The Cloisters

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This article is about the New York City museum. For the Hertfordshire building, see The Cloisters Letchworth.
Garden at The Cloisters in Fort Tryon Park, New York City
Garden at The Cloisters in Fort Tryon Park, New York City

The Cloisters is the branch of the Metropolitan Museum of Art dedicated to the art and architecture of the European Middle Ages. The Cloisters is located in New York City, specifically Fort Tryon Park near the northern tip of Manhattan island on a hill overlooking the Hudson River. The Cloisters include the museum building and the adjacent 4 acres (16,000 m²).

Contents

[edit] Collection

The Cloisters collection contains approximately five thousand European medieval works of art, with a particular emphasis on pieces dating from the twelfth through the fifteenth centuries.

Among the famous works of art held at the Cloisters are seven south Netherlandish tapestries depicting The Hunt of the Unicorn,[1] Robert Campin's Mérode Altarpiece,[2] and the Romanesque altar cross known as the Cloisters Cross or Bury St. Edmunds Cross, which was acquired under the curatorship of Thomas Hoving. The Cloisters also holds many medieval manuscripts and illuminated books, including the Limbourg brothers' Les Belles Heures du Duc de Berry and Jean Pucelle's book of hours for Jeanne d'Evreux.

From The Cloisters in New York City. The inscription reads, "Through the Sign of the Holy Cross, from our enemies, our God frees us."
From The Cloisters in New York City. The inscription reads, "Through the Sign of the Holy Cross, from our enemies, our God frees us."

The building housing the collection is itself a work of medieval art. It is a composite structure, incorporating elements from five medieval French cloisters: Saint-Michel-de-Cuxa, Saint-Guilhem-le-Désert, Bonnefont-en-Comminges, Trie-en-Bigorre, and Froville. These disassembled European buildings were reassembled in Fort Tryon Park (1934/38) in a setting with gardens planted according to horticultural information culled from various medieval documents and artifacts. Notable works of architecture include the Cuxa cloister, with an adjacent Chapter House; and the Fuentidueña Apse from a chapel in the province of Segovia (Castilla y León, Spain).

[edit] History

The Cloisters as seen from the Hudson River.
The Cloisters as seen from the Hudson River.

The museum and adjacent park were created thanks to an endowment grant by John D. Rockefeller, Jr., who donated the majority of his collection; it was completed in 1938. Much of the art collection came from that of George Grey Barnard, an American sculptor and assiduous collector of medieval art, who had already established a medieval-art museum near his home in the Fort Washington neighborhood. Rockefeller purchased Barnard's entire collection of art and architectural remnants as a gift to the Met; this collection, combined with a number of pieces from Rockefeller's own collection (including the Unicorn tapestries), became the core of the new Cloisters' holdings. Rockefeller subsequently purchased more than 65 acres of land north of Barnard's museum with the intention of converting it into a public park and site for the new museum.[3] Besides purchasing this land and donating it to the city, Rockefeller also purchased and donated to the State of New Jersey several hundred acres of the New Jersey Palisades on the other side of the Hudson River in order to preserve the view for the museum.

During the winter, potted plants—such as these crocuses—are brought indoors.
During the winter, potted plants—such as these crocuses—are brought indoors.

[edit] See also

[edit] Summer Internship

The Cloisters offers summer internships available to undergraduate students with an interest in art history and medieval studies. The internship regularly garners nearly three hundred applications, interviews roughly ten percent of those applicants, and hires eight of those interviewed for nine weeks of the summer. The core of the internship is giving tours for the day campers that visit the museum, although interns also study the collection, assist with tours, learn about the workings of the medieval branch of the Metropolitan Museum as well as the museum as a whole. The internship is only available for first-, second, and third-year college students and is particularly desirable in that it offers a substantial honorarium.[citation needed] The internship program at The Cloisters is funded by the Norman and Rosita Winston Foundation.

[edit] References

  1. ^ Tapestry in the Renaissance: Art and Magnificence. The Metropolitan Museum of Art. Retrieved on 2008-01-09.
  2. ^ for example by Campbell in: National Gallery Catalogues (new series): The Fifteenth Century Netherlandish Paintings, p. 72, Lorne Campbell, 1998, ISBN 185709171 and his 1974 Burlington article TSTOR specifically dealing with the authorship of the work
  3. ^ Metropolitan Museum of Art website article on the Cloisters

[edit] Literature

  • Peter Barnet and Nancy Wu, The Cloisters. Medieval Art and Architecture. Metropolitan Museum of Art, Yale University Press. New York: 2006.
  • Thomas Hoving. King of the Confessors. Simon & Schuster. New York, New York: 1981.
  • Thomas Hoving, King of the Confessors: A New Appraisal. cybereditions.com. Christchurch, New Zealand: 2001.
  • James J. Rorimer, The Cloisters. The Building and the Collection of Mediaeval Art in Fort Tryon Park, 11th edition, New York 1951.

[edit] External links

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