Talk:Tintype

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The ferrotype, also called the melainotype or tintype, was America's first major contribution to the art of photography. It superceded the ambrotype by the end of the Civil War and went on to become 19th-Century America's favorite quick picture.

It was made the same way as the ambrotype, except that a thin piece of black enameled, or japanned, iron was used in place of glass. Like the ambrotype, the image is reversed.

Ferrotypes were made from thumbnail size to as large as 11" x 14". With the introduction of multi-lensed cameras with sliding backs in the early 1860's, the more typical small sizes were made in volume. These were usually mounted in card mounts of the then popular cart-de-viste size. Made on a metal plate and with a varnished surface, ferrotypes have proven very durable.

Although their popularity waned in the early 20th century, there were street vendors still selling portraits un til th 1950's.

[edit] Tintype

The name the world knows it by is tintype. It was first called a melainotype, then ferrotype (by a rival manufacturer of the iron plates used), but the world knows them as tintypes (William Welling, Photography in America, Page 117).--Persianhistory2008 09:09, 11 November 2007 (UTC)

Naomi Rosenblum's 'A World History of Photography' (3rd edition), New York, London, Paris: Abbeville Press, 1997 states that the tintype was invented in 1853 in France, not in 1856 in America. Wikipedia's page on tintypes obviously needs to be reviewed. —Preceding unsigned comment added by 210.54.4.23 (talk) 22:54, 19 February 2008 (UTC)

[edit] Image composition

The article currently states "the image, in gelatin-silver emulsion on the varnished surface,".

Is this correct? Surely it's a collodion-based process, not gelatine, and the varnish is over the image? Sorry, I can't check/correct myself since my reference books are boxed. MarkMLl (talk) 08:15, 22 April 2008 (UTC)