Sheldon Hall (film historian)
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Sheldon Hall is a film historian based in the film department of Sheffield Hallam University. Dr. Hall holds the post of Undergraduate Programme Leader.
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[edit] Published works
Books
- Zulu: With Some Guts Behind It (Tomahawk Press (GA), 2005, ISBN 0-9531926-6-0)
- Epics, Spectacles and Blockbusters (co-authored with Steve Neale; Detroit: Wayne State University Press, forthcoming)
- Widescreen Worldwide (co-edited with Steve Neale and John Belton; John Libbey Publishing, forthcoming)
Chapters in Books
- How the West Was Won: History, Spectacle and the American Mountains’, in Ian Cameron and Douglas Pye (eds.), The Movie Book of the Western (London: Studio Vista, 1996)
- "The Wrong Sort of Cinema: Refashioning the Heritage Film Debate", in Robert Murphy (ed.), The British Cinema Book (Second Edition, BFI Publishing, 2001), ISBN 0-85170-851-X, pp. 191-99. (To be revised and expanded in 2007.)
‘Monkey Feathers: Defending Zulu’, in Claire Monk and Amy Sargeant (eds), British Historical Cinema (Routledge, 2002) ISBN 0-415-23810-2, pp. 110-28.
‘Tall Revenue Features: The Genealogy of the Contemporary Blockbuster’, in Steve Neale (ed.), Genre and Contemporary Hollywood (BFI Publishing, 2002), ISBN 0-85170-887-0, pp. 11-26.
‘Carpenter’s Widescreen Style’, in Ian Conrich and David Woods (eds), The Cinema of John Carpenter: The Technique of Terror (Wallflower Press, 2004), ISBN 1-904764-14-2, pp. 66-77.
‘Twentieth Century Fox in the 1960s’, ‘Blockbusters in the 1970s’ and ‘The Sound of Music’, in Linda Ruth Williams and Michael Hammond (eds), Contemporary American Cinema (McGraw-Hill/ Open University Press, 2006), ISBN 0-335-21831-8, pp. 26-28, 46-49, 164-81.
Six entries in Alastair Phillips and Ginette Vincendeau (eds), Journeys of Desire: European Actors in Hollywood (BFI Publishing, 2006), ISBN 1-84457-124-6, pp. 170, 196-98, 240, 276-77, 336-37, 469.
Thirty-nine entries in Robert Murphy (ed.), Directors in British and Irish Cinema: A Reference Guide (BFI Publishing, 2006), ISBN 1-84457-126-2.
Three chapters in Ian Cameron (ed.), Unexplored Hitchcock (Moffat: Cameron and Hollis, forthcoming).
Journal Articles
‘Selling Religion: How to Market a Biblical Epic’, Film History, 14: 2 (2002), pp. 170-85.
‘Dial M for Murder’, Film History, 16: 2 (2004), pp. 243-55.
‘Rodslovlje modernog blockustera’, Hrvatski filmski Ljetopis, 40 (2004) pp. 5-16 (Croatian translation of ‘Tall Revenue Features’ [see above] in Neale, Genre and Contemporary Hollywood).
Review article, ‘British Social Realism: In Print and on DVD', in Viewfinder, no. 54 (March 2004), pp. 8-10.
Book reviews, ‘British Social Realism: From Documentary to Brit Grit’ and ‘J. Lee Thompson’, both in Journal of British Cinema and Television, 1:2 (2004), pp. 306-09, 321-24.
'The Hills Are Alive in East Anglia: The Sound of Music Comes to Norwich', Picture House, no. 30 (2005), pp. 34-39.
Book review, ‘ABC: The First Name in Entertainment’, et al., Journal of British Cinema and Television, 3:1 (2006), pp. 188-91.
Internet Article‘Size Still Matters! The 2004 Oslo 70mm Film Festival’, posted 1 October 2004, in70mm.com: The 70mm Newsletter (http://www.in70mm.com/news/2004/oslo/oslo_2004.htm)
[edit] Other writings
- An Opera of Violence - Documentary on Sergio Leone's Once Upon a Time in the West
- Something to Do with Death - Further documentary on Once Upon a Time in the West
- The Wages of Sin - Further documentary on Once Upon a Time in the West
The above three titles are featured on the 2003 special edition DVD release of Once Upon a Time in the West
- The Making of 'Zulu': ...and Snappeth the Spear in Sunder - Documentary available on the 2002 special edition DVD release of Cy Endfield's Zulu
[edit] DVD commentaries
- Zulu with second unit director Robert Porter.
- Once Upon a Time in the West with John Carpenter, John Milius, Alex Cox and Sir Christopher Frayling.
[edit] Television appearances
- The 100 Greatest War Films - Channel 4's 2005 countdown of the best films of the genre.
- 50 Films to See Before You Die - Another Channel 4 countdown aimed to help the free-to-air launch of their Film4 channel.

