. | ||||
| Winter Coming fissure in the world-urban civilization. Exhaustion of mental organization strength. Irreligioussness rises. |
Materialism: Cults of science, utility, and luck. | |||
| Ethical-social ideals: philosophy without mathematics, skepticism. | ||||
| Elements of Buddhism | Elements of Islam | |||
| The last mathematical thinkers. | ||||
| Missing | ||||
| Decline of abstract thinkers, and the rise of specialized academic philosophy. | ||||
| Schools of | ||||
| Spread of the last ideas. | ||||
| Indian Buddhism since 500 | Roman Stoicism since 200 | The practical Fatalism of Islam since 1000 | The spread of ethical Socialism since 1900 | |
| Second religiousness (in the masses only). | ||||
| The success of Islam in India after 1150 | The rise of Christianity in Rome and the suppression of polytheism after about 400 | Syncretism in Islam under the Seljuq dynasty | The increasing importance of fundamentalist ideas around the world | |
[edit] Artistic epochs
| Phase | Egyptian Culture | Classical Culture | Arab Culture | Western Culture | |
|---|---|---|---|---|---|
| Prehistory A chaos of primitive styles. Mystical symbolism and naïve imitation. |
2830 BC-2600 BC | 1600 BC-1100 BC | 500 BC-0 | 500-900 | |
| Culture The dominant stylistic idiom which fundamentally underpins the life of a culture is formed from necessity. |
Early Period Ornamentation and architecture are the first basic expression of the recent world-historical consciousness. |
2600 BC-2200 BC | 100 BC-650 BC | 0-500
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900-1500 |
| Birth and ascent. Artistic forms are not consciously arising, but reflect the spirit of the landscape. | |||||
| 2550 BC-2320 BC | 11-9th century BC
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1st-3rd century
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11-13th century | ||
| Completion of the early stylistic idiom. Exhaustion of its possibilities leading to contradiction. | |||||
2320 BC-2200 BC
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8-7th century BC
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4-5th century | 14-15th century
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| Late Period Formation of an urban group of selective, self-conscious artists: "the old masters." |
Instruction in formal artistry. | ||||
2130 BC-1990 BC
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| Completion of an intellectual stylistic idiom | |||||
1990 BC-1790 BC
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480 BC-350 BC
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7-8th century
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| Exhaustion of the strict organizational strength. Dissolution of the cultural idiom. The end of classic and romantic styles. | |||||
| Confusions in 1700 BC limit change in art |
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| Civilization Existence without internal form. Metropolitan city art as habit, luxury, sport, excitement. Trendy style fashions (revivals, arbitrary inventions, borrowings) without larger symbolic content. |
Modern art. Attempts to alter and provoke metropolitan city consciousness. Conversion of music, architecture and painting into mere arts and crafts. | ||||
| 1675 BC-1550 BC | 9-10th century | 19-20th century | |||
| End of any development in stylistic form. Senseless, empty, cumulative architecture and ornamental art. Imitation of archaic and exotic themes. | |||||
1550 BC-1328 BC
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100 BC-100 AD |
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Since 2000 | ||
| Exit. Training of a rigid form. The Caesars flaunt materialism for mass effect. Provincial arts and crafts. | |||||
1328 BC-1195 BC
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To come | ||
[edit] Political epochs
| Phase | Egyptian Culture | Classical Culture | Chinese Culture | Western Culture | |
|---|---|---|---|---|---|
| Prehistory A chaos of primitive styles. Mystical symbolism and naïve imitation. |
2830 BC-2600 BC | - | - | - | |
| Culture Maturing consciousness. Earliest urban-civil socity and critical thought. |
Early Period Maturing consciousness. Earliest urban-civil socity and critical thought. |
- | - | - | - |
| - | |||||
| - | - | - | - | ||
| - | |||||
| - | - | - | - | ||
| Late Period Maturing consciousness. Earliest urban-civil socity and critical thought. |
- | - | - | - | |
| - | |||||
| - | - | - | - | ||
| - | |||||
| - | - | - | - | ||
| - | |||||
| - | - | - | - | ||
| Civilization Urban rise. High point of disciplined organizational strength. |
- | ||||
| - | - | - | - | ||
| - | |||||
| - | - | - | - | ||
| - | |||||
| - | - | - | - | ||

