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The Song of Roland (French: La Chanson de Roland) is the oldest major work of French literature. It exists in various different manuscript versions, which testify to its enormous and enduring popularity in the 12th to 14th centuries. The oldest of these versions is the one in the Oxford manuscript, which contains a text of some 4004 lines (the number varies slightly in different modern editions) and is usually dated to the middle of the twelfth century (between 1140 and 1170). The epic poem is the first and most outstanding example of the chanson de geste, a literary form that flourished between the eleventh and fifteenth centuries and celebrated the legendary deeds of a hero.

The story told in the poem is based on a relatively minor historical incident, the ambush or battle of Roncevaux Pass on August 15, 778, in which the rearguard of Charlemagne's retreating Franks was attacked by Basques. In this engagement, recorded by historian and biographer Einhard (Eginhard) in his Life of Charlemagne (written around 830), the trapped soldiers were slaughtered to a man; among them was "Hruodland, Prefect of the Marches of Brittany" (Hruodlandus Brittannici limitis praefectus).

The first indication that popular legends were developing about this incident comes in an historical chronicle compiled c. 840, in which we are told that the names of the Frankish leaders caught in the ambush, including Roland, were "common knowledge" (vulgata sunt). A second indication, potentially much closer to the date of the first written version of the epic, is that (according to somewhat later historical sources) during William the Conqueror's invasion of England in 1066 a "song about Roland" was sung to the Norman troops before they joined battle at Hastings:

Then a song of Roland was begun, so that the man’s warlike example would arouse the fighters. Calling on God for aid, they joined battle.

Taillefer, who sang very well, rode on a swift horse before the Duke singing of Charlemagne and Roland and Oliver and the knights who died at Roncevaux.

This cannot be treated as evidence that Taillefer, William's jongleur, was the "author of the Song of Roland", as used to be argued, but it is evidence that he was one of the many poets who shared in the tradition. We cannot even be sure that the "song" sung by Taillefer was the same as, or drew from, the particular "Song of Roland" that we have in the manuscripts. Some traditional relationship is, however, likely, epecially as the best manuscript is written in Anglo-Norman French and the Latinized name of its author or transcriber, called "Turoldus," is evidently of Norman origin ("Turold," a variant of Old Norse "Thorvaldr)." (read more . . . )