Ten 'til Noon
From Wikipedia, the free encyclopedia
 |
This article does not cite any references or sources. (February 2007) Please help improve this article by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
 |
The tone or style of this article or section may not be appropriate for Wikipedia. Specific concerns may be found on the talk page. See Wikipedia's guide to writing better articles for suggestions.(December 2007) |
| Ten 'til Noon | |
|---|---|
 Promotional poster for Ten 'til Noon |
|
| Directed by | Scott Storm |
| Written by | Paul Osborne |
| Starring | Alfonso Freeman Rick D. Wasserman Rayne Guest Jenya Lano Thomas Kopache Paul J. Alessi |
| Music by | Joe Kraemer |
| Cinematography | Alice Brooks |
| Editing by | Kalman Alexander Scott Storm |
| Distributed by | Radio London Films |
| Release date(s) | March 30, 2007 |
| Running time | 88 min. |
| Language | English |
| Budget | $750,000 |
| IMDb profile | |
Ten 'Til Noon (2007) is a crime thriller movie that has won awards at multiple film festivals (San Francisco Independent Film Festival, San Diego Film Festival, Newport Beach Film Festival).
It is a taut crime thriller in the vein of Memento and Pulp Fiction with a structural signature of witnessing the same ten minutes from the often tense perspective of ten different characters.
Its official description is: Between 11:50 and 12:00 noon, a crime is committed. In the same ten minute period, we follow the lives of the ten people, all connected to this crime. As we see each person's point of view, we are propelled closer and closer to the truth of what exactly happened...and why. [1] The meaning of the ending is hard to decipher, and so it would be great if someone would explain what exactly happened in a plot summary.
Directed by Scott Storm (graduate of the New York School of Visual Arts and classmate of Bryan Singer) and produced by Michael Creighton Rogers, Michael Mannheim, Gavin Franks, Paul J. Alessi and Brian Osborne, Ten 'til Noon stars Morgan Freeman's son Alphonso and was shot during separate months on a shoestring budget with the help of countless crew and friend favors.
After a Los Angeles Premiere screening, Jon Voight's company, Crystal Sky, signed on to sell foreign and domestic distribution and the film opened theatrically in Los Angeles on March 30, 2007.
