Raga Bhopali
From Wikipedia, the free encyclopedia
Bhopali, also Bhoop or Bhupali, is a Hindustani classical raga.
Contents |
[edit] Theory
Writing about the musical theory of Indian classical music is fraught with complications. First of all, there have been no set, formal methods of written notation. Indian music is an aural tradition, and therefore writing is not an essential part of attaining talim(knowledge).
[edit] Arohana & Avarohana
Arohana
Sa Re Ga Pa Dha Sa
Avarohana
Sa Dha Pa Ga Re Sa Dha_ Sa
[edit] Vadi & Samavadi
Gandhar - G
Dhaivat - D
[edit] Pakad or Chalan
The Pakad (catchphrase that helps to identify a raga) is:
S R G R S D1 S R G
or:
S R G R S D1 S R G P G D P G R S
Some chalans (or elaborations of the pakad) are:
1. S R G R S D1 S R G
2. S R G R S D1 P1
3. P1 D1 S R G R G
4. S R P G
5. G R S R G P
6. G P D P D D S’
7. P G P D P D S’ R’ G’ R’ G’
8. G’ R’ S’ D P G R S
[edit] Organization & relationships
Related ragas: List related ragas here, making each raga a link with [[ ]].
Thaat: Choose closely applicable thaat here. Choices are Bilawal, Khamaj, Kafi, Asawari, Bhairavi, Marwa, Purvi, Todi.
[edit] Behavior
Behavior refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.
[edit] Samay (Time)
Evening time.
[edit] Seasonality
Certain ragas have seasonal associations.
[edit] Rasa
[edit] Historical Information
[edit] Origins
[edit] Important Recordings
E ri Aaj Bhaeelawa
Jab Se Tumi San Lagali - Kishori Amonkar
Sahela Re - Kishori Amonkar
[edit] References
Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.
[edit] External links
SRA on Samay and Ragas
SRA on Ragas and Thaats
Rajan Parrikar on Ragas
| This article about the Music of India is a stub. You can help Wikipedia by expanding it. |
