Bass-baritone

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Voice Type (ranges)
Female voices
Soprano
Mezzo-soprano
Contralto

Male voices

Countertenor
Tenor
Baritone
Bass

Related concepts

Coloratura
Chest voice
Head voice
Sprechgesang
Vocal registration
Vocal resonation

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A bass-baritone is a specific kind of bass that shares certain qualities with the baritone voice type.The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the Dutchman (in Der fliegende Holländer), Wotan (in the Ring Cycle) and Hans Sachs (in Die Meistersinger von Nürnberg). Wagner wrote those roles for what he called Hoher Bass (or "high bass", which is explained in more detail at fach).[1]

The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. It must also, however, have the resonant lower range typically associated with the bass. For example, the role of Wotan in Die Walküre covers the range from the F# above middle C to the F below the bass clef but only infrequently descends beyond the C below middle C. Bass-baritones are typically divided into two separate categories: lyric bass-baritone and dramatic bass-baritone.[2]

Contents

[edit] Lyric Bass-baritone

[edit] Dramatic Bass-baritone

[edit] Bass-baritone roles in operetta

Common vocal ranges represented
on a musical keyboard

All of the Gilbert and Sullivan comic operas have at least one bass-baritone character. Bass-baritones famous for singing these roles included Richard Temple, Darrell Fancourt and Donald Adams.

[edit] Prominent bass-baritones

[edit] See also

Sopranist
Male Alto
Tenor
Baritone
Bass

[edit] References

  1. ^ Stark, James (2003). Bel Canto: A History of Vocal Pedagogy. University of Toronto Press. ISBN 978-08-0208-614-3. 
  2. ^ McKinney, James (1994). The Diagnosis and Correction of Vocal Faults. Genovex Music Group. ISBN 978-1565939400.