Parliament (band)
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| Parliament | |
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| Background information | |
| Origin | Detroit, MI |
| Genre(s) | Funk, soul |
| Years active | 1968 - 1980 |
| Label(s) | Casablanca Invictus |
| Associated acts | Parlet Funkadelic |
| Former members | |
| Bernie Worrell Reunald "Renny" Jones Eddie Hazel Maceo Parker Walter "Junie" Morrison Bootsy Collins Jerome Brailey George Clinton Gary "Muddbone" Cooper Ray Davis Ron Ford Ramon Tiki Fulwood Rick Gardner Glen Goins Michael Hampton Clarence "Fuzzy" Haskins Tyrone Lampkin Cordell Mosson Lucius Tawl Ross Garry Shider Dawn Silva Calvin Simon Grady Thomas Greg Thomas Jeanette "Baby" Washington Fred Wesley Debbie Wright Shirley Hayden Billy "Bass" Nelson Larry Heckstall Robert "P-Nut" Johnson Prakash John |
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- The bands Parliament and Funkadelic cannot be easily separated. For more information, see Parliament-Funkadelic.
Parliament was originally The Parliaments, a doo-wop group based out of George Clinton's Plainfield, New Jersey barber shop. The name was soon abandoned due to legal issues with Revilot and Atlantic Records, and most of the same people recorded under the name Funkadelic, which consisted of The Parliaments' backing musicians, most importantly Billy Bass Nelson. Soon, Parliament was created in addition to Funkadelic and the two bands consisted of essentially the same people (see List of P Funk members), though both released albums under their respective names.
The legal problems with the name "The Parliaments" were resolved in 1970, and Clinton signed all of Funkadelic to Invictus Records under the name Parliament, releasing Osmium ("The Breakdown" reached #30 on the R&B charts in 1971) but the name Parliament was then abandoned for some time, as Funkadelic was much more successful.
In the early 1970s, Bernie Worrell, Bootsy Collins and Catfish Collins joined Funkadelic, which released five albums by 1974. With only moderate success, Funkadelic signed with Casablanca Records as Parliament, releasing "Up for the Down Stroke" (off the album of the same name) which reached #10 on the R&B charts but peaked at #63 Pop. 1975 saw the release of Chocolate City, which also enjoyed moderate success; the titular track reached #24.
With the ensuing albums, Parliament became one of the most respected bands on the 1970s, and are now recognized as one of the forefathers of funk music. Of particular interest are the spacy themes of Starchild, Sir Nose and other recurring characters from multiple albums. See P Funk mythology.
[edit] Discography
[edit] References
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[edit] External links
- History of Parliament/Funkadelic (at the P-Funk portal NewFunkTimes.com)
