Edward Solomon
From Wikipedia, the free encyclopedia
Edward Solomon (July 25, 1855 – January 22, 1895) was a prolific English composer, as well as a conductor, orchestrator and pianist. Though he died before his fortieth birthday, he wrote dozens of works produced for the stage, including several for the D'Oyly Carte Opera Company, among others.
Contents |
[edit] Life and career
Edward ("Teddy") Solomon was born in London of Jewish descent.[1]
[edit] Early career
His first comic opera was A Will With a Vengeance (1876), a one-act work with a libretto by Frederick Hay, based on La Vendetta. This was produced at the Globe Theatre. In 1879, he met Henry Pottinger "Pot" Stephens while he was the musical director at the Royalty Theatre conducting, among other works, Arthur Sullivan's The Zoo. With Stephens, he produced his first successes, Billee Taylor (1880), a "nautical comedy opera" in two acts; and Claude Duval (1881, celebrating a well known 18th century highwayman),[2] both of which remained popular for many years in both the UK and U.S. Other Solomon and Stephens successes were Lord Bateman, or Picotee's Pledge (1882), Virginia, or Ringing the Changes (1883)[3] and later The Red Hussar (1889), a "comedy opera" in three acts.[4]
Together, they would also write Popsy Wopsy, a "musical absurdity" (1880) and Pocahontas (1884). Solomon also wrote the music for the short companion pieces Quite an Adventure (1881; Olympic Theatre; revived in 1894 at the Savoy Theatre) and Round and Square (1885), each with a libretto by Frank Desprez, and each produced on tour by D'Oyly Carte companies in the 1880s and 1890s.
Other early shows included Love and Larceny in 1881, a farce, Through the Looking-Glass (1882), the successful Polly, or The Pet of the Regiment (1884) and Pepita (1886). He also wrote ballads like "I Should Like To" and "Over the Way", and numerous salon piano solos (he arranged George Grossmith's "See Me Dance the Polka" for piano).
[edit] Later career
From 1891–93, after Gilbert and Sullivan had temporarily separated, Richard D'Oyly Carte mounted a number of non-G&S pieces to keep the Savoy Theatre open, including a revival of The Vicar of Bray in 1892. Solomon's most famous work produced by the D'Oyly Carte Opera Company was probably The Nautch Girl or The Rajah of Chutneypore (1891), an "Indian comic opera" in two acts with a libretto by George Dance, and lyrics by George Dance and Frank Desprez. It initially ran for 200 performances at the Savoy Theatre and then toured. The company also toured The Vicar of Bray.[4]
With F. C. Burnand, Solomon also wrote Pickwick (1889) and Domestic Economy (1890). His last stage work was On the March (1896), a musical comedy in two acts, with John Crook and Frederic Clay, to a libretto by William Yardley, B. C. Stephenson and Cecil Clay, based on In Camp by Victoria Vokes.
[edit] Bigamous marriage and other information
Solomon became notorious because of his bigamous marriage to American prima donna Lillian Russell, whom he met at the Kew York Casino where he was the musical director and she became the star. Subsequently, she starred in several of his works. When she learned of his previous marriage, she sued for divorce.
His brother Frederick Solomon sang in Billee Taylor in the provinces (1883) and was the composer of the comic opera Captain Kidd, or The Bold Buccaneer, produced at the Prince of Wales' Theatre, Liverpool, on 10 September 1883.
Had he lived, he might have been chosen to complete Sullivan and Hood's The Emerald Isle after Sullivan's death, but Solomon died in London of typhoid fever at the age of 39.
[edit] Selected operas by Solomon
- Billee Taylor (1880)
- Quite an Adventure (1881)
- The Vicar of Bray (1882)
- The Red Hussar (1889)
- The Nautch Girl (1891)
[edit] Notes
[edit] References
- Hyman, Alan (1978). Sullivan and His Satellites. London: Chappell.
