Me and You and Everyone We Know
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| Me and You and Everyone We Know | |
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| Directed by | Miranda July |
| Produced by | Gina Kwon |
| Written by | Miranda July (screenplay) |
| Starring | Miranda July John Hawkes Miles Thompson Brandon Ratcliff Natasha Slayton Najarra Townsend Carlie Westerman |
| Cinematography | Chuy Chavez |
| Editing by | Andrew Dickler Charles Ireland |
| Distributed by | IFC Films |
| Release date(s) | June 17, 2005 (limited) |
| Running time | 90 min. |
| Language | English |
| IMDb profile | |
Me and You and Everyone We Know is a 2005 film and was the debut feature-length film by Miranda July. The film won the Caméra d'Or at the Cannes Film Festival.
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[edit] Plot
The structure of the film consists of several subplots which all revolve around an intertwined cast of characters.
The film begins by introducing Richard (John Hawkes), a shoe salesman and recently separated father of two. After being thrown out by his wife, he gets an apartment of his own to share with his children, Peter (Miles Thompson) and Robby (Brandon Ratcliff). He meets Christine (Miranda July), a senior-cab driver and amateur video artist, while she shops for shoes, and the two develop a fledgling romantic relationship.
Robby, six years old, and his 14 year old brother have a joint online chat which he later depicts in another chat session as ))<>((. This piques the interest of the woman at the other end and she suggests a real-life meeting.
Two of Richard's neighbors, 15-year-olds Heather (Natasha Slayton) and Rebecca (Najarra Townsend), develop a playful relationship with a much older neighbor. As a result of this relationship, Heather and Rebecca ask 14-year-old Peter if they can practice oral sex on him, so that he can tell them which of the two does it better; so they do (filmed from the waist up). They later come to the neighbor's house intending to have sex with him, as practice, which shocks him, and he pretends not to be home.
Meanwhile, Christine's work is rejected by a contemporary art museum, but then later accepted by the curator, who turns out to be the woman who was instant messaging with the brothers.
The plots come together in the end, with Peter developing a friendship with the daughter of a neighbor, Christine and Richard displaying a show of mutual acceptance of their attraction to each other, and as a final plot device, Robby finding that the noise he'd been awoken to every morning very early was that of an early rising businessman tapping a quarter on a street sign pole. When asked why he's doing it, he stops and turns around, saying "Just passing the time." and gives Robby the quarter. When his bus drives away and Robby tries it out himself, the sun heightens with each tap, time literally passing as he does it.
[edit] Production notes
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Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones. |
- This film was shot digitally using a Sony HDW-F900 CineAlta camera. [1]
- Peter and Robby use the Gaim instant messaging client.
- ASCII art is showcased throughout the film; such as the Earth, a tiger, and defecation.
- The distinctive score was performed largely on a circuit bent Casio SK-1 sampling keyboard.[citation needed]
- The book Christine reads and marks up in bed while waiting for Richard's phone call is Going to Pieces without Falling Apart: A Buddhist Perspective on Wholeness by Mark Epstein.
