Peggy Bernier
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Peggy Bernier (19 March 1907-5 March 2001) was a comedian and film actress who was popular in the 1920s and 1930s.
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[edit] Stage comedian
She was a chorus girl who was promoted by orchestra leader and master of ceremonies, Paul Ash. Ash also assisted Ginger Rogers, Tommy Mally, Dave Appolon, and Paul Small. He was sometimes called Maker of Radio and Stage Stars. At the age of Bernier was in a musical show in New York City. The show disbanded in Chicago, Illinois and Bernier was at one time sitting in a restaurant, unemployed. Ash noticed her and offered her an engagement after she volunteered an impersonation of Al Jolson while in the eating establishment, with her friends. Bernier accompanied Ash, was a success with him, and later in California.
Bernier was with the Rubeville Follies, produced by Jack Partington, in August 1926. She appeared at the Metropolitan Theater in Los Angeles, California. She was billed as Al Jolson's world's worst voice girl. In November she was in the cast of Actors' Night In Coffee Dan's, which included a unique stage setting and new numbers sung by Brenier.
She was on stage at the Paramount Theater in June 1929. The following week she began rehearsing for a musical show entitled Me For You. It had an original musical comedy libretto written by Owen Davis, with lyrics by Richard Rodgers and Lorenz Hart. The show played the Alvin Theatre on Broadway after being presented in Detroit, Michigan and Philadelphia, Pennsylvania. Bernier was joined in the cast by Jack Whiting, Betty Compton, and Gordon King. The producers were Alexander Aarons and Vinton Freedley. Me For You was about the daughter of a bootlegger. Every character in the play appeared to be involved in the moonshine business.
In January 1931 Bernier replaced Frances Upton in You Said It, which was then trying out in Philadelphia, Pennsylvania. The comedy opened in New York at Chanin's 46th Street Theater with Jack Yellen and Lou Holtz (actor) as producers. Holtz performed the featured role as the old undergraduate. Bernier was among the supporting actors as were Lyda Roberti and George Haggerty. The comedy's libretto was authored by Yellen and Sid Silvers.
When Children of Divorce (1926) played the Metropolitan Theater, Bernier was in the variety entertainment which accompanied the screening of the Clara Bow and Gary Cooper movie. Bernier sang hit songs with Eddie Peabody who presented an exciting jazz divertissement, Piano Mania. Bernier and Peabody combined for similar stage shows at other premieres. Some of the titles include Way Out West and Opera vs. Jazz In May 1927 Bernier sang Crazy Words. The song mentions Napoleon Bonaparte, Mark Antony, Admiral Perry, and others.
[edit] Movies
She was in the Hit Parade (1937), a motion picture which starred Frances Langford and Phil Regan. Bernier played in One On The Aisle (1930) and has an uncredited role in Rebellious Daughters (1938).
[edit] Marriage
Bernier married Milton Watson, a featured actor in the comedy routine Sons o' Guns. Watson was also discovered by Ash when he was studying to become a school teacher in California.
[edit] References
- "Maker Of Stars Is Paul Ash's Record", Charleston Daily Mail, May 3, 1931, p. 23.
- "Diplomacy Adapted From Victorien Sardou Romance", Los Angeles Times, August 27, 1926, p. A9.
- "Shirley Wasn't Playing Either", Los Angeles Times, November 13, 1926, p. 7.
- "Playdom", Los Angeles Times, April 23, 1927, p. A7.
- "Peggy Bernier Wins Chance By Impersonation", Los Angeles Times, May 17, 1927, p. A11.
- "Gossip of the Rialto", New York Times, June 23, 1929, p. X1.
- "Two New Musical Plays", New York Times, June 25, 1929, p. 40.
- "Me For You Coming Here", New York Times, September 9, 1929, p. 36.
- "In The Tryout Places", New York Times, September 22, 1929, p. X2.
- "Theatrical Notes", New York Times, January 7, 1931, p. 38.
- "You Said It at Chanin's Jan. 19", New York Times, January 9, 1931, p. 28.
- "The Week's Opening", New York Times, January 18, 1931, p. 107.
- "Orpheum Bills Hit Parade For Thursday", Oakland Tribune, May 4, 1937, p. 20.

