Talk:Reel-to-reel audio tape recording

From Wikipedia, the free encyclopedia

This article is within the scope of the Professional sound production WikiProject, a collaborative effort to improve Wikipedia's coverage of the technology, equipment, companies and professions related to professional sound production. If you would like to participate, you can visit the project page, where you can join the project and see a list of open tasks.
B This article has been rated as B-Class on the assessment scale.

This is the talk page for discussing improvements to the Reel-to-reel audio tape recording article.

Article policies

Contents

[edit] NAB

Q. What are "NAB adaptors"? Bastie 11:02, 7 October 2005 (UTC)


See also related discussion at Talk:Compact audio cassette. Bastie 14:12, 26 October 2005 (UTC)

I think: adapters for mounting 10-1/2 inch reels of tape which IIRC always had the large "NARTB" or "NAB" hubs on machines that had dual-purpose spindles, capable of accepting both the 10-1/2 reels and the smaller reels which always had, I dunno, maybe 5/16" holes and were identical in dimensions to 8 mm movie reels (as I can testify from experiment). Dpbsmith (talk) 20:35, 28 October 2005 (UTC)


[edit] Once a common household object?

The caption for the nice picture of a Sony TC-630 tape recorder says it was "once a common household object."

I don't think so. Tape recorders never came anywhere near to being as common as photographs were before or cassette recorders were afterward.

They were not particularly rare. To be sure, my dad had a Wollensak reel-to-reel tape recorder--but I don't think he was typical as we also, at various times, owned a wire recorder, a Recordio disk recorder, and a huge vacuum-tube tape recorder with a "magic eye" level indicator that was so old that it said "Brush Development Corporation" on it.

But they were sort of a specialty item. The cheaper ones (like the Wollensak) were common enough in schools. Serious audiophiles had them, of course. In fact the TC-630 seems to me to be getting up to what would now be called the "prosumer" level.

In my entire life (so far), I have only met one single person who had a reel-to-reel tape recorder in his house for the purpose of playing prerecorded tapes. He had a collection of several hundred of them; that is, the tape recorder served the same purpose as a good phonograph did in many other houses. Dpbsmith (talk) 20:32, 28 October 2005 (UTC)

I would agree that the TC-630 is a little more upscale than most people would have. But lower-end open reel decks (e.g. the TC-250 or 155) were quite common consumer items in the late '50s through early '70s. Otherwise all of those factory recordings of pop albums would not have existed, for lack of market. —überRegenbogen 06:30, 13 May 2007 (UTC)

In the 60s, TC630 was widely used in household, school, hospital, etc, as an audio center with inputs for tuner, turntable, microphone, etc.For the bigger 10" reel capability, I used the Revox A77 with plug-in integrated amplifier.

Takima 00:29, 3 September 2007 (UTC)

[edit] I want one audio magnetic tape ; help;;;;;

hi,reader

i have an AIWA Recorder ; i want a SPOOL-TAPE TYPE=5"

pl.help


also would like to know something about GRAMAPHONES i know stylus is not available in MANGALORE but available in BANGALORE

if anyone in bangalore pl ; contact 0824-2457404

or

kishorvittal@rediffmail.com


I'm needing information on how a Reel-to-reel audio tape recording system actually works and are they still made?

Few more questions to be asked but would appreciate anyone to get in touch on the email address below to help

Thanks Fraserrfc@hotmail.com

[edit] Frequency response

It would be nice if this article had a section on the frequency response for reel-to-reel tape. Of course, it would depend on speed. As recordings to magnetic tape capture analogue signals (like vinyl recordings), they don't suffer from the sampling and quantisation errors inherent in CD recordings. At 30 inches per second, it's no wonder that this was the top professional recording medium for so long.--ML5 15:17, 27 October 2006 (UTC)

But it does suffer from tape hiss... don't ignore tape hiss... I don't know about 30 ips but for some years I spent a fair amount of time at a campus radio station equipped with some Ampex 351's at 15 ips and hiss was clearly audible in the "silent" parts of any recording. You could tell at the start of any recording: the transition from unrecorded tape to "silent" recorded tape was obvious even to a casual listener.
When Dolby noise reduction was first introduced, the difference between LPs that had been mastered on Dolby-NR analog systems and those on non-Dolby systems was astonishing and dramatic. Dpbsmith (talk) 11:17, 13 May 2007 (UTC)

[edit] New image(s)

I thought these might be useful for the article, but it's getting a little image crowded. (One image now, but I'll upload a few more soon). --Gmaxwell 04:07, 13 November 2006 (UTC)

[edit] Page title

Should this page be renamed Reel-to-reel tape recording because there are other applications than audio?--Tugjob 18:54, 8 July 2007 (UTC)

[edit] Studer/Revox

What about theses Swiss marvels of A77 and then B77?

Takima 00:32, 3 September 2007 (UTC)

[edit] Article needed

Article on Wollensack needed. (Is that the right spelling?) Badagnani (talk) 21:56, 9 May 2008 (UTC)