Russel Wright
From Wikipedia, the free encyclopedia
| Russel Wright | |
 Russel's trademarked signature appeared on more than 250 million pieces of his American Modern dinnerware. |
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| Born | April 3, 1904 Lebanon, OH |
| Died | December 21, 1976 (aged 72) New York City |
| Field | Industrial design |
| Movement | American Modern |
Russel Wright (April 3, 1904 – December 21, 1976) was an American Industrial designer during the 20th century. Beginning in the late 1920s through the 1960s, Russel Wright created a succession of artistically distinctive and commercially successful items that helped bring modern design to the general public.
Wright is best known for his colorful American Modern dinnerware, the most widely sold American ceramic dinnerware in history, manufactured between 1939 and 1959 by Steubenville Pottery in Steubenville, Ohio. He also designed top selling wooden furniture, spun aluminum dining accessories and textiles. His simple, practical style was influential in persuading ordinary Americans to embrace Modernism in the 1930s, 1940s and 1950s. Wright's trademarked signature was the first to be identified with lifestyle-marketed products, paving the way for personality-driven lifestyle empires such as Martha Stewart, Ralph Lauren and others.
Wright designed the first line of melamine resin plastic dinnerware for the home called "Residential" manufactured by Northern Plastic Company of Boston, MA. This was the most popular "melmac" plastic line in the 1950s and received the Museum of Modern Art Good Design Award in 1953. The line remained popular for many years continuing in production by Home Decorators, Inc. of Newark, NY.
Wright designed a succession of popular furniture lines for many furniture companies beginning in the early 1930s through the 1950s. His most popular line of essentially Art Deco American Modern "blonde" wooden furniture was produced by the Conant-Ball company of Gardner, Massachusetts between 1935 and 1939, and bore the branded mark "American Modern Built by Conant-Ball Co. Designed by Russel Wright".
Russel Wright’s method of design came from the belief that the table was the center of the home. Designing in layers from there outwards, he designed tableware to larger furniture, architecture to landscaping, all according to his concept of easy, informal living. It was through his immensely popular and widely distributed housewares and furnishings that he revolutionized the way Americans lived and organized their homes in the mid 20th century.
Wright's legacy continues today as his company Russel Wright Studios remains an active industrial design licensing firm. With offices in Garrison, New York and Burbank, California, Russel Wright Studios continues to work with corporate and public clients in the licensing and manufacturing of his designs and products.
[edit] Personal life
Born into an historic, old American family, his mother had direct lineage with two signers of the Declaration of Independence, and his father and grandfather were local judges. Russel's early art training was under Frank Duveneck at the Art Academy of Cincinnati while still in high school. While following his family's tradition of studying law at Princeton University, he won several Tiffany & Co. prizes for outstanding WW1 memorial sculptures, confirming his conviction gained in the year before college while a student at the Art Students League of New York, that his future was in the field of art. He left Princeton for the New York theater world and quickly became a set designer for Norman Bel Geddes, leading to further theater work with George Cukor, Lee Simonson, Robert Edmond Jones, and Rouben Mamoulian. It was at this time that he started his own firm making theatrical props, to which furniture and decorative accessories were eventually added. Although firmly rooted in the Midwest, he spent the entirety of his professional artistic career in New York, employing such early modern design practitioners as Petra Cabot in the designs of his dinnerware.
He married Mary Small Einstein, a designer, sculptor and businesswoman, in 1927, after a short yet care free summer together in Woodstock, New York, where Russel was involved in the New York artist's Maverick Festival and artist colony. Mary, who studied sculpture under Alexander Archipenko, was a member of the prominent New York family that included Albert Einstein, who often entertained Russel during family gatherings for many years thereafter in New York. Together Mary and Russel went on to form Wright Accessories, a home accessories design business and began creating small objects for the home consisting of cast metal animals and informal serving accessories of spun aluminum and other materials. The couple also wrote the best-selling Guide to Easier Living in 1950 that described how to reduce housework and increase leisure time through efficient design and management.
Wright’s only daughter, Annie, was born shortly before her mother Mary died in 1952, necessitating Wright's raising his daughter as a single parent. Annie Wright continues to manage her father’s designs and products through Russel Wright Studios.
After his wife’s death, he retired to his 75 acre estate, Manitoga in Garrison, New York, building an eco-sensitive Modernist home and studio called Dragon Rock. Manitoga is a U.S. Department of Interior designated National Historic Landmark and open to the public.
[edit] Bibliography
- Guide to Easier Living by Mary and Russel Wright. (Reprint, Gibbs Smith, 2003) ISBN 1-58685-210-8.
- Russel Wright: Good Design Is For Everyone - In His Own Words Manitoga/The Russel Wright Design Center. (Universe, 2001) ISBN 0-9709459-1-4.
