The Greek Passion
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The Greek Passion or Christ Recrucified (Ο Χριστός Ξανασταυρώνεται 'Christ is Recrucified') is a 1948 novel by Nikos Kazantzakis.
[edit] Plot summary
The story concerns the attempts of a Greek village community to stage a Passion play. It takes place in a Greek village(Lycovrisi. "Wolf-tap") under the Ottoman Empire.
It is the mirror image of the suffering of Christ. The village holds Passion plays every seven years and the Elders of the village decide on choosing the characters for the play. Manolios, who is chosen to play the role of Christ, is a humble shepherd boy who was once a novice in a monastery. Yannakkos becomes Apostle Peter. He is a merchant-peddler who travels with his donkey through the villages and sells his items. He is warm-hearted, naïve and loves his donkey, whom he affetionately calls Youssoufaki, over everything else. Michelis, the son of the wealthy nobleman, old archon Patriarcheas becomes Apostle John. Kostandis, the owner of the village cafe, is Apostle James. He is good-hearted, willing to share, but confused. Then comes Panayotaros, who is chosen to be Judas. He is a wild, passionate man, waiting for revenge. The widow Katerina is Mary Magdalene. She is the village's prostitute. She is beautiful, but of course an outsider in the village, not caring about anybody’s opinion. But she is the most generous one and in the end gives her life for what she believes in.
Then we are introduced to a whole group of Elders of Lycovrissi. All the characters are very well defined. There is the Priest Grigoris - a strong domineering man who bends God’s will to his own. Archon Patriarcheas is the leader of the village. He only lives for his own pleasure (and stomach). Old Ladas is a miser who is obsessed with his money but lives in poverty so that he doesn't have to spend any of it. Hadji Nikolis is the schoolmaster, who means well but is ineffectual, haunted by fear of his brother the priest.
The whole story is made colorful by the Turkish household consisting of The Agha, the Lord of Lycovrissi. He lives surrounded by his Oriental splendor, drinks himself crazy and enjoys raki and pretty boys. Hussein is the guard, a giant Oriental who does everything his master asks of him.
A wonderful character is the Priest Fotis. He comes to the village with a whole group of starved villagers from a nearby village called Sarakini, who has been overrun by the Turks, and they are looking for shelter in Lycovrissi.
Right at the beginning of the book the selection for the Passion Play takes place and one of the participants mutters: “What a heavy burden the priests has put on our backs. God help us to carry it through. Last time, if you remember, Christ was acted by Master Charalambis, a man of property, a good family man. But he tried so hard to follow in the footsteps of Christ, he struggled so, during the whole year, to be worthy to bear the cross, that in the end it turned his head. On Easter Day he put the crown of thorns on his head, heaved the cross upon his shoulder and, abandoning everything, went off to the monastery of Saint George of Soumela, over there, Trebizond way, and became a monk. It was the ruin of the family; his wife died of it, his children became beggars in the village.”
This somehow sets the mood for the book - and then the passion of Jesus enfolds. Bit by bit the characters develop into the characters they were assigned to. It is a fantastic appropriation of the Life and Passion of Jesus Christ.
We see how the villagers, simple, earnest people who are fond of Manolis, who plays Christ, Yannasko, Apostle Peter, Michelis, Apostle John etc. are indoctrinated by the elders. The main factor is a real saintly priest, Father Fotis who comes to the village to ask for help with hundreds of hungry and dying people and who is turned away from the village and finds a refuge in the barren mountain. There he tries to survive with the help of Manolios, Yannakos, Michelis and Konstandis. Father Grigoris is afraid to lose the power over the village and starts his hate campaign first against the priest and his people and then against the rest of the group. At one point Manolios offers his life to save the village, but in the last minute he is saved. The venom of the village elders appeals even the Agha, but he is too comfortably and too afraid to lose his power to do anything.
Manolios ends his engagement and lives up in the hill praying to God and follows his voice. Michelis gives up his riches and comes to live with Magnolios. This of course infuriates and in the end kills his father. One main character, Panayotaros, Apostle Judas, doesn’t really change in character, but he becomes very dangerous and a real Judas. He doesn’t care for his life anymore after widow Katerina dies, for whom he has a crazy desire. He is the one who spies on the people up in the mountain and on Michelis and Manolios and reports it to Father Grigoris, one of the main villains.
In the end a mob consisting of the villagers kill Manolios. This excerpt shows the power of the story:
“For an instant Manolios’s heart failed him, he turned to the door - it was closed; he looked at the three lit lamps and, under them, the icons loaded with ex-votos: Christ, red-cheeked, with carefully combed hair, was smiling; the Virgin Mary, bending over the child was taking no interest in what was happening under her eyes. Saint John the Baptist was preaching in the desert. He raised his eyes toward the vault of the church and made out in the half-light the face of the Almighty, bending pitilessly over mankind. He looked at the crowd about him; it was as if in the darkness he saw the gleam of daggers. The strident voice of old Ladas squeaked once more: “Let’s kill him!” At the same moment, violent blows were struck upon the door; all fell silent and turned toward the entrance; furious voices could be heard distinctly: “Open! Open!” “That’s the voice of father Fotis!” someone cried. “Yannakos’s voice,” said another; “the Sarakini have come to take him from us!” The door was shaken violently, its hinges creaked; there could be heard a great tumult of men and women outside. “open, murderers! Have you no fear of God?” came the voice of father Fotis, distinctly. Priest Grigoris raised his hands. “In the name of Christ,” he cried, “ I take the sin upon me! Do it, Panayotaros.” Panayotaros drew the dagger and turned to father Grigoris. “With your blessing, Father!” he asked. “With my blessing, strike!”
Priest Fotis and his people bring the dead body of Manolios to the mountain. He kneels next to him and holds his hands.
“Toward midnight the bell began ringing, calling the Christians to the church to see Christ born. One by on the doors opened and the Christians hastened toward the church, shivering with cold. The night was calm, icy, starless.”
“Priest Fotis listened to the bell pealing gaily, announcing that Christ was coming down on earth to save the world. He shook his head and heaved a sigh: In vain, my Christ, in vain, he muttered; two thousand years have gone by and men crucify You still. When will You be born, my Christ, and not be crucified any more, but live among us for eternity.
[edit] Film, TV or theatrical adaptations
Bohuslav Martinů wrote an opera in four acts, also called The Greek Passion (Czech Řecké pašije), based on the novel, with a libretto by the composer.
Jules Dassin's film He Who Must Die (Celui qui doit mourir, 1957) is also based on the novel.
