Maxine Swann
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| Maxine Swann | |
 Maxine Swann |
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| Born | January 1, 1969  Buenos Aires, Argentina |
| Nationality | American |
| Field | Fiction |
| Training | Columbia College, New York |
| Works | "Flower Children" (short story) |
| Awards | Cohen, O. Henry, Pushcart |
Maxine Swann (born January 1, 1969) is an American author of fiction.
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[edit] Life
Maxine Swann grew up on a farm in southern Pennsylvania, before attending Phillips Academy and then Columbia College, where she studied with Mary Gordon, graduating in 1994.
She pursued her graduate studies at the Sorbonne, Université de Paris VII, earning her master's degree in 1997 with a thesis on the style of Marcel Proust. She now lives in Buenos Aires, Argentina.
[edit] Work
Swann's work first appeared in Ploughshares, in an issue guest-edited by Mary Gordon, and she won a Cohen Award for that short story, "Flower Children", in 1997.[1] The same story won her an O. Henry Award, the Pushcart Prize and selection by The Best American Short Stories.
At the time, Ploughshares quoted her: "All stories, I think, are in the end a very dense mixture of memory and imagination, with the doses varying each time. ‘Flower Children,’ I see now, was a story I’d been trying to write since I’d begun writing. It is, in a sense, a condensation of nearly all the stories, pages, and even poems that I wrote in grade school, high school, and then college. In her writing class at Columbia, Mary Gordon, taking my efforts seriously, pressed me further towards it, also introducing me to the Austrian writer Ingeborg Bachmann, whose work eventually led me to find the form in which to say what I wanted to say."
Her first novel, Serious Girls, was published by Picador in 2003 and focused on the coming of age of two boarding school girls, Maya and Roe. Swann's second novel, Flower Children, appeared in May 2007, published by Riverside Books.
[edit] Flower Children
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Flower Children, the novel, begins with "Flower Children", the short story, published ten years before in Ploughshares. The novel, indeed, is a series of linked short stories, which Swann wrote over the course of a decade from different points of view — the first chapter follows a collective, fused third person, i.e. the "they" of the children growing up; others are told in the first person by Maeve, whom, given the parallels between Swann's fiction and her life, the reader may assume to be her proxy.
The book was summarized in the "Newly Released" column of The New York Times, where Amy Virshup wrote, "In this slim volume she returns to the story, about four young children being raised by their hippie parents on a farm in rural Pennsylvania (which tracks closely Ms. Swann's own childhood). The eight chapters take the children from the paradise of their early childhood ... to young adulthood when they return to the farm as visitors."[2]
Like the point of view, the tone of the short stories varies, threatening, as some reviewers have noted, the coherence of the work.[3] Whereas the book's first eponymous chapter, showered with prizes, still reads like a vision, subsequent short stories that Swann has published in Ploughshares (and included in this novel) have received less notice. They serve different intentions and vehicle another voice.
"Flower Children", the short story, uses a passé imparfait to relate wave upon wave of successive yet unfinished action, lending the piece a timelessness; the chapters that follow fit more neatly into coming-of-age narratives, closer to Swann's first novel, Serious Girls, than her brilliant entry onto the literary scene.
[edit] References
- ^ Maxine Swann, Cohen Award. Ploughshares.
- ^ Amy Virshup (2007-05-17). "Newly Released". The New York Times.
- ^ Book Forum review of Flower Children by Suzan Sherman, April/May 2007
