Dance, Girl, Dance
From Wikipedia, the free encyclopedia
| Dance, Girl, Dance | |
|---|---|
| Directed by | Dorothy Arzner |
| Produced by | Erich Pommer |
| Written by | Vicki Baum (story), Frank Davis, Tess Slesinger |
| Starring | Maureen O'Hara, Louis Hayward, Lucille Ball |
| Cinematography | Russell Metty |
| Distributed by | RKO Radio Pictures |
| Country | USA |
| Language | English |
| IMDb profile | |
Dance, Girl, Dance is a film released in 1940, directed by Dorothy Arzner.
In 2007, Dance, Girl, Dance was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", describing it as Arzner's "most intriguing film" and a "meditation on the disparity between art and commerce. The dancers, played by Maureen O'Hara and Lucille Ball, strive to preserve their own feminist integrity, while fighting for their place in the spotlight and for the love of male lead Louis Hayward."[1]
Dance, Girl, Dance was edited by Robert Wise, whose next film as editor was Citizen Kane and who later won Oscars as director of West Side Story and The Sound of Music.
Contents |
[edit] Cast
- Maureen O'Hara as Judy O'Brien
- Louis Hayward as James 'Jimmy' Harris Jr.
- Lucille Ball as Bubbles/Tiger Lily White
- Virginia Field as Elinor Harris
- Ralph Bellamy as Steve Adams
- Maria Ouspenskaya as Madame Lydia Basilova
[edit] Plot
Good friends Judy and Bubbles are both dancers. While Bubbles uses her good looks and blatant sexuality to land jobs, Judy is a dedicated ballerina.
[edit] Reception
In an October 1940 review, Bosley Crowther of The New York Times described the film as a "a saga of glamour-struck chorines to end all sagas of said glamour-struck chorines" and a "cliché-ridden, garbled repetition of the story of the aches and pains in a dancer's rise to fame and fortune."[2]
[edit] References
- ^ Librarian of Congress Announces National Film Registry Selections for 2007, from the Library of Congress website
- ^ October 11, 1940 Review from The New York Times

