Semiotics of Ideal Beauty

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For the philosophical view that the assessment of beauty is subjective, see Aesthetic relativism.

Semiotics

General concepts Biosemiotics · Code Computational semiotics Connotation · Decode · Denotation Encode · Lexical · Modality Salience · Sign · Sign relation Sign relational complex · Semiosis Semiosphere · Literary semiotics Triadic relation · Umwelt · Value
Methods Commutation test Paradigmatic analysis Syntagmatic analysis
Semioticians Charles Peirce · Thomas Sebeok Ferdinand de Saussure Jakob von Uexküll Umberto Eco · Louis Hjelmslev Roman Jakobson · Juri Lotman Roland Barthes · Marcel Danesi John Deely · Roberta Kevelson
Related topics Structuralism Aestheticization Semiotics of Ideal Beauty Postmodernity
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The notion of a Semiotics of Ideal Beauty examines whether there can ever be an objective measurement of beauty or whether the concept and appreciation of beauty will always remain in flux as cultures evolve and establish new standards of physical attractiveness.

Some people use signs to associate themselves with the most successful groups within their society. In cultures where being overweight is considered a sign of success, health, and beauty, people modify their diet to achieve a body image reflecting the consensus of thought among those within the social group they aspire to join (e.g. in modern Ghana the popular view is that "the thicker and heavier, the richer and more attractive a woman is.").^{[citation needed]}) In cultures where certain body parts are desirable, clothing is modified to enhance or disguise a feature (e.g. padded codpieces enhanced a European man's reputation).^{[citation needed]}

[edit] An example of semiotic analysis

In her book, Things of Darkness: Economies of Race and Gender in Early Modern England, Kim Hall studies the concepts of blackness and colonialism and the construction of race in England of the seventeenth century by examining the juxtaposition of black and white images in literature, poetry and art.

[edit] References

Hall, Kim, Things of Darkness: Economies of Race and Gender in Early Modern England: "An Object in the Midst of Other Objects: Beauty, Colonialism, and Female Subject," Cornell University Press, 1995, pg. 53-247.