Dorothy Spencer
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Dorothy Spencer (February 2, 1909-May 23, 2002) was the multiple Academy Award-nominated American film editor most recognized for editing several of director John Ford's films such as what film critic Roger Ebert calls, "Ford's greatest Western,"[1]My Darling Clementine, as well as having edited Ford's Stagecoach (1939). She was born in Covington, Kentucky, and was married to actor Frank McHugh until his death in 1981; McHugh was a contract player at Warner Bros..[2]
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[edit] Long Career with Many "Auteur" Directors and Varied Genres
Dorothy Spencer entered film industry in the Consolidated-Aller Lab, 1924. She moved to Fox, becoming a member of the editorial department. Worked at First National Studios assisting editors Louis Loeffler, Al DeGaetano and Irene Morra.
Dorothy Spencer also edited several of Alfred Hitchcock's films such as Foreign Correspondent (1940) and 1944's Lifeboat (featuring a particularly feisty and well-edited Tallulah Bankhead performance). Spencer also edited one of director Elia Kazan's better-known films, A Tree Grows in Brooklyn (1945). During the 1970s, Spencer became the go-to-woman for editing the popular disaster films of the times, including probably the best film in this genre, 1974's Earthquake starring Charlton Heston, Ava Gardner and of course, disaster-film-staple, actor George Kennedy. Variety's 1974 review of the film touted, "... Earthquake is an excellent dramatic exploitation extravaganza, combining brilliant special effects with a multi-character plot line...". .[3] Dorothy Spencer was nominated for an Oscar for Earthquake, which was her fourth nomination after editing what still reigns as the most expensive movie ever made, 1963's Cleopatra , and prior noms also included, Decision Before Dawn (1951) and the John Ford-directed, Stagecoach (1939).
[edit] One of the Top Film Editors
Variety's Eileen Kowalski notes that, "Indeed, many of the editorial greats have been women: Dede Allen, Verna Fields, Thelma Schoonmaker, Anne V. Coates and Dorothy Spencer."[4] In 1989, Dorothy Spencer was awarded the prestigious American Cinema Editors Career Achievement Award.
[edit] Selected Filmography
[edit] As Assistant Editor or Co-Editor
- The Strong Man (1926) assistant editor (directed by Frank Capra)
- Long Pants (1927) assistant editor (directed by Frank Capra)
- Four Married Men (1929) assistant editor (directed by Marcel Silver)
- In Old Arizona (1929) assistant editor (directed by Raoul Walsh)
- Married In Hollywood (1929) assistant editor (directed by Marcel Silver)
- Nix On Dames (1929) assistant editor (directed by Donald Gallaher)
- As Husbands Go (1934) assistant editor (directed by Hamilton MacFadden)
- Coming Out Party (1934) assistant editor (directed by John Blystone)
- She Was A Lady (1934) assistant editor (directed by Hamilton MacFadden)
- The Case Against Mrs. Ames (1936) assistant editor (directed by William Seiter)
- The Luckiest Girl In The World (1936) assistant editor (directed by Edward Buzzell)
- The Moon's Our Home (1936) assistant editor (directed by William Seiter)
- Stand In (1937) co-edited with Otho Lovering (directed by Tay Garnett)
- Vogues Of 1938 (1937) co-edited with Otho Lovering (directed by Irving Cummings)
- Blockade (1938) co-edited with Otho Lovering (directed by William Dieterle)
- Trade Winds (1938) co-edited with Otho Lovering (directed by Tay Garnett)
- Eternally Yours (1939) co-edited with Otho Lovering (directed by Tay Garnett)
- Stagecoach (1939) co-edited with Otho Lovering (directed by John Ford) AAN (Nomination Academy Award)
- Winter Carnival (1939) co-edited with Otho Lovering (directed by Charles Reisner)
- Foreign Correspondent (1940) co-edited with Otho Lovering (directed by Alfred Hitchcock)
- The House Across The Bay (1940) co-edited with Otho Lovering (directed by Archie Mayo)
- Slightly Hororable (1940) co-edited with Otho Lovering (directed by Tay Garnett)
[edit] As Editor
- Sundown (1941) (directed by Henry Hathaway)
- To Be Or Not To Be (1942) (directed by Ernst Lubitsch)
- Happy Land (1943) (directed by Irwin Pichel)
- Heaven Can Wait (1943) (directed by Ernst Lubitsch) AAN (Nomination Academy Award)
- Lifeboat (1943) (directed by Alfred Hitchcock)
- Sweet And Low-Down (1944) (directed by Archie Mayo)
- A Royal Scandal (1945) (directed by Otto Preminger)
- A Tree Grows in Brooklyn (1945) (directed by Elia Kazan)
- Cluny Brown (1946) (directed by Ernst Lubitsch)
- Dragonwyck (1946) (directed by Joseph L. Mankiewicz)
- My Darling Clementine (1946) (directed by John Ford)
- The Ghost and Mrs. Muir (1947) (directed by Joseph L. Mankiewicz)
- The Snake Pit (1948) (directed by Anatole Litvak) AAN (Nomination Academy Award)
- That Lady In Ermine (1948) (directed by Ernst Lubitsch)
- Down To The Sea In Ships (1949) (directed by Henry Hathaway)
- It Happens Every Spring (1949) (directed by Lloyd Bacon) co-edited with Bruce Pierce; Spencer left half-way through cutting to work on another picture, Pierce completed cutting
- Three Came Home (1950) (directed by Jean Negulesco)
- Under My Skin (1950) (directed by Jean Negulesco)
- Decision Before Dawn (1951) (directed by Anatole Litvak) AAN (Nomination Academy Award)
- 14 Hours (1951) (directed by Henry Hathaway)
- Lydia Bailey (1952) (directed by Jean Negulesco)
- What Price Glory? (1952) (directed by John Ford)
- Man On a Tightrope (1953) (directed by Elia Kazan)
- Tonight We Sing (1953) (directed by Mitchell Leisen)
- Vicky (1953) (directed by Harry Horner)
- Black Widow (1954) (directed by Nunnally Johnson)
- Demetrious And The Gladiators (1954) (directed by Delmer Daves) co-edited with Robert Fritsch
- Night People (1954) (directed by Nunnally Johnson)
- The Left Hand Of God (1955) (directed by Edward Dmytryk)
- Prince Of Players (1955) (directed by Philip Dunne)
- The Rains Of Ranchipur (1955) (directed by Jean Negulesco)
- Soldier Of Fortune (1955) (directed by Edward Dmytryk)
- The Best Things In Life Are Free (1956) (directed by Michael Curtiz)
- The Man in the Grey Flannel Suit (1956) (directed by Nunnally Johnson)
- A Hatful Of Rain (1957) (directed by Fred Zinnemann)
- The Young Lions (1958) (directed by Edward Dmytryk)
- The Journey (1959) (directed by Anatole Litvak) edited complete cut; Bert Bates added sound effects and finished in England
- A Private Affair (1959) (directed by Raoul Walsh)
- From The Terrace (1960) (directed by Mark Robson)
- North To Alaska (1960) (directed by Henry Hathaway)
- Seven Thieves (1960) (directed by Henry Hathaway)
- Wild in the Country (1961) (directed by Philip Dunne)
- Cleopatra (1963) (directed by Joseph L. Mankiewicz) AAN (Nomination Academy Award)
- Circus World (1964) (directed by Henry Hathaway)
- Von Ryan's Express (1965) (directed by Mark Robson)
- Lost Command (1966) (directed by Mark Robson)
- A Guide For The Married Man (1967) (directed by Gene Kelly)
- Valley of the Dolls (1967) (directed by Mark Robson)
- Daddy's Gone A-Hunting (1969) (directed by Mark Robson)
- Happy Birthday, Wanda June (1971) (directed by Mark Robson)
- Limbo a.k.a. Woman In Limbo (1972) (directed by Mark Robson)
- Earthquake (1974) (directed by Mark Robson)
- The Concorde: Airport '79 (1979)

