Francesco Casetti

From Wikipedia, the free encyclopedia

Francesco Casetti is an Italian film and television theorist. He has been described as "the best analyst of cinematographic enunciation."[1]

Casetti's published work includes:[2]

  • Teorie del cinema, 1945-1990 (English: Theories of Cinema, 1945-1990, Austin: University of Texas Press), 1999.
  • Dentro lo sguardo: Il film e il suo spettatore (English: Within the Look: The Film and Its Spectator), 1991
  • Teorie del cinema dal dopoguerra ad oggi (Theories of the Cinema from the Postwar Period to Today), 1978
  • Un'altra volta ancora (Again, One More Time), 1984
  • L'immagine al plurale (The Image in the Plural), 1984

[edit] References

  1. ^ Metz, Christian (Summer 1991). "The Impersonal Enunciation, or the Site of Film (In the Margin of Recent Works on Enunciation in Cinema)" (reprint, subscription required). New Literary History 22 (3): 747–772. doi:10.2307/469211. 
  2. ^ Muscio, Giuliana; Zemignan, Roberto (Winter 1991). "Francesco Casetti and Italian Film Semiotics" (reprint; subscription required). Cinema Journal 30 (2): 23–46. doi:10.2307/1224977. 
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