Censorship in the United Kingdom

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Censorship in the United Kingdom has a long history with variously stringent and lax laws in place at different times, although a much more liberal approach has been taken in recent years.

Contents 1 George Orwell 2 Ministry of Information 3 Obscenity law 4 Libel law 5 Blasphemy law 6 Indecency vs. obscenity 7 National security 8 Prior restraint 9 Self-regulation of publication 10 Internet censorship 11 Television 12 Other cases 13 See also 14 References 15 External links

[edit] George Orwell

George Orwell wrote several articles on censorship including an item titled The Freedom of the Press in 1943. It appears that this was a preface for his book Animal Farm, but it is unclear if it had been deliberately suppressed or if Orwell himself chose not to publish it.

Any fairminded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian ‘co-ordination’ that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary.^[1]

Orwell went on to suggest that because both the UK and the USSR were both members of the Allied powers at the time, this self-censorship was preventing valid criticism of the Communist regime.

Orwell worked for the Ministry of Information during the war and used it as his inspiration for the Ministry of Truth in Nineteen-Eighty-Four.

[edit] Ministry of Information

The Ministry of Information was created during the First World War and then reformed for the Second World War for propaganda purposes. In the Second World war it was located at Senate House, now the University of London Library.

During the First World War it was infamous for having a staff of 999.

The Ministry was responsible for keeping much information out of the public domain during the war years, as it was thought that this would have been harmful to the national sentiment. It also censored many press reports that were not deemed to be sufficiently patriotic, or that listed military operations to a level of detail that could be used by the enemy.

The Ministry took over the General Post Office Film Unit, renaming it the Crown Film Unit. It produced documentaries such as Target for Tonight (1941), Western Approaches (1944) and London Can Take It! (1940). It also created a feature length fictional film; 49th Parallel (1941). Following this it solely created documentaries, although it also laid down propaganda guidelines for commercial films.

The Ministry was disbanded following the end of the Second World War.

[edit] Obscenity law

Obscenity law in England and Wales is currently governed by the various Obscene Publications Acts, but obscenity laws go back much further into the English common law.

The conviction in 1727 of Edmund Curll for the publication of Venus in the Cloister or The Nun in her Smock under the common law offence of disturbing the King's peace was the first conviction for obscenity in Great Britain, and set a legal precedent for other convictions.^[2]

These common law ideas of obscenity formed the original basis of obscenity law in other common law states, such as the United States.

A defence against the charge of obscenity on the grounds of literary merit was introduced in the Obscene Publications Act 1959. The OPA was tested in the high-profile obscenity trial brought against Penguin Books for publishing Lady Chatterley's Lover (by D. H. Lawrence) in 1960. The book was found to have merit, and Penguin Books was found not guilty — a ruling which granted far more freedom to publish explicit material.^[3] This trial did not establish the 'merit' defence as an automatic right; several controversial books and publications were the subject of British court cases throughout the 1960s and into the 1970s.

There is a substantial overlap between legal erotic literature and illegal pornography, with the distinction traditionally made in the English-speaking courts on the basis of perceived literary merit. Purely textual pornography has not been prosecuted since the Inside Linda Lovelace trial of 1976.^[4] Child pornography and bestiality are illegal under the Sexual Offences Act 2003. In late August 2005, the government announced that it plans to criminalize possession of extreme pornographic material, rather than just publication.^[5] Computer and video games are generally exempt from the Video Recordings Act; however, those depicting sexual content, or gross violence towards people or animals, must still be submitted to the British Board of Film Classification for consideration. Games can be banned in this way (as were Carmageddon in 1997^[6] and Manhunt 2 in 2007^[7]).

Almost all adult stores in the UK are forbidden from having their goods in open display under the Indecent Displays Act 1981, which means the shop fronts are often boarded up or covered in posters. A warning sign must be clearly shown at the entrance to the store, and no items can be visible from the street. No customer can be under eighteen years old. The Video Recordings Act 1984 introduced the R18-rated clasification for videos that are only available in licensed sex shops, but hardcore pornographic magazines are available in newsagents in some places. The Ann Summers chain of lingerie and sex shops recently won the right to advertise for workers in job centres, which was originally banned under restrictions on what advertising could be carried out by the sex industry.^[8][9]

[edit] Libel law

England and Wales have relatively strict libel laws ("defamation" in Scotland) in that they are often considered pro plaintiff with the defendant asked to prove that they did not commit libel. Compensation awards for libel are also unlimited, in contrast to those for personal injury. Further controversy surrounds the libel laws with regard to costs. Libel cases are notoriously expensive to bring to court for both parties, and legal aid is not available.^{[citation needed]} Whilst costs can be awarded the ability to bring libel cases is often considered to be restricted to the wealthy. Conversely it is possible to initiate a "no win - no fee" case against a wealthy individual or organisation if the individual bringing the case has insignificant assets as even if the case is lost the wealthy individual or organisation are unable to recover their costs. Typically in such cases an out of court settlement is forced upon the wealthy individual or organisation.

The pro-plaintiff bias in the UK libel laws has two consequences. The first is that powerful parties in the UK and around the world use UK libel laws to attack their critics living in other countries than the UK (as for example with the US based health activist Joseph Mercola). The second is that books published in, for example, the United States are not sold in the UK by the publisher for fear of libel suits. Three examples are: “House of Bush, House of Saud: The Secret Relationship Between the World's Two Most Powerful Dynasties”, by Craig Unger (Scribner, 2004, ISBN 074325337X), “Into the Buzzsaw: Leading Journalists Expose the Myth of a Free Press”, editor Kristina Borjesson (Prometheus Books, 2002, ISBN 1573929727), and “Funding Evil: How Terrorism Is Financed--and How to Stop It” by Rachel Ehrenfeld (Bonus Books 2003).^{[citation needed]}

[edit] Blasphemy law

Main article: Blasphemy law in the United Kingdom

Blasphemy against Christianity was long an important part of British censorship, with the unwritten common law containing an offence of blasphemous libel. Prosecutions were rare, however, the last one being the 1977 Gay News legal case Whitehouse v. Lemon. Later developments around the turn of the 21st century put the continued viability of blasphemy prosecutions in doubt.^[10] The offence was definitively abolished on May 8, 2008.

Critics claim the Racial and Religious Hatred Act 2006 could hinder freedom of speech.^[11][12] Leaders of major religions and race groups^{[citation needed]},^{[citation needed]} as well as non-religious groups such as the National Secular Society^[13] and English PEN^[14] spoke out in order to campaign against the Bill. Comedians and satirists also fear prosecution for their work.^[15][11]

[edit] Indecency vs. obscenity

The terms "indecency" and "obscenity" are often used in the English language as if they were synonyms, or as if "obscenity" was a stronger form of "indecency". English law appears to have two contradictory legal definitions of 'obscenity', whereas 'indecency' is somewhat under-defined.

The definition of obscenity used in the Obscene Publications Act 1959 (and the Theatres Act 1968, see below) rests on an earlier common law definition of the concept, which defined obscenity as a 'tendency to deprave and corrupt those whose minds are open to such immoral influences, and into whose hands a publication of this sort may fall'. (R v Hicklin (1868) LR 3 QB 360. s 1 of the Obscene Publications Act accordingly states that an article is to be deemed obscene if its 'effect or (where the article comprises two or more distinct items) the effect of any one of its items is, if taken as a whole, such as to tend to deprave and corrupt persons who are likely, having regard to all the relevant circumstances, to read, see or hear the matter contained or embodied in it'.

Obscenity, under this 'deprave and corrupt' test, is not limited solely to sexual material, and has, for example, been applied to material concerning drug-taking and pictures of non-sexual violence. It seems that the tendency to 'deprave and corrupt' is aimed at some kind of deviation from contemporary community moral standards (raising, of course, the issue of whether commonly shared community standards of this sort can be taken to exist). It should be noted that in practice the Obscene Publications Act 1959 is used "almost exclusively against explicit pictorial material dealing with what is generally regarded as deviant behaviour: in other words, sado-masochism, bestiality, paedophilia, bondage, etc" (R Stone, Textbook on Civil Liberties and Human Rights (Oxford, OUP, 2006) p374). The last time it was used to ban a prose novel for its content was "Lord Horror" by David Britton in 1991.

The other test in relation to obscenity in English law is found in statutes other than the OPA 1959 and the TA 1968 (see above). The courts have established that the meaning of the word 'obscene' (in relation to, for example, the Post Office Act 1953) should be given its dictionary meaning - covering material that is "shocking, lewd, indecent and so on". This means that under the OPA 1959 the material must tend to 'deprave and corrupt' in order to qualify as obscene, while under the alternative definition the material can be found to be obscene if it 'shocks and disgusts' the reader. (However, it should be noted that 'shock and disgust', under the OPA 1959, can provide a defence to an obscenity charge, because a person who is shocked and disgusted by material may be unlikely to be depraved and corrupted by it. Thus, at present, in English law, there are two contradictory definitions of the meaning of the term 'obscenity'.)

When it comes to 'indecency', this term is often used in conjunction with obscenity, but is under-defined. The word seems to mean 'shocking and disgusting' but less so than obscenity, but there has been relatively little offered in the way of definition by judges. Lord Parker, in R v Stanley [1965] AC 435 did attempt to differentiate between obscenity and indecency in terms of their relative seriousness on a spectrum of offensiveness to 'recognised standards of propriety'. Indecency covers 'anything which an ordinary decent man or woman would find to be shocking, disgusting, or revolting' (Knuller v DPP [1973] AC 435, at 458 per Lord Reid). Beyond this there is no real clarification of the precise meaning of 'indecency' in English law, at present.

[edit] National security

There are several Acts of the United Kingdom Parliament for the protection of official information, mainly related to national security. The latest revision is the Official Secrets Act 1989^[16] (1989 chapter 6), which removed the public interest defence by repealing section 2 of the Official Secrets Act 1911. In 2004, a memo containing details of a possible US bombing of broadcaster Al Jazeera was leaked to the press. Attorney General Peter Goldsmith has warned newspapers that they could be prosecuted under the Official Secrets Act if they publish the contents of the memo, saying "You are reminded that to publish the contents of a document which is known to have been unlawfully disclosed by a crown servant is in itself a breach of section 5 of the Official Secrets Act 1989".^[17][18][19]

The Terrorism Act 2006 makes it an offense to "glorify" terrorism.^[20] There are concerns that this could limit free speech.^[21][22][23]

DA-Notices are official but voluntary requests to news editors not to publish items on specified subjects, for reasons of national security.^[24]

[edit] Prior restraint

Beyond obscenity law, there have been a number of organizations whose main function was to approve material prior to distribution.

Plays and theatres had long been licensed by the Crown prior to 1737. Licensure of a playhouse, however, only gave a general patent. The crown had no ability to censor before plays were performed. Under the provisions of the Theatrical Licensing Act of 1737 as extended by the Theatres Act of 1843, the Lord Chamberlain's Office was able to censor plays. This role continued until the Theatres Act 1968 abolished the practice following several cause célèbres, and a long campaign by the theatre critic Kenneth Tynan among others.

The British Board of Film Classification is the de facto film censor for films in Britain;^[25] since films not rated by the BBFC cannot be shown in most cinemas, or distributed as videos or DVDs, lack of BBFC approval generally makes productions of such films uneconomic.

• In the case of films shown in cinemas, local authorities have the final legal say about who can watch a particular film. Almost always local authorities accept the Board's recommendation for a certificate for a film.
• Under the Video Recording Act 1984, almost all video recordings must be classified by an authority chosen by the Home Secretary. This classification is then legally binding. Since the introduction of the Act, the BBFC has been the chosen authority. Certain works such as those that are related to sport, religion or which are designed to educate can be exempt from classification by the BBFC under the act.

The Broadcast Advertising Clearance Centre pre-approves most British television advertising^[26] (under Ofcom rules, other broadcasters can also approve their own advertising content, but most rely on the BACC). The Advertising Standards Authority is the regulatory advertising body, but can only prevent the republication of advertisements after upholding complaints from the general public.

The advent of the Internet access has made the act of censorship more difficult, and there has been a relaxation of censorship in recognition of this. BBFC guidelines have been relaxed further to allow the limited distribution of hardcore pornography under an R18 certificate, partially because of this, and partially because of a recognition that public attitudes have changed. Further confirmation of this change in attitude was provided by the French film Baise-moi, which was given an 18 certificate despite showing scenes of unsimulated sexual activity.

Ofcom is now the regulatory body for UK television, radio, and telecommunications services since the abolition of the Independent Television Commission.^[27] Ofcom exerts its powers under the Communications Act 2003. The government's new requirements for Ofcom only require it to ensure adherence to "generally accepted standards" and prevention of harm, removing the former requirement to adhere to standards of "taste and decency".

Worldwide Press Freedom Index, published by Reporters Without Borders, gave the United Kingdom a score of 5.17, making it 24th.^[28]

[edit] Self-regulation of publication

A number of industries carry out what is known as self-regulation. Self-regulation seeks to keep content within the bounds of what is publicly acceptable, thus preventing government intervention to bring about official regulation. Some of the areas they are concerned about include obscenity, slander and libel. There is no clear line between self-regulation in matters of expression and self-censorship.

Industry self-regulatory bodies include the Advertising Standards Authority and the Press Complaints Commission.

[edit] Internet censorship

Main article: Internet censorship in the United Kingdom

British Telecommunications ISP passes internet traffic through a service called Cleanfeed which uses data provided by the Internet Watch Foundation to identify pages believed to contain indecent photographs of children.^[29][30] When such a page is found, the system creates a 'URL not found page' error rather than deliver the actual page or a warning page. Other ISPs use different systems such as WebMinder [1].

In 2003, after the murder of Jane Longhurst by a man who claimed to have an obsession with Internet pornography,^[31] the family of Ms. Longhurst campaigned to tighten laws regarding pornography on the Internet and have gained support such that possession may become illegal.^[32] What the Government has termed "extreme pornography" could now become illegal to possess.^{[5] [33]} The government has begun to crack down on sites depicting rape, strangulation, torture and necrophilia.^[34][35]

In Scotland, 2004, a committee of Members of the Scottish Parliament has backed a call to ban adult pornography as the Equal Opportunities Committee supported a petition claiming links between porn and sexual crimes and violence against women and children.^[36] A spokeswoman said "While we have no plans to legislate we will, of course, continue to monitor the situation."

The new Home Office Minister Vernon Coaker has set a deadline of the end of 2007 for all ISPs to implement a “cleanfeed”-style network level content blocking platform.^[37][38] Currently, the only websites ISPs are expected to block access to are sites the Internet Watch Foundation has identified as containing images of child pornography.^[30] However such a platform is capable of blocking access to any website added to the list (at least, to the extent that the implementation is effective), making it a simple matter to change this policy in future. The Home Office has previously indicated that it has considered requiring ISPs to block access to articles on the web deemed to be “glorifying terrorism”, within the meaning of the new Terrorism Act 2006, saying "However, our legislation as drafted provides the flexibility to accommodate a change in Government policy should the need ever arise."^[37] The measures have been criticised for being inadequate as they only block accidental viewing and does not prevent content delivered through encrypted systems, file sharing, email and other systems.^[39]

There have been concerns over the increasing amount of internet regulation and fears that the Internet may become more restricted in future, with critics drawing parallels with George Orwell's 1984.^[40][41]

[edit] Television

During The Troubles in Northern Ireland the BBC, ITV and Channel 4 regularly stopped or postponed the broadcast of documentaries relating to Ireland. A Real Lives documentary for the BBC, "At the Edge of the Union" was temporararily blocked in August 1985 by direct government intervention from the then Home Secretary Leon Brittan which led to a one-day strike by the National Union of Journalists to defend the independence of the BBC.

From November 1988 to 16 September 1994,^[42] a fortnight after the first Provisional Irish Republican Army ceasefire, the voices of Irish republicans and unionist paramilitaries were barred by the British government from British television and radio. This necessitated the use by broadcasters of an actor 'revoicing' the words which had been spoken by interviewees or at public meetings by the affected groups. The case of the unmade After Dark in 1988 with Gerry Adams is also relevant: see [2].

Occasional instances relating to Ireland still persist. An example of this would be an episode of Star Trek: The Next Generation titled "The High Ground" which had never been shown on UK terrestrial TV until 2006, due to its references to the resolution of the conflict in Northern Ireland (a united Ireland) and about terrorism, the episode in question has however appeared on Sky One.

[edit] Other cases

• In 1873, controversy over the depiction of William Gladstone, Robert Lowe, and Acton Smee Ayrton in W. S. Gilbert and Gilbert Arthur à Beckett's The Happy Land led to the play's licence being revoked by the Lord Chamberlain. A censored version of the play was eventually allowed to be performed, but uncensored scripts, with the censored portions printed in all capital letters, were printed by the theatre's manager. The play became a smash hit.^[43][44]
• In 1922, the novel Ulysses by James Joyce was banned in the United Kingdom when it was declared obscene.^[45]

• In 1985, the British government attempted to ban the book Spycatcher by MI5 officer Peter Wright because of the sensitive material it contained.^[46] Several British newspapers attempted to report on its principal allegations but were served with gag orders. They persisted and were tried for contempt of court, charges that were later dropped.

• In 2007/2008 It was announced that the trial of Wang Yam, accused of murdering Allan Chappelow would be held 'in camera'. This will be the first murder trial behind closed doors. The UK press have prohibited from speculating as to the reasons for this order.^[47][48]

[edit] See also

• Areopagitica: A speech of Mr John Milton for the liberty of unlicensed printing to the Parliament of England
• Freedom of the Press
• International Freedom of Expression Exchange - Monitoring censorship in the UK
• mediawatch-uk formerly the National Viewers and Listeners' Association, a campaigning group
• Mary Whitehouse 'clean-up TV' camapaigner prominent in the 1960s and 1970s, founder of the NVALA.
• Committee on Obscenity and Film Censorship

[edit] References

[edit] External links

• Edmund Curll and his prosecutions
• Liberty guide to the Obscene Publications Act
• Theatrical Bill Inspectors and the Licensing Act of 1737
• UK laws regarding prostitution updated for 2006
• Ofcom website
• OfWatch: a site critical of Ofcom
• The Melon Farmers: anti-censorship website
• Index on Censorship: quarterly UK publication of intelligent writing about censorship and free speech
• Failures in a Hybrid Content Blocking System by Richard Clayton, 2005PDF (139 KiB) (technical analysis of Cleanfeed)