Portal:Percussion/Selected article/Archives
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Jazz drumming is the art of playing percussion (predominantly the drum set) in jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique. As each period in the evolution of jazz—swing and bebop, for example—tended to have its own rhythmic style, jazz drumming continued to evolve along with the music through the 20th century. One tendency that emerged over time was the gradual "freeing" of the beat. But older styles persisted in later periods. The borders between these periods are unclear, partly because no one style completely replaced others, and partly because there were numerous cross influences between styles. (more...)
[edit] Upcoming
[edit] March 2008
To hear the shape of a drum is to infer information about the shape of the drumhead from the sound it makes, i.e., from the list of basic harmonics, via the use of mathematical theory. "Can One Hear the Shape of a Drum" was the witty title of an article by Mark Kac in the American Mathematical Monthly 1966, but these questions can be traced back all the way to Hermann Weyl.
The frequencies at which a drumhead can vibrate depend on its shape. Known mathematical formulas tell us the frequencies if we know the shape. A central question is: can they tell us the shape if we know the frequencies? No other shape than a square vibrates at the same frequencies as a square. Is it possible for two different shapes to yield the same set of frequencies? Kac did not know the answer to that question. (more...)
[edit] April 2008
Cal Tjader (July 16, 1925–May 5, 1982) was an American Latin jazz musician, though he also explored various other jazz idioms. Unlike other American jazz musicians who experimented with the music from Cuba, the Caribbean, and Latin America, he never abandoned it, performing it until his death.
Tjader primarily played the vibraphone. He was also accomplished on the drums, bongos, congas, timpani, and the piano. He worked with numerous musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing jazz with Latin music is often categorized as "Latin jazz" (or, earlier, "Afro-Cuban jazz"), Tjader's output swung freely between both styles. (more...)
[edit] May 2008
Timpani (also known colloquially as kettle drums) are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl commonly made of copper. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet. Unlike most drums, they produce a definite pitch when struck. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of musical ensembles including concert, marching, and even rock bands.
Timpani is an Italian plural, the singular of which is timpano. However, this is rarely used in informal English speech as a timpano is typically referred to as a drum, a timpani, or simply a timp. A musician who plays the timpani is known as a timpanist. (more...)
[edit] June 2008
Jazz drumming is the art of playing percussion (predominantly the drum set) in jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drumming's hybrid technique. As each period in the evolution of jazz—swing and bebop, for example—tended to have its own rhythmic style, jazz drumming continued to evolve along with the music through the 20th century. One tendency that emerged over time was the gradual "freeing" of the beat. But older styles persisted in later periods. The borders between these periods are unclear, partly because no one style completely replaced others, and partly because there were numerous cross influences between styles. (more...)
