Sky Pilot (song)
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| “Sky Pilot” | |||||
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| Single by Eric Burdon & The Animals from the album The Twain Shall Meet |
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| A-side | "Sky Pilot (Part One)" | ||||
| B-side | "Sky Pilot (Part Two)" | ||||
| Released | January 1968 (UK) July 1968 (USA) |
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| Format | 7" single | ||||
| Recorded | 1967 | ||||
| Genre | Rock | ||||
| Length | 2:55 (A) | ||||
| Label | MGM 1373 (UK) MGM K13939 (U.S.) |
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| Writer(s) | Burdon, Briggs, Weider, Jenkins, McCulloch | ||||
| Producer | Tom Wilson, arranged and orchestrated by Vic Briggs | ||||
| Eric Burdon & The Animals singles chronology | |||||
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"Sky Pilot" is a 1968 song by Eric Burdon & The Animals, released on the album The Twain Shall Meet. When released as a single the song was split across both sides, due to its length. As "Sky Pilot (Parts 1 & 2)" it reached number 14 on the U.S. pop charts.
Contents |
[edit] Themes
The Sky Pilot of the title is a military chaplain, as revealed by the opening verse:
- He blesses the boys
- As they stand in line
- The smell of gun grease
- And the bayonets they shine
- He's there to help them
- All that he can
- To make them feel wanted
- He's a good holy man
The line-up includes Eric Burdon on lead vocals, Vic Briggs on guitar, John Weider on guitar and electric violin, Danny McCulloch on bass guitar, and Barry Jenkins on drums.
The song is a balladic slice of life story about a chaplain who blesses a body of troops just before they set out on an overnight raid or patrol, and then retires to await their return.
"Sky Pilot" is organized into three movements: an introduction, a programmatic interlude, and a conclusion.
The introduction begins with the verse quoted above, sung a cappella and solo by Eric Burdon. Thereafter the band joins in with instruments for the chorus. Several verse-chorus iterations follow, leaving the story with the "boys" gone to battle and the Sky Pilot retired to his bed. The verses are musically lean, dominated by the vocal and a pulsing bass guitar, with a strummed acoustic guitar and drum mixed in quietly.
The interlude starts as a guitar solo, but the guitar is quickly submerged under a montage of battle sounds. First come the sounds of an airstrike; then the airstrike and Rock band fade into the sounds of shouting, gunfire, and bagpipes. Near the end of the interlude the battle sounds fade, briefly leaving the bagpipes playing alone before the third movement begins. (The bagpipe music is a covert recording of the pipers of The Royal Scots Dragoon Guards playing "All The Bluebonnets Are Over The Border", captured by Burdon while performing at a school. He received an angry letter from the UK government (or possibly the Crown) over his use of the recording in the song. [1])
The conclusion begins with the return of the bass and strummed acoustic guitar, accompanied by strings. After a few measures the verses resume, but with a quieter, melancholy atmosphere: one verse is sung along with bass, guitar, and strings, and then without a choral break a final verse (quoted below) is sung to bass, guitar, and woodwinds. Finally a strong bass line announces the return of the chorus, now accompanied with horns and piccolos, repeated several times as it fades. The musical effect is very upbeat, in stark contrast with the "downer" content of the movement's lyrics.
The song is universally interpreted as an anti-war protest song. There are no overt anti-war statements, but no glorification of war either. The (presumed) anti-war message is conveyed simply and obliquely, by lines such as:
- But he'll stay behind
- And he'll meditate
- But it won't stop the bleeding
- Or ease the hate
and the final verse:
- In the morning they return
- With tears in their eyes
- The stench of death
- Drifts up to the skies
- A young soldier so ill
- Looks at the Sky Pilot
- Remembers the words
- 'Thou Shall Not Kill'
There is also a sense of futility, or perhaps moral judgement upon the chaplain, conveyed by the chorus:
- Sky Pilot
- How High Can You Fly
- You'll never reach the sky
The war in question is usually assumed to be the Vietnam War, though the bagpipes and apparent sounds of a dive bomber in the interlude, taken with the UK nationality of the artists, may suggest an earlier era.
[edit] Differences between the mono and stereo mixes
The mono single version is unique as it features several effects not included in the stereo version, including more echo in the a cappella introduction, heavy reverb effect at the end of the line "How high can you fly?" (Part 1 only), and an extra bagpipe passage at the end of the fadeout on Part 2. Also, the airstrike and battle sounds are both moved forward in the instrumental break.
[edit] Special Effects
Besides the use of "found sound" in the interlude section, and heavy use of reverb and echos, the song is notable for its use of flanging, the swept "whooshing" sound effect laid over the entire track, most prominently during the chorus sections.
[edit] References
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