Paul Gilson

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Paul Gilson (Brussels, June 15, 1865 - Brussels, April 3, 1942) was a Belgian musician and composer.

Contents

[edit] Biography

In 1866, his family moved from Brussels to Ruisbroek in the Belgian province of Brabant. There he studied theory with the organist and choir director Auguste Cantillon, and began writing works for orchestra and choir. His first official training came from 1887-1889 under Francois Auguste Gevaert in composition and under Charles Duyck in harmony and counterpoint at the Brussels Conservatory, and in 1889, he was awarded the Belgian Prix de Rome for a cantata, Sinaï. In 1899 he became professor of composition at the Brussels Conservatory; he won the same post at Antwerp in 1904 but quit both after becoming inspector of music education in 1909, a post he would keep until 1930. While he was a very prolific composer, his output decreased after 1905, after which Gilson wrote increasingly about music, in theory, criticism, and composition.

In 1925, a group of Gilson's students who called themselves Les synthétistes (including René Bernier, Francis de Bourguignon, Théo de Joncker, Marcel Poot, Maurice Schoemaker, Jules Strens and Robert Otlet) first formed, declaring allegiance to Gilson's ideas about music. Along with Poot and Schoemaker, he founded La revue Belge musicale in 1924; he was the chief editor until it folded in 1939. He also wrote pamphlets for Belgian radio.

Gilson was somewhat conservative in his musical outlook. Some of his work is indebted to Wagnerian harmony, and his books on harmony and instrumentation also bear this out. Gilson corresponded regularly with Russian composers Cesar Cui and Mitrofan Beliaiev.

[edit] Works

[edit] For Orchestra

  • 1890 Alla Marcia rhapsody for string orchestra
  • 1890 Rhapsodie à la marcia
  • 1892 La Mer 4 Symphonic sketches
    1. Lever de soleil
    2. Chants et Danses de Matelots
    3. Crépuscule
    4. Tempête
  • 1892–1893 Melodies Ecossaises for string orchestra
    1. The Flowers Of The Forest
    2. Sweet May Morning
    3. Jig And Song
  • 1900 Ouverture Symphonique Nr. 1
  • Alvar
  • 1903 Ouverture Symphonique Nr. 2
  • 1904 Ouverture Symphonique No. 3
  • 1929 Parafrazen op Vlaamse Volksliederen
  • Sailors Dance

[edit] Works for wind orchestra

  • 1902 Concerto pour Saxophone n°1
  • 1903 Variation symphonique for Blechbläser
  • 1892/1925 La Mer 4 Symphonic Sketches for wind orchestra transcribed by Arthur Prevost
    1. Lever de soleil
    2. Chants et Danses de Matelots
    3. Crépuscule
    4. Tempête
  • 1930 Tornacum
  • 1930 Grande Marche du Centenaire
  • 1948 Moeder for speaker and fanfare-orchestra
  • Binché
  • Brabant - marche militaire
  • Danse geurrière from the ballet La Captive
  • Deuxième Rhapsodie
  • Deuxième Valse Symphonique
  • Encore un! allegro
  • Epithalame
  • Fantaisie
  • Gavotte Monsignore
  • Hommage à Weber
  • Interlude Solennel
  • L'Heureux Voyage
  • Le Rétour au Pays: Prière avant le départ
  • Marche commémorative
  • Marche Cortège
  • Marche Panégyrique
  • Merxem - Allegro Militaire
  • Montréal - Allegro de concert
  • Ouverture »Eleusines«
  • Patrouille Albanaise
  • Poème Symphonique en Forme d'Ouverture
  • Polka fataiseste
  • Rhapsodie Laudative
  • Rhapsodie Hawaîenne
  • Richard III Ouverture
  • Terugkeer naar het vaderland
  • Triumph Marsch
  • Variations
  • Valse symphonique nr. 1
  • Valse symphonique nr. 2
  • Vestris - Danse mimique
  • Quarantenaire – Marche Solennelle

[edit] Stage Works

  • 1890 Le Démon Dramatic cantata on a text by Lermontov in 2 acts for soloists, choir and orchestra
  • 1892 Francesca da Rimini Dramatic oratorio based on a text by Dante for soloists, choir and orchestra
  • 1895 Gens de mer (Zeevolk) Lyric drama in 2 acts
  • 1896–1900 La Captive Ballet in 2 acts
  • 1903 Princesse rayon de soleil (Prinses Zonneschijn) légende féerique 4 acts
  • 1910 Les Aventuriers (Rooversliefde) Musical drama in 1 act
  • 1910–1921 Les Deux Bossus Ballett-Pantomime in 1 Act
  • 1940 Elijah Music for a play by Cyriel Verschaeve
  • Daphne Ballett

[edit] Other works

  • 1889–1890 Six Mélodies
  • 1902 Petite Suite Rustique for piano
  • 1934 Le Mas d'Icare for a film by Carlo Queeckers for string orchestra
  • 1934–1936 Romantische werkjes
  • 1940 Aria di Timpani con 6 Variazioni
  • Suite Nocturne for piano
  • Six Chansons Ecossaises based on a text by Leconte de Lisle

[edit] Books and writings

  • 1913 Le Tutti orchestral
  • 1923 Traité de lecture musicale
  • 1923 Traité d'harmonie (3 Bände)
  • 1926 Traité de musique militaire
  • Solfège - Cours complet de la lecture musical a 9 Volumes
  • 1942 Notes de musique et souvenirs (memoirs)
  • 1955 Arthur Meulemans: Paul Gilson (1865-1942)