Granville Bantock

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Sir Granville Bantock (August 7, 1868 – October 16, 1946), was a British composer of classical music.

Bantock was born in London. He was intended by his parents for the Indian Civil Service but was compulsively drawn into the musical world. His first teacher was Dr Gordon Saunders at Trinity College of Music. Later he studied with Frederick Corder at the Royal Academy of Music. There he won the Macfarren Prize in the first year of its operation. Early conducting engagements took him around the world with a musical comedy troupe. He founded a Musical Quarterly but this lasted only a few years. Soon he became conductor at the New Brighton Tower concerts, where he pioneered the works of Holbrooke, Cowen, Steggall, German, Parry, Stanford, Corder and others, frequently devoting whole concerts to a single composer. He was also conductor of the Liverpool Orchestral Society with whom he premièred Delius's Brigg Fair on 18 January 1908. He became Director of the Midland Institute. A close friend of fellow composer Havergal Brian, he was professor of music at the University of Birmingham from 1908 to 1934 (in which post he succeeded Sir Edward Elgar). In 1934, he was elected Chairman of the Corporation of Trinity College of Music in London. He was knighted in 1930.

His music was influenced by folk song of the Hebrides (as in the 1915 Hebridean Symphony) and the works of Richard Wagner. Many of his works have an "exotic" element, including the choral epic Omar Khayyám (1906–09). Among his other better-known works are the overture The Pierrot of the Minute (1908) and the Pagan Symphony (1928). Many of his works have been commercially recorded since the early 1990s.

He was influential in the founding of the City of Birmingham orchestra (later the City of Birmingham Symphony Orchestra), whose first performance in September 1920 was of his Overture: Saul. Bantock's Hebridean Symphony was recorded by the CBO on 28 January 1928 at Riley Hall, Constitutional Hill, Birmingham. Sadly this acoustic version conducted by Adrian Boult was never released.

A Bantock Society was established shortly after the composer's death in London. Its first President was Sibelius, a composer whose music was championed by Bantock during the early years of the century. Sibelius dedicated his Third Symphony to Bantock.

Contents

[edit] Select List of Works

[edit] Opera

  • The Pearl of Iran, A Romantic Opera (1894, one act, libretto by composer);
  • Caedmar, A Romantic Opera (1892, one act, libretto by Frederick Corder, RAM 12.7.1892, then *Crystal Palace, 18.10.1892 and Olympic Theatre, 25.10.1892);
  • The Seal Woman, A Celtic Folk Opera (libretto by Marjorie Kennedy Fraser who also appeared in the performance as an old crone, utilising melodies drawn from Kennedy Fraser's collection of Hebridean folk songs, conducted by the composer, Birmingham Repertory Company, 27.9.1924, produced by Barry Jackson);
  • Eugene Aram (opera in four acts, unfinished, libretto based on Bulwer Lytton and Thomas Hood, performed as a recitation in 1892);

[edit] Choral

  • The Fire Worshippers, dramatic cantata for solo voices chorus and orchestra (1892, after Thomas Moore's Lalla Rookh, prelude conducted by Manns at the Crystal Palace);
  • Christus, A Festival Symphony in ten parts for solo voices chorus and orchestra (only two parts completed: Christ in the Wilderness - Gloucester Festival 1907; and Gethsemane);
  • The Time Spirit, rhapsody for chorus and orchestra (text H.F.B., dedicated to Herbert Brewer);
  • Sea Wanderers, poem for chorus and orchestra (text H.F.B.);
  • Omar Kháyyám for solo voices chorus and orchestra Part I (Birmingham Festival, 1906), Part II (Cardiff Festival 1907), Part III (Birmingham Festival 1909, BBCSO/Del Mar, 27.11.1968, first broadcast performance); complete (based on the third version of Fitzgerald's adaptation, London Choral Society/Arthur Fagge, Queen's Hall, February 1910, Vienna, February, 1912, BBCSO/Del Mar, 5-6/1/1979);
  • The Song of Liberty for solo voices chorus and orchestra (1914, for the 21st Festival of the International Labour Party, Bradford);
  • The Song of Songs for soloists, double chorus and orchestra (started in 1912 completed 1922, text: Book of Solomon, Three Choirs Festival, Gloucester, 1922, then Dorothy Silk, Frank Mullings, Norman Allin, Hallé, composer, 10.3.1927);
  • The Burden of Babylon for chorus, brass and drums (1927, text: Bible);
  • The Pilgrim's Progress for solo voices, chorus and orchestra (1928, BBC commission, Queen's Hall, BBC Orchestra and Choral Society / composer, 1928-29 season, 23.11.1928, this was the first appearance for the Choral Society);
  • Prometheus Unbound for chorus and orchestra (1936, text by Shelley);
  • King Solomon for chorus, narrator and orchestra (1937, for the Coronation of King George VI, BBCSO/Boult, 6.5.1937)

[edit] Choral Unaccompanied

  • Atalanta in Calydon, A Choral Symphony (A. C. Swinburne, Liverpool Welsh Choral Union, Gitana Ladies' Choir, Birkenhead and the Manchester Orpheus Glee Society, conducted by Harry Evans, 1912);
  • Vanity of Vanities, A Choral Symphony (from Ecclesiastes, Welsh Choral Union, Harry Evans, Liverpool, February, 1914);
  • A Pageant of Human Life, A Choral Symphony (Thomas More);
  • The Golden Journey to Samarkand (1922, James Elroy Flecker);
  • America - National Song (before 1946, Coolidge);
  • The Great God Pan, A Choral Ballet (Sheffield Festival 1920);
  • Choral Hymn for a Priest's First Mass (1946);

[edit] Male Voice

  • Mass in B flat major (liturgical, 1903);
  • Choral Suite from the Chinese (1914, Cranmer Byng);
  • Suite from Cathay (1923, Ezra Pound);
  • Choral Suite (1926, Collins);
  • Seven Burdens of Isaiah (1927, Bible);
  • Three Sea Songs (1920s, Henry Newbolt);
  • Three Cavalier Tunes (1920s, Robert Browning);
  • Three Browning Songs (1929);
  • Lucifer in Starlight (Meredith)

[edit] Solo Voice and Orchestra

  • Wulstan - baritone (1892, composer);
  • Five Ghazals of Hafiz with a Prelude - baritone (1905, Hafiz translated E. Arnold, BBCSO/Clarence Raybould, 15/12/1937);
  • Ferishtah's Fancies - tenor (1905, Robert Browning, renowned interpretation came from Frank Mullings);
  • Sappho, nine fragments with a Prelude (1906, Sappho translated by Helen F. Bantock, the Prelude and three of the songs were sung by Edith Clegg with the composer conducting at an RPS concert in 1911-12, first appearances with the Society for both the composer and the singer);
  • Pagan Chants - tenor (1917-18, Thorley);
  • The Vale of Arden (1919, Alfred Hayes);
  • The March - tenor (1919, J. C. Squire);
  • The Sphinx, a cycle - baritone or contralto (1941, Oscar Wilde);
  • Thomas the Rhymer (1946, traditional);

[edit] Symphony

  • Hebridean Symphony (1913, dedicated to Raymond Bantock, prefixed with the poem: From the lonely shieling of the misty island / Mountains divide us and the mist of seas/ Yet still the blood is strong, the heart is highland/ And we in dreams behold the Hebrides. Carnegie Trust Award, Glasgow 17.1.1916, Queen's Hall, LSO/Hamilton Harty, March 1917);
  • Pagan Symphony (motto: et ego in Arcadia vixi, Paris 3.9.1927, BBCSO/Sir Adrian Boult, 8.5.1936);
  • The Cyprian Goddess: Symphony No. 3 (1938/39);
  • Celtic Symphony for strings and six harps (1940, FP BBC Sc Orch / Raybould, Home Service 24.7.1942 and Birmingham, 25.11.1967);

[edit] Concerto

  • Elegiac Poem for cello and orchestra (1898);
  • Sapphic Poem for cello and orchestra (1906, dedicated to Willi Lehmann);
  • Celtic Poem for cello and orchestra (1914, arrangement of the piece for cello and piano, dedicated to Herbert Withers);
  • Hamabdil for cello, harp and strings (1919, part of the Judith incidental music, dedicated to Percy Hall);
  • Dramatic Poem for cello and orchestra (1941);

[edit] Tone Poem

  • Tone Poem No. 1, Thalaba, The Destroyer (1900, after Southey);
  • Tone Poem No. 2, Dante and Beatrice (1901, revised 1910, * Scottish Orchestra/composer, Glasgow, 24.5.1911, revised version of Dante, London Musical Festival, 1911);
  • Tone Poem No. 3, later dubbed Orchestral Drama, Fifine at the Fair (1901, after Browning's Pippa Passes, Birmingham Festival, 1912, conducted by the composer, then Eighth Balfour Gardiner Concert, Queen's Hall, first performance in London, New SO/Gardiner, 18.3.1913, this was to have been given at an RPS concert in the 1911-12 season but was cancelled due to a dispute over fees. Fifine was finally given by the Society on 26.11.1917 conducted by Beecham). A classic recording of Fifine was made by Beecham conducting the RPO for EMI in 1947. This recording was made under the auspices of the British Council and the Bantock Society;
  • Tone Poem No. 4, Hudibras (1902, after Samuel Butler);
  • Tone Poem No. 5, The Witch of Atlas (1902, after Shelley, Worcester Festival, 1902);
  • Tone Poem No. 6 Lalla Rookh (1902, after Thomas Moore, dedicated to Joseph Holbrooke);

[edit] Orchestra

  • Two Orchestral Scenes from The Curse of Kehama, (1) Processional (2) Jaga-Naut (1894, after Robert Southey, Philharmonic Society concert, 1897. The Two Scenes are all that was achieved of a project to complete a cycle of 24 tone poems based on Southey's poem);
  • Symphonic Overture with organ, Saul (1894, Chester Cathedral, 1897);
  • Russian Scenes, Suite of five pieces for small orchestra (1899);
  • Helena: Orchestral Variations on the Theme HFB (The Helena Variations) (1899, dedicated to Helena F. Bantock. "Thoughts and reflections on some of your moods written during a wearisome absence.", Liverpool Orchestral Society, Philharmonic Hall, Liverpool);
  • English Scenes, Suite of five pieces for small orchestra (1900);
  • Comedy Overture, Pierrot of the Minute (1908, after Ernest Dowson);
  • Three Dramatic Dances (1909);
  • Old English Suite for small orchestra (1909);
  • Overture to a Greek Tragedy (1911, after Sophocles' Oedipus at Colonus);
  • From the Far West for strings (1912);
  • In the Far East, Serenade for strings (1912);
  • Scottish Rhapsody (1913);
  • Scenes from the Scottish Highlands, Suite for strings (1913);
  • The Land of the Gael, Suite for strings (1915);
  • Coronach for strings, harp and organ (1918);
  • Suite from Judith (1918);
  • Festal Hymn of Judith (1918);
  • The Sea Reivers, an Orchestral Ballad (1920, a discarded scherzo from the Hebridean Symphony);
  • Caristiona, A Hebridean Seascape (1920, revised in 1943-44 with The Sea Reivers and published as Two Hebridean Sea Poems);
  • Comedy Overture, The Frogs (1935, Aristophanes, Proms, Queen's Hall, 1936);
  • Two Marches for the Ceylon Police (1930s?);
  • Four Chinese Landscapes (1936);
  • Aphrodite in Cyprus, Symphonic Ode (1938-39);
  • Macbeth Overture (1940, utilising material from the incidental music);
  • Comedy Overture, Circus Life (1941, adapted from the overture to the incidental music for A Marionette Show);
  • Overture to a Greek Comedy, The Women's Festival (1941, Aristophanes);
  • Two Heroic Ballads. 1: Cuchullan's Lament, 2: Kishmul's Galley (November 1944)
  • Comedy Overture, The Birds (1946, after Aristophanes, Birmingham Town Hall, conducted by Dr Christopher Edmunds);
  • The Funeral (1946);

[edit] Brass Band

Festival March (1914, written for Keir Hardie for the Twenty First International Labour Party Conference, Bradford); Oriental Rhapsody (1930, founded on the Tone Poem, Lalla Rookh, Open Championship, Eccles Borough Band/J. Dew, 1930); Prometheus Unbound (1933, after Shelley, arrangement of Prelude to Prometheus Unbound for chorus and orchestra, 1933 National Championship, Foden's Motor Works Band/Fred Mortimer); Overture to Shakespeare's King Lear (1936); Suite, Russian Melodies (1942-43); Two Irish Melodies (1942-43); Three Scottish Melodies (1942-43); Two Welsh Melodies (1942-43); Tir-Nan-Og, Hebridean Poem (1945, named after the family home in Birmingham, one of his last works); Overture, Orion;

[edit] Incidental Music

  • Rameses II (very early work, five acts, composer);
    • Hippolytus (1908, Euripides in Gilbert Murray's translation, London Gaiety Theatre, 1908);
  • Elektra (1909, Sophocles, London Bedford College, July 1909);
  • The Cortège, A Harlequinade (1918);
  • Salome, The Dance of the Seven Veils (1918, Oscar Wilde, Court Theatre, London, 19.4.1918);
  • Judith (1919, Arnold Bennett, Eastbourne and Kingsway Theatre, London, 1919);
  • Macbeth (1926, Shakespeare, Sybil Thorndike's Prince Theatre, London production with Thorndike, Henry Ainley, Lewis Casson, and design by Frank Brangwyn, 1926, music later incorporated in Macbeth Overture);
  • Fairy Gold, a Fairy Play (1938, Alvin Langdon Coburn, Hinton, July, 1938)

[edit] Chamber

  • String Quartet in C minor (1899);
  • Serenade for horns (1903);
  • Pibroch, A Highland Lament for cello and harp (1917);
  • Hamabdil for cello and piano (1919);
  • Viola Sonata in F major (1919, To Colleen);
  • Fantastic Poem for cello and piano (1924);
  • Sonata in G minor for solo cello (1924, dedicated to Cyril Cope);
  • Violin Sonata No. 1 in G major (1929, dedicated to Albert Sammons);
  • Pagan Poem for flute and piano (1930);
  • Violin Sonata No. 2 in D major (1932, dedicated to Arthur Caterall);
  • A Chinese Mirror for string quartet (1933, arrangements from the Chinese Poems first set);
  • Viola Sonata in B minor;
  • Cello Sonata No. 1 in B minor (1940);
  • Violin Sonata No. 3 (1940);
  • Cello Sonata No. 2 in F sharp minor (1945);
  • Dramatic Poem for cello and piano (1945):

[edit] Piano

  • Suite, A Marionette Show (1918);
  • Three Scottish Scenes (1919);
  • Lalla Rookh, Tales and Dances (1919);
  • The Cloisters at Midnight (New College, Oxford, 1920);
  • Arabian Nights (1920, seven Pieces, dedicated to Gustav Holst);
  • Miniatures (twelve pieces);
  • Phantoms (1934);
  • Nine Dramatic Poems (1935, Browning)

[edit] Song

Songs of the East (Helena Bantock) and many others

[edit] Discography

  • Bantock, Song of Songs etc., RPO, Vernon Handley, Elizabeth Connell, Hyperion
  • Bantock, Sappho, Sapphic Poem, etc., RPO, Vernon Handley, Susan Bickley, Julian Lloyd Webber, Hyperion

[edit] External links

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