Against Interpretation

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Against Interpretation
Author	Susan Sontag
Country	United States
Language	English
Genre(s)	Literary criticism
Publisher	Farrar, Straus & Giroux
Publication date	1966
OCLC	171772

Against Interpretation and Other Essays is a collection of essays by Susan Sontag which was published in 1966. It includes some of Sontag's best-known works, including "On Style", "Notes on 'Camp'", and the titular essay "Against Interpretation". In the last, Sontag argued that the emphasis which had come to be placed on the intellect under modern social and cultural conditions had given way to a new critical approach to aesthetics that was increasingly usurping the spiritual importance of art. Rather than recognizing great creative works as possible sources of energy and defense against the brute rationality and empiricism that seemed to be seeping into every aspect of western life at the middle of the twentieth century, she argued, contemporary critics were all too often taking art's transcendental power for granted, and focusing instead on their own intellectually constructed abstractions like "form" and "content." In effect, she wrote, interpretation had become "the intellect's revenge upon art." The essay famously finished with the words, "in place of a hermeneutics we need an erotics of art".

The 1990 edition of the collection is available from Anchor Books (ISBN 0-312-28086-6).

[edit] Contents

Against interpretation
On style
The artist as exemplary sufferer
Simone Weil
Camus' Notebooks
Michel Leiris' Manhood
The anthropologist as hero
The literary criticism of Georg Lukacs
Sartre's Saint Genet
Nathalie Sarraute and the novel
Ionesco
Reflections on The Deputy
The death of tragedy,
Going to theater, etc.
Marat / Sade / Artaud
Spiritual style in the films of Robert Bresson
Godard's Vivre Sa Vie
The imagination of disaster
Jack Smith's Flaming Creatures
Resnais' Muriel
A note on novels and films
Piety without content
Psychoanalysis and Norman O. Brown's Life Against Death: The Psychoanalytic Meaning of History
Happenings: an art of radical juxtaposition
Notes on "Camp"
One culture and the new sensibility
Afterword: Thirty Years Later