George Coleman
From Wikipedia, the free encyclopedia
| George Coleman | |
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| Background information | |
| Birth name | George Edward Coleman |
| Born | March 8, 1935 |
| Origin |  Memphis, Tennessee, USA |
| Genre(s) | Jazz, Hard bop, Post-bop |
| Occupation(s) | Saxophonist Composer Bandleader Teacher |
| Instrument(s) | Saxophone |
| Years active | 1950s – Present |
| Label(s) | Evidence, Telarc |
| Associated acts | Jimmy Smith Miles Davis Herbie Hancock B.B. King Max Roach Slide Hampton Lionel Hampton Ahmad Jamal Joey DeFrancesco |
| Website | www.GeorgeColeman.com |
George Edward Coleman (born March 8, 1935 in Memphis, Tennessee) is an American hard bop saxophonist, bandleader, and composer, known chiefly for his work with Miles Davis and Herbie Hancock in the 1960s.
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[edit] Biography
Coleman taught himself to play the alto saxophone in his teens, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford and Charles Lloyd.[1] After working with Ray Charles, B.B. King hired Coleman in 1953-1955,[2] at which point he switched to tenor saxophone.[3] In 1956 George moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach Quintet 1958-1959. Coleman recorded with organist Jimmy Smith's Houseparty (1957), with Curtis Fuller, Eddie McFadden, Kenny Burrell, and Donald Bailey. Moving to New York with Max Roach in that year, he went on to play with Slide Hampton (1959-1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis Quintet in 1963-1964.[4]
His most famous albums with Miles (and the rhythm section of Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)) are Seven Steps to Heaven (1963), A Rare Home Town (1963), Côte Blues (1963), In Europe (1963), My Funny Valentine (1964) and Four and More, both live recordings of a concert in Lincoln Center for the Performing Arts in New York in February 1964. Shortly after this concert, Coleman was replaced by Wayne Shorter. The following year, he played on Herbie Hancock's Maiden Voyage (1964), with Ron Carter and Tony Williams, generally considered to be one of the pianist's finest albums. Played with Lionel Hampton (1965-1966), also in 1965, recorded on Chet Baker's The Prestige Sessions, with Kirk Lightsey, Herman Wright and Roy Brooks. [5] Charles Mingus (1977-1978), Shirley Scott (1972), Clark Terry, Horace Silver, Lee Morgan, Elvin Jones (1968), Ahmad Jamal (1994, 2000) and many others.
Those who listen to Coleman's recordings will find him to be a lyrical player of rare quality. One such example is the 1998 album, a Richard Rodgers tribute, I Could Write a Book, on which he plays tenor, alto and soprano saxes. His 1987 album, In Your Own Sweet Way, also received critical acclaim. His My Horns Of Plenty Top Jazz (1991), on the Billboard chart peak to #19 for Top Jazz Album. On this excellent set, George Coleman plays his usual tenor on four tunes, alto on "Old Folks," and soprano on "Conrad." With the assistance of pianist Harold Mabern, bassist Ray Drummond and drummer Billy Higgins, Coleman is heard at the top of his game, coming up with interesting variations on lengthy version of "Lush Life," "My Romance" and "Old Folks."[6]
He also appeared in the film "Freejack", the 1992 science-fiction film with Emilio Estevez, Mick Jagger and Anthony Hopkins; and 1996’s "Preacher’s Wife" with Denzel Washington and Whitney Houston.[7]
George is still in full motion. His CD as co-leader, Four Generations of Miles: A Live Tribute to Miles, with bassist Ron Carter, drummer Jimmy Cobb and guitarist Mike Stern was released on Chesky Records in October 2002, concentrate almost exclusively on the 1950s repertoire of Miles Davis. Tracks include: "There Is No Greater Love," "All Blues," "On Green Dolphin Street," "Blue in Green," "81," "Freddie Freeloader," "My Funny Valentine," "If I Were a Bell," and "Oleo." He recently was heard on Joey DeFrancesco's 2006 release Organic Vibes, along with vibraphonist Bobby Hutcherson, Billboard's Top Jazz Album, peaked to #17.[8]
[edit] Selected discography
| Year | Title | Genre | Label | |
|---|---|---|---|---|
| 2002 | Four Generations of Miles: A Live Tribute to Miles | Jazz | Chesky | |
| 2000 | Danger High Voltage | Jazz | Two & Four Recordings | |
| 1998 | I Could Write a Book: The Music of Richard Rodgers | Jazz | Telarc | |
| 1992 | At Yoshi's (Live) | Jazz | Evidence | |
| 1991 | My Horns of Plenty | Jazz | Verve | |
| 1989 | Manhattan Panorama | Jazz | Evidence | |
| 1977 | Dynamic Duo | Jazz | Timeless | |
| 1976 | Revival | Jazz | Catalyst |
[edit] References
- ^ Vladimir, Bogdanov. All Music Guide to the Blues: The Definitive Guide to the Blues, Backbeat Books, page 133, (2003) - ISBN 0879307366
- ^ All About Jazz: George Coleman: This Gentleman can PLAY
- ^ Larkin, Colin. The Guinness Encyclopedia of Popular Music, Guinness, page 887, (1995) - ISBN 1561591769
- ^ Billboard: George Coleman bio
- ^ Yanow, Scott. Trumpet Kings: The Players Who Shaped the Sound of Jazz Trumpet, Backbeat Books, page 34, (2001) - ISBN 0879306408
- ^ Billboard: My Horns Of Plenty Jazz
- ^ IMDb: George Coleman
- ^ Billboard: Organic Vibes
