Image:The eight musical modes.png

Description	The eight musical modes.
Source	Created by bdesham with GNU LilyPond and post-processed with GraphicConverter. The original version of this image was made by en:User:Hyacinth. The fs in the image are those designated by Curtis as "final". The sources listed at that image page are: Judd, Cristle Collins (ed.) (1998). Tonal Structures of Early Music. New York: Garland Publishing. ISBN 0815323883 Liane Curtis. "Mode".
Date	unknown
Author	Benjamin D. Esham (bdesham)
Permission (Reusing this image)	As a courtesy (but not a requirement), please e-mail me or leave a note on my talk page if you use this image outside of Wikipedia. Thanks! I, the copyright holder of this work, hereby publish it under the following license: I, the copyright holder of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible: I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. Afrikaans | Alemannisch | Aragonés | العربية | Asturianu | Български | Català | Česky | Cymraeg | Dansk | Deutsch | Eʋegbe | Ελληνικά | English | Español | Esperanto | Euskara | Estremeñu | فارسی | Français | Galego | 한국어 | हिन्दी | Hrvatski | Ido | Bahasa Indonesia | Íslenska | Italiano | עברית | Kurdî / كوردی | Latina | Lietuvių | Latviešu | Magyar | Македонски | Bahasa Melayu | Nederlands | ‪Norsk (bokmål)‬ | ‪Norsk (nynorsk)‬ | 日本語 | Polski | Português | Ripoarisch | Română | Русский | Shqip | Slovenčina | Slovenščina | Српски / Srpski | Svenska | ไทย | Tagalog | Türkçe | Українська | Tiếng Việt | Walon | ‪中文(简体)‬ | ‪中文(繁體)‬ | zh-yue-hant | +/-

LilyPond source

The musical notation in this image was rendered by GNU LilyPond, a free-software engraving program. Here is a listing of the LilyPond source used to create this file.

\version "2.4.2"

tune = \relative c' {
  \clef treble
  \key c \major
  \time 8/1
  
  % prevent bar number display on the second line
  \set Score.barNumberVisibility = #(every-nth-bar-number-visible 100)
  
  d1^\markup{\large{\bold{1. Dorian}}}_\markup{\large{\bold{f}}} e f g a b c d
  e,^\markup{\large{\bold{3. Phrygian}}}_\markup{\large{\bold{f}}} f g a b c d e
  f,^\markup{\large{\bold{5. Lydian}}}_\markup{\large{\bold{f}}} g a bes c d e f
  g,^\markup{\large{\bold{7. Mixolydian}}}_\markup{\large{\bold{f}}} a b c d e f g
  \break
  a,,^\markup{\large{\bold{2. Hypodorian}}} b c d_\markup{\large{\bold{f}}} e f g a
  b,^\markup{\large{\bold{4. Hypophrygian}}} c d e_\markup{\large{\bold{f}}} f g a b
  c,^\markup{\large{\bold{6. Hypolydian}}} d e f_\markup{\large{\bold{f}}} g a bes c
  d,^\markup{\large{\bold{8. Hypomixolydian}}} e f g_\markup{\large{\bold{f}}} a b c d
  
}

#(set-default-paper-size "letter" 'landscape)
#(set-global-staff-size 22)

\score {
  \new Staff \with { \remove Time_signature_engraver} { \tune }
  \layout { }
}

\paper { indent = 0\mm }

• Musical mode