Future Shock

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For other uses, see Future Shock (disambiguation).

Future Shock

Author	Alvin Toffler
Country	United States
Language	English
Genre(s)	Futurology
Publisher	Random House
Publication date	1970
Media type	Print (Hardback & Paperback)
ISBN	ISBN 0-394-42586-3 (Original hardcover)

Future Shock is a book written by the sociologist and futurologist Alvin Toffler in 1970. The book is actually an extension of an article of the same name that Toffler wrote for the February 1970 issue of Nature. The book has sold over 6 million copies and has been widely translated.

Future shock is also a term for a certain psychological state of individuals and entire societies, introduced by Toffler in his book of the same name. Toffler's shortest definition of future shock is a personal perception of "too much change in too short a period of time". The concept of future shock bears resemblance to the late 20th/early 21st century concept of "the technological singularity", and may have been influenced by Kuhn's concept of a paradigm shift.

A documentary film based on the book was released in 1972 with Orson Welles as on-screen narrator.

1 Term
2 In popular culture
3 Reprints
4 See also
5 Further reading
6 External links

[edit] Term

Toffler argues that society is undergoing an enormous structural change, a revolution from an industrial society to a "super-industrial society". This change will overwhelm people, the accelerated rate of technological and social change leaving them disconnected and suffering from "shattering stress and disorientation" – future shocked. Toffler stated that the majority of social problems were symptoms of the future shock. In his discussion of the components of such shock, he also coined the term "information overload".

His analysis of that phenomenon is continued in his later publications, especially The Third Wave and Powershift.

[edit] In popular culture

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Curtis Mayfield's song "Future Shock" on the album "Back to the World" took its name from this book, and was in turn covered by Herbie Hancock as the title track for his 1983 recording Future Shock. That album was considered groundbreaking for fusing jazz and funk with electronic music. Darren Hayes name checks the phrase many times in his song "Me Myself And I". At least two more releases have been named for the book, a 1981 album by Gillan and a 1988 single by Stratovarius. Other works taking their title from the book include a segment on the Daily Show starring Samantha Bee, Kevin Goldstein's recurring column on the Baseball Prospectus website, a Magic: The Gathering pre-constructed deck, and the National Wrestling Alliance's 1989 Starrcade event.

UK Comic 2000 AD ran a series of short stories called Future Shocks based on this concept, some of which were written by Alan Moore. The term was abbreviated and applied to citizens in 2000 AD stories as 'Futzies' (Derogatory).

Some works used similar titles with a twist, including the third season Futurama episode "Future Stock" (episode 21) and the comic Future Shocks.

The Heavy Metal band SINISSTAR titled it's debut record "Future Shock" (Geffen Records-2002).

Works deriving themes and elements from Future Shock include the science fiction novels The Forever War (1974) by Joe Haldeman, The Shockwave Rider (1975) by John Brunner, and the indie RPG Shock: Social Science Fiction (2006) by designer Joshua A.C. Newman.

The Baltimore music scene centered around Dan Deacon and the Wham City collective calls its spaztic brand of electro pop "Future Shock".

In the 1995 film Johnny Mnemonic, the fictional disease Nerve Attenuation Syndrome (NAS), caused by overexposure to electromagnetic radiation, is described by one character as "information overload."