Eric Khoo

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Eric Khoo (simplified Chinese: 邱金海; pinyin: Qiū Jīnhǎi; born 27 March 1965) is a film director from Singapore. He was introduced to the world of cinema at a very early age. He attended City Art Institute in Sydney, Australia where he pursued cinematography. Khoo began his career with short films where he directed films like When the Magic Dies (1985), Barbie Digs Joe (1990), August (1991), Carcass (1992), Symphony 92.4 (1993), Pain (1994), and Home VDO (2000). A large number of his prize-winning shows have been screened at various film festivals around the world. He has also produced and/or directed made-for-television films, music videos and television advertisements. In February 1999, Khoo was named in Asiaweek magazine as one of 25 exceptional Asians for his influence on film and television. In June of the same year, he received the Singapore Youth Award in recognition of his contribution to the country's film industry.

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[edit] Biography

Khoo is one of the 12 children of late Tan Sri Khoo Teck Puat. Khoo attended the United World College of South East Asia.

[edit] Khoo's films

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Extract from Dr Kenneth Paul Tan, "About Eric Khoo" in Inaugural Forum on Asian Cinema, available on Asian Film Archive website:

"Khoo's films explore a set of hard-hitting themes, including a sense of alienation in contemporary Singapore, nostalgia for a humane past, and the centrality and complexity of human sexuality. Influenced by Martin Scorsese's Taxi Driver, Khoo often features a complex anti-hero as the protagonist of his films: the lonely old man who commits suicide on his birthday in Symphony 92.4, the pork-seller in Carcass who takes comfort in television dramas and regular sex with a prostitute, the outcast necrophilic hawker in Mee Pok Man, the model citizen who breaks down in 12 Storeys - all dysfunctional individuals struggling to cope in a rigid and yet fast-paced society administered by harsh norms. Khoo usually captures grittier, less sanitized images of Singapore's underbelly that contrast starkly with the projected images of tourism-hungry Singapore. Yet, Khoo possesses the remarkable ability to invest tremendous aesthetic beauty into the dilapidated back alleys, crumbling old buildings, and seedy prostitute dens, without trivializing them.

In many ways, Khoo is a public intellectual who, through his films, raises a critical awareness among his audience of their own conditions of existence, or at least of other people's conditions of existence."

A full chapter on Eric Khoo's films, "The Tragedy of the Heartlands in the Films of Eric Khoo", is included in Kenneth Paul Tan, Cinema and Television in Singapore: Resistance in One Dimension (Leiden: Brill, March 2008) [seewebsite]

[edit] Mee Pok Man, 12 Storeys and Be with Me

Khoo is famous for his three critically acclaimed feature films that have been screened at film festivals all over the world: Mee Pok Man (1995), 12 Storeys (1997), and Be with Me (2005). Mee Pok Man won prizes in Singapore, Fukuoka and Pusan. 12 Storeys won him the Federation of International Film Critics (FIPRESCI) Award, the UOB Young Cinema Award at the 10th Singapore International Film Festival, and the Golden Maile Award for Best Picture at the 17th Hawaii International Films Festival. 12 Storeys was also the first Singapore film to be invited to take part in the Cannes Film Festival. Be with Me played as the opening film of the Directors' Fortnight at the Cannes Film Festival.

[edit] Selected filmography

Be With Me
Be With Me

[edit] Director Filmography

[edit] Writer Filmography

[edit] Producer Filmography

[edit] Miscellanea

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  • According to Khoo, his mother started taking him to the movies at the age of two, developing in him a love for the cinema.
  • When he was about eight years old, he chanced upon his mother's Super 8 camera, started making "little animated films" on it and has since been unable to put his camera down.
  • Khoo likes the films of Aki Kaurismäki, the Finnish director. He describes him as a 'gem'.
  • Khoo states that he hates coming up with dialogue for his scripts and has to collaborate with somebody else in order to see his idea through.
  • He finds inspiration from the works of Shinya Tsukamoto, the Japanese director, Steven Spielberg and Robert De Niro.

[edit] External links

[edit] See also

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