Jack Smith (film director)

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For other persons named Jack Smith, see Jack Smith (disambiguation).
Jack Smith
Born November 14, 1932(1932-11-14)
Columbus, Ohio, U.S.
Died September 16, 1989
New York, U.S.
Field film, photography, performance art
Works Flaming Creatures (1963)
Influenced Andy Warhol, Federico Fellini, John Waters, David Lynch, Matthew Barney, Cindy Sherman, Mike Kelley, Nan Goldin, Robert Wilson, Lee Breuer, Laurie Anderson, Lou Reed, John Cale, David Byrne, John Zorn,
pop art, punk rock

Jack Smith (14 November 1932 in Columbus, Ohio - 25 September 1989 in New York City) was an American filmmaker, actor, and pioneer of underground cinema. He is generally acclaimed as a founding father of American Performance Art, and has been critically recognized as a master photographer, though his photographic works are rare and remain generally unknown.

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[edit] Biography

Smith was one of the first proponents of the aesthetics which came to be known as 'camp' and 'trash', using no-budget means of production (e.g. using discarded color reversal film stock) to create a visual cosmos heavily influenced by Hollywood kitsch, orientalism and with Flaming Creatures created drag culture as it is currently known. Smith was heavily involved with John Vaccaro, founder of The Playhouse of The Ridiculous, whose disregard for conventional theatre practice deeply influenced Smith's ideas about performance art. In turn Vaccaro was deeply influenced by Smith's aestheics. It was Vaccaro who introduced smith to glitter and in 1966 and 1967 Smith created costumes for Vaccaro's Playhouse of The Ridiculous. Smith's style influenced the film work of Andy Warhol as well as the early work of John Waters, and while all three of them were part of the 1960s Gay Arts Movement, it is certain that both Vaccaro and Smith refuted the idea that their sexual orientation was responsible for their art work.[1]

Smith has also been referenced by artists such as Laurie Anderson, Cindy Sherman and Mike Kelley, filmmakers David Lynch and Matthew Barney, photographer Nan Goldin, musicians John Zorn, Lou Reed and David Byrne, and theatre director Robert Wilson. Theater legend Richard Foreman writes that 'Jack Smith is the hidden source of practically everything that's of any interest in the so-called experimental theatre today.'

The most famous (and arguably the most notorious) of Smith's productions is Flaming Creatures (1962). The movie is basically a travesty on Hollywood B movies and tribute to actress Maria Montez, who starred in many such productions. However, authorities considered some scenes to be pornographic, copies of the movie were confiscated at the premiere and it was subsequently banned (technically, it still is to this day). Despite not being viewable, the movie gained some notoriety when footage was screened during Congressional hearings and right-wing politician Strom Thurmond mentioned it in anti-porn speeches.

Smith's next movie Normal Love was the only work in Smith's oeuvre with an almost conventional length (120 mins.), and featured a whole host of underground stars, including Mario Montez, Diane di Prima, Tiny Tim, Francis Francine, Beverley Grant, John Vaccaro, and others. The rest of his productions consists mainly of short movies, many of them never to be screened in a cinema, but to feature in performances and constantly re-edited to fit the stage needs (including Normal Love).

Apart from his own work Smith has also worked as an actor himself. He played the lead in Andy Warhol's unfinished film Batman Dracula, Ken Jacobs' Blonde Cobra, and appeared in several theater productions by Robert Wilson.

He also worked as a photographer and founded the Hyperbole Photographic Studio in New York. In 1962 he released The Beautiful Book, a collection of pictures of New York artists, which has recently been re-released by Granary Books.

After his last film, No President (1967), Smith created performance and experimental theatre work until his death on September 25, 1989 from AIDS-related pneumonia.

In 1989, at Jack Smith's specific request,New York performance artist and former Warhol superstar Penny Arcade [[Penny Arcade (performer)|, undertook to salvage his work from the rubble of Mr Smith's apartment after Smith's long bout with Aids and subsequent death, attempting to preserve the apartment that he had transformed into an elaborate stage set for his never to be fiilmed epic "Sinbad In a Rented World" as a museum dedicated to Jack Smith and his work, which was foiled in part by the greed for cheap east Village apartments that leaked Smith's death to his landlords . Until recently, Smith's archive was co-managed by Penny Arcade performance artists and former Warhol star), alongside the film historian J. Hoberman via their corporation The Plaster Foundation Inc. Within ten years of Smith's death , The Plaster Foundation operating largely without funding, but thru donations and good will , was able to restore all of Smith's films, created a major retrospective at PS1 , the Contemporarey Arts museum now part of MOMA, put his films back into international distribution and published several books on Jack Smith and his work. In January 2004, the New York Surrogate Court ordered Hoberman and Arcade to return Smith's archive to Smith's legal heir, his surviving sister Sue Slater, after hearing Hoberman et al.'s unsuccessful arguments to dismiss the claims of Smith's estranged sister, citing that the Plaster Foundation owned the art work having created the archive after the abandonment of the Jack's apartment and work by his said sister, for nearly 14 years despite documented attempts at communication from The Plaster Foundation. The trial presided over by Judge Eve Preminger lasted 6 minutes. As of October 2006, Hoberman et al. had yet to surrender Smith's archive, citing claims for monies due to them from the estate for time and expenses associated with managing the archive and in the hope that Jack Smith's work would be bought by an appropriate public institution and the works would remain public..

[edit] Quotes about Smith

  • "Jack oozed his aesthetic. And you either knew exactly what Jack wanted or you weren't interested in that scene. Andy [Warhol] picked up that you don't really have to direct people. You have to get them into the sense of what you are doing." Billy Name[6]

[edit] Selected Filmography

  • 1961 Scotch Tape
  • 1963 Flaming Creatures (b/w, 46 min.)
  • 1963 Normal Love (120 min.)
  • 1967 No President (a/k/a The Kidnapping of Wendell Wilkie by The Love Bandit, ca. 50 min.)

[edit] Books

  • By Jack Smith:
    • 1960 16 Immortal Photos
    • 1962 The Beautiful Book (dead language press, republished 2001 Granary Books)
  • About Jack Smith
    • Leffingwell/Kismaric/Heiferman (eds.), Flaming Creature: Jack Smith, His Amazing Life and Times, London: Serpent's Tail, 1997
    • J. Hoberman, On Jack Smith's 'Flaming Creatures' (And Other Secret-Flix of Cinemaroc), New York: Granary Books, 2001
    • J. Hoberman and Edward Leffingwell (eds.), Wait For Me At The Bottom Of The Pool: The Writings Of Jack Smith, New York and London: High Risk Books and PS1, 1997

[edit] References

  1. ^ Jones, Sonya L. (1998), Gay and Lesbian Literature Since World War II: History and Memory, Haworth Press, p. 18, ISBN 078900349X 
  2. ^ Jordan, Mary. Interview with George Kuchar. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  3. ^ Jordan, Mary. Interview with Laurie Anderson. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  4. ^ Jordan, Mary. Interview with John Waters. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  5. ^ Jordan, Mary. Interview with John Zorn. Jack Smith and the Destruction of Atlantis. 2006. Retrieved on 2007-11-04.
  6. ^ Factory Made: Warhold and the Sixties, Steve Watson, Pantheon Books (2003)

[edit] External links