Maria Stuarda

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Operas by Gaetano Donizetti

Il Pigmalione (1816)
Enrico di Borgogna (1818)
Pietro il grande (1819)
Zoraida di Granata(1822)
La zingara (1822)
Alfredo il grande (1823)
L'ajo nell'imbarazzo (1824)
Emilia di Liverpool (1824)
Alahor in Granata (1826)
Elvida (1826)
Gabriella di Vergy (1826)
Olivo e Pasquale (1827)
Otto mesi in due ore (1827)
L'esule di Roma (1828)
Alina, regina di Golconda (1828)
Gianni di Calais (1828)
Il castello di Kenilworth (1829)
Il diluvio universale (1830)
Imelda de' Lambertazzi (1830)
Anna Bolena (1830)
Le convenienze ed
inconvenienze teatrali (1831)
Gianni di Parigi (1831)
Francesca di Foix (1831)
Fausta (1832)
Ugo, conte di Parigi (1832)
L'elisir d'amore (1832)
Sancia di Castiglia (1832)
Parisina (1833)
Torquato Tasso (1833)
Lucrezia Borgia (1833)
Rosmonda d'Inghilterra (1834)
Gemma di Vergy (1834)
Marino Faliero (1835)
Maria Stuarda (1835)
Lucia di Lammermoor (1835)
Belisario (1836)
Il campanello (1836)
Betly, o La capanna svizzera (1836)
L'assedio di Calais (1836)
Roberto Devereux (1837)
Maria de Rudenz (1838)
Poliuto (1838)
Pia de' Tolomei (1838)
Le duc d'Albe (1839)
La fille du régiment (1840)
La favorita (1840)
Adelia (1841)
Rita (1841)
Maria Padilla (1841)
Linda di Chamounix (1842)
Caterina Cornaro (1844)
Don Pasquale (1843)
Maria di Rohan (1843)
Dom Sébastien (1843)

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Maria Stuarda (Mary Stuart) is a tragic opera, tragedia lirica, in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Friedrich von Schiller's 1800 play Maria Stuart.

It received its premiere on December 30, 1835 at La Scala, Milan.

The subject is based on the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Queen Elizabeth I. The king banned performances of the opera, and Donizetti responded by removing large segments of the score for use in a different work, Buondelmonte. However, Maria Malibran (a famous mezzo-soprano who often sang soprano parts) forced a premiere at La Scala and ignored the censoring revisions, but a ban by the city was enforced.

Realizing the impossibility of a run in Italy, a London premiere was planned, but Malibran's death at the age of 28 in 1836 cancelled the project. Except for several productions of the Buondelmonte version, the work was neglected until 1958 when a production in Bergamo, Donizetti's hometown, brought the original work into popularity. The premiere in England was held on March 1, 1966.

When forced to simplify part of the music for the original Elisabetta, Donizetti scribbled on the margin "But it's ugly!", and further on refused a change, writing "Do it, and may you live for a hundred years!"[1]

Contents

[edit] Roles

Role Voice type Premiere Cast, December 30, 1835
(Conductor: - )
Maria Stuarda, Queen of Scotland soprano Maria Malibran
Elisabetta, Queen of England mezzo-soprano Giacinta Puzzi Tosi
Anna Kennedy, Maria's companion mezzo-soprano Teresa Moja
Roberto, Earl of Leicester tenor Domenico Reina
Lord Guglielmo Cecil, Chancellor of the Exchequer baritone Pietro Novelli
Giorgio Talbot, Earl of Shrewsbury bass Ignazio Marini
A herald tenor

[edit] Synopsis

[edit] Act 1

Scene 1: Elisabetta's court at Westminster

Scene 2: Fotheringay Castle

[edit] Act 2

Scene 1: A room in Elisabetta's apartments

Scene 2: Maria's room

Scene 3: The courtyard at Fotheringay

[edit] Selected recordings

Year Cast
(Maria, Elisabeta, Leiceser, Talbot)
Conductor,
Opera House and Orchestra
Label
1971 Beverly Sills,
Eileen Farrell,
Stuart Burrows,
Louis Quilico
Aldo Ceccato,
London Philharmonic Orchestra with John Aldis Choir
Audio CD: Deutsche Grammophon
Cat: 289 465961-2
(Part of "3 Queens" box set)
1975 Joan Sutherland,
Huguette Tourangeau,
Luciano Pavarotti,
Roger Soyer
Richard Bonynge,
Teatro Comunale di Bologna Orchestra and Chorus
Audio CD: Decca
Cat:00289 425 4102
1989 Edita Gruberova,
Agnes Baltsa,
Francisco Araiza,
Simone Alaimo
Giuseppe Patanè,
Münchner Rundfunkorchester
Audio CD: Phillips
Cat: 426233-2

[edit] External links

[edit] References

  1. ^ L'Indipendente, 22 April 1865, cited in Jeremy Commons, "Maria Stuarda", The Musical Times, Vol. 107, No. 1477. (March 1966), p. 207.