Courtauld Institute of Art

From Wikipedia, the free encyclopedia

The Strand block of Somerset House, designed by William Chambers from 1775–80, has housed the Courtauld Institute since 1989
The Strand block of Somerset House, designed by William Chambers from 1775–80, has housed the Courtauld Institute since 1989

The Courtauld Institute of Art is a self-governing college of the University of London specialising in the study of the history of art. The Institute is generally considered the most prestigious institution for the subject in the world and was awarded a top 5* grade in the most recent Research Assessment Exercise. It was the only History of Art department in the UK to be awarded such a distinction.

Contents

[edit] The Courtauld History

The Courtauld is celebrating its 75th anniversary during the 2007-8 academic year. It was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art historian Sir Robert Witt. Originally the Courtauld Institute was based in Home House, a Robert Adam-designed townhouse in Portman Square, London. Since 1989 it has been based in Somerset House.

[edit] The Courtauld Gallery

A Bar at the Folies-Bergère (1882) by Édouard Manet
A Bar at the Folies-Bergère (1882) by Édouard Manet

The art collection at the Institute was begun by its founder, Samuel Courtauld, who presented an extensive collection of mainly French Impressionist and Post-Impressionist paintings in 1932, which was enhanced by further gifts in the 1930s and a bequest in 1948. His collection included such masterworks as Manet's A Bar at the Folies-Bergère and a version of his Déjeuner sur l'Herbe, Renoir's La Loge, landscapes by Claude Monet and Camille Pissarro, a ballet scene by Edgar Degas and a group of eight major works by Cézanne. Other paintings include van Gogh's Self-Portrait with Bandaged Ear and Cherry Orchard, Gauguin's Nevermore and Te Rerioa, as well as important works by Seurat, Henri "Douanier" Rousseau, Toulouse-Lautrec and Modigliani.

Following the death of the eminent art critic Roger Fry in 1934, the Institute received his collection of 20th-century art. Further bequests were added after the Second World War, most notably the collection of Old Master paintings assembled by Lord Lee. This included Cranach's Adam and Eve and a sketch in oils by Peter Paul Rubens for what is arguably his masterpiece, the Deposition altarpiece in Antwerp Cathedral. Sir Robert Witt was also an outstanding benefactor to the Courtauld and bequeathed his important collection of Old Master and British drawings in 1952. In 1966 Mark Gambier-Parry bequeathed the diverse collection of art formed by his grandfather which ranged from Early Italian Renaissance painting to majolica, medieval enamel and ivory carvings and other unusual art forms.

In 1974 a group of thirteen watercolours by Turner was presented in memory of Sir Stephen Courtauld, famous for restoring Eltham Palace. In 1978 the Courtauld received the Princes Gate Collection of Old Master paintings and drawings formed by Count Antoine Seilern. It includes paintings by Bruegel, Quentin Matsys, Van Dyck and Tiepolo and rivals the Samuel Courtauld Collection in splendour, being strongest in the works of Rubens.The bequest also included a group of 19th- and 20th-century works by Pissarro, Degas, Renoir and Oskar Kokoschka. More recently the Lilian Browse and Alastair Hunter collections have given the Courtauld more late 19th- and 20th-century paintings, drawings and sculptures.

The Courtauld Gallery is open to the public and housed in The Strand Block of Somerset House, which was the first home for the Royal Academy upon its foundation in 1768. The entrance to 'The Great Room', which housed the annual Summer Exhibition, has the formidable inscription 'Let no stranger to the Muses enter' in Ancient Greek.

[edit] Collection Highlights

[edit] Paintings

Dutch School

English School

Flemish School

French School

German School

Italian School

Spanish School

[edit] The Samuel Courtauld Society

The Samuel Courtauld Society was launched in 2007 to recognise and bring together some of its most important benefactors. Annual donors are offered private views of the special exhibitions, unparalleled access to renowned art specialists, and opportunities to meet like-minded philanthropists at events in the UK and the US. Through these activities, society members build on their own understanding of the visual arts while preserving some of the world’s finest treasures in The Courtauld Gallery.

[edit] Other study resources

The Courtauld has two photographic libraries which started as the private collections of two ennobled benefactors: the Conway library, covering architecture, architectural drawings, sculpture and illuminated manuscripts, named after Lord Martin Conway and the Witt library, covering paintings, drawings and engravings, after Sir Robert Witt. The Book Library is one of the UK's largest archives of art-historical books, periodicals and exhibition catalogues. There is a Slide Library which also covers films, and an IT suite.

An online image collection (www.artandarchitecture.org.uk) of more than 7000 digitised drawings in The Courtauld's collection gives internet users instant access to these materials and to curated groupings of the images based on artist, theme, or historical contexts. This site was developed with the support of the New Opportunities Fund.

[edit] Directors

William George Constable 1932–1936
T. S. R. Boase 1936–1947
Anthony Blunt 1947–1974
Peter Lasko 1974–1985
Michael Kauffmann 1985–1995
Eric Fernie 1995–2003
James Cuno 2003–2004
Deborah Swallow 2004–

[edit] Alumni of note

[edit] External links

Wikimedia Commons has media related to:
v • d • e
Recognised bodies of the University of London
v • d • e
Museums and galleries in London
National museums
and galleries
National Trust
English Heritage
Other museums
and galleries

Coordinates: 51°30′39″N, 0°07′02″W