Talk:Either/Or

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Contents

[edit] Style

This looks odd, unwieldy, and unencyclopedic, but can someone who has read Kierkegaard take a look?Vicki Rosenzweig 18:27 6 Jun 2003 (UTC)

Frogus - Indeed unwieldy style, but the content is sound. There is always a good reason why Kierkegaard's books are the lengths they are, and they are very difficult to summarise without using terms that are incomprehensible to a lay reader. Anyway I'll try to re-order it.

[edit] Diapsalmata

If my memory serves, 'diapsalmata' is not the whole of the 'Either', yet ambiguous phrasing in this article makes it seem like it is. If someone could verify that my memory is right, then this should be changed. Prometheus912 07:50, 13 October 2005 (UTC)

[edit] Opera by Goethe?!?

"During Kierkegaard's stay, as well as working on the manuscript for Either/Or, he took daily lessons to perfect his German and attended operas, particularly by Wolfgang Amadeus Mozart and Johann Wolfgang Goethe." Goethe wrote opera?!? -- Alcmaeonid (talk) 18:38, 5 December 2007 (UTC)

That probably should read "attended operas and plays"; Mozart for the former and Goethe for the latter. Poor Yorick (talk) 04:28, 6 December 2007 (UTC)

[edit] General copyedit

I am proceeding with a general copyedit of the article which I believe is sorely needed. This consists of grammatical structure edits and reformatting for readability. Any assistance would be welcome. I am also open to critique which could be offered here. -- Alcmaeonid (talk) 16:09, 6 December 2007 (UTC)

[edit] "upbuilding"

In the Or section (and following) there is a peculiar use of the word "upbuilding." As in: "Ultimatium: The volume ends in a discourse on the Upbuilding in the Thought that: against God we are always in the wrong." Is this a translation oddity? Or is it a special-use term? I'd like to replace it but want to make sure I'm not missing something. -- Alcmaeonid (talk) 17:02, 6 December 2007 (UTC)