Clifford Irving

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For the politician, see Clifford Irving (politician).

Clifford Michael Irving (born November 5, 1930) is an American writer, best known for an "authorized autobiography" of Howard Hughes that turned out to be a hoax.

Contents

[edit] Early life and writing career

Irving grew up in New York City, the son of Dorothy and Jay Irving, a magazine cover artist and the creator of the syndicated comic strip Pottsy, about a New York policeman. [1] After graduating in 1947 from Manhattan's High School of Music and Art, Irving attended Cornell University, had a two-year marriage (to Nina Wilcox) and worked on his first novel, On a Darkling Plain (Putnam, 1956) while he was a copy boy at The New York Times. He completed his second novel, The Losers (1958), as he traveled about Europe. While living on the island of Ibiza he met an Englishwoman, Claire Lydon, and they married in 1958, moving to California. She was killed in Big Sur in an automobile accident.[2]

On a Darkling Plain and The Losers were not financially successful but received excellent reviews. On a Darkling Plain was sometimes compared with another novel set at Cornell, Charles Thompson's Halfway Down the Stairs (1957). John O. Lyons, in an addendum to his 1962 survey, "The College Novel in America: 1962-1974" (Critique, 1974) saw a tendency toward pranks and put-ons in Irving's early work:

Richard Farina's Been Down So Long It Looks Like Up to Me (1966) continues the iconoclastic Cornell Bildungsroman of the fifties by Clifford Irving, On a Darkling Plain (1956); Charles Thompson, Halfway Down the Stairs (1957); and Robert Gutwillig, After Long Silence (1958). The oscillation between Weltschmerz and pranks in these novels was undoubtedly an influence on "The Whole Sick Crew" of Pynchon's V. [3]

Irving himself says this is "all nonsense."

His third novel, The Valley, is a mythic Western, published by McGraw-Hill in 1960. Irving moved in 1962 back to Ibiza with his third wife, English model Fay Brook and their newborn son, Josh. In 1967 he married Swiss/German artist Edith Sommer, and they had two sons, Nedsky and Barney. He was acquainted with art forger Elmyr de Hory and wrote his biography, Fake! (1969). Irving and de Hory are both featured in Orson Welles' documentary F for Fake (1974), originally a BBC documentary written by Irving and directed by Francois Reichenbach. [4]

[edit] Fake autobiography of Howard Hughes

By 1958 Howard Hughes had become a recluse who hated any kind of public scrutiny. Whenever he found out that someone was writing an unauthorized biography about him, he bought the writer off. By the 1960s he even refused to appear in court. According to various rumors, he was either terminally ill, mentally unstable, or even dead and replaced by an impersonator.

In 1970, in Spain, Irving met with an author and old friend, Richard Suskind, and created the scheme to write Hughes's "autobiography." Irving and Suskind believed that because Hughes had completely withdrawn from public life, he would never want to draw attention to himself by denouncing the book or filing a lawsuit for slander. Suskind would do most of the necessary research in news archives. Irving started by forging letters in Hughes's own hand, imitating authentic letters he'd seen displayed in Newsweek magazine. [5]

Irving contacted his publisher, McGraw-Hill, and claimed that he had corresponded with Hughes because of his book about de Hory and that Hughes had expressed interest in letting him write his autobiography. The McGraw-Hill board invited him to New York where he showed them three forged letters, one of which claimed that Hughes wished to have his biography written but that he wanted the project to remain secret for the time being. The autobiography would be based on interviews Hughes was willing to do with Irving.

McGraw-Hill agreed to the terms and wrote up contracts between Hughes, Irving and the company; Irving forged Hughes's signatures. McGraw-Hill paid an advance of $100,000, with an additional $400,000 that would go to Hughes. Irving later bargained the sum up to $765,000, with $100,000 going to Irving and the rest to Hughes. McGraw-Hill paid by check , which Irving had his wife deposit to a Swiss bank account. [6]

Irving and Suskind researched all the available information about Hughes. To reinforce the public perception of Hughes as an eccentric recluse, Irving also created fake interviews that he claimed were conducted in remote locations all over the world, including one on a Mexican pyramid. In reality, Irving was meeting his various mistresses at these destinations.

Irving and Suskind also gained access to the private files of Time-Life, as well as a manuscript by James Phelan, who was ghostwriting memoirs of Noah Dietrich, former business manager to Hughes. Mutual acquaintance and Hollywood producer Stanley Meyer showed Irving a copy of the manuscript—without Phelan's consent—in the hope that he would be willing to rewrite it in a more publishable format. Irving made a copy of it for his own purposes.

In the early winter of 1971 Irving delivered the manuscript to McGraw-Hill. He also included notes in Hughes's forged handwriting that an expert forensic document analyst declared genuine. Hughes experts at Time-Life were also convinced. McGraw-Hill announced its intention to publish the book in March, 1972.

Several representatives of Hughes's companies and other people who had known the billionaire expressed their doubts about the forthcoming work's authenticity. Irving countered that Hughes had simply not told them about the book. Meanwhile Frank McCulloch, known for years as the last journalist to interview Hughes, received an angry call from someone claiming to be Hughes himself. But when McCulloch read the Irving manuscript he declared that it was indeed accurate. Mike Wallace interviewed Irving for a news broadcast. Wallace later said his camera crew told him Irving was "a phony. They understood. I didn't. He got me."

McGraw-Hill and Life magazine, which had paid to publish excerpts of the book, continued to support Irving. Osborn Associates, a firm of handwriting experts, declared the writing samples were authentic. Irving had to submit to a lie-detector test, the results of which indicated inconsistencies, but no outright lies.[1] For weeks there was no sign of Hughes.

On January 7, 1972, Hughes finally contacted the outside world. He arranged a telephone conference with seven journalists that had known him years before. It took place two days later; the journalists' end of the conversation was televised. Hughes denounced Irving, said that he had never even met him, and said that he was still living in the Bahamas. Irving claimed that the voice was probably a fake.

Hughes's lawyer, Chester Davis, filed suit against McGraw-Hill, Life, Clifford Irving and Dell Publications. Swiss authorities investigated a bank account in the name of "H. R. Hughes," which had received $750,000. Edith Irving had opened it with the name "Helga R. Hughes." When Swiss police visited the Irvings on Ibiza, they denied everything, although Clifford Irving tried to hint that he might have been dealing with an impostor. Then James Phelan read an excerpt of the book and realized that a few of the facts had been taken from his book. Finally the Swiss bank identified Edith Irving as the depositor of the funds, and the jig was up.

Eventually the Irvings gave up and confessed on January 28, 1972. They and Suskind were indicted for fraud, appeared in court March 13, and were found guilty June 16. Despite the efforts of Irving's lawyer, Maurice Nessen, Irving was convicted and spent 17 months in prison at the federal correctional facility in Danbury, CT and at the Allenwood Prison in PA, where he stopped smoking and took up weightlifting. He voluntarily returned the $765,000 advance to his publishers. Suskind was sentenced to six months and served five.

Following his release, Irving continued to write books, including several bestsellers, notably Trial, Tom Mix and Pancho Villa, Final Argument and Daddy's Girl.

The fraudulent autobiography was published in a private edition in 1999, has been out of print, but in March 2008, John Blake Publishing, a British publisher, is releasing Howard Hughes: My Story as a novel. Irving's website [7] features downloads of his new novel, several free chapters of The Autobiography of Howard Hughes and even a complete unexpurgated version for a small fee. All the events of the experience were described in detail in Irving's The Hoax (1981).

Irving currently lives in Aspen, Colorado.

[edit] Film

In July 2005, filming began in Puerto Rico and New York on The Hoax, starring Richard Gere as Irving. "I had nothing to do with this movie," said Irving, "and it had very little to do with me." On March 6, 2007, Hyperion reissued Clifford Irving's The Hoax in a movie tie-in edition. The film, directed by Lasse Hallström, opened April 6, 2007 with a DVD release following on October 16. The majority of reviews were favorable, with A. O. Scott (New York Times) observing:

Mr. Hallstrom, now that he has moved on from the somber duties of spinning middlebrow best sellers into high-toned Oscar bait (The Shipping News, The Cider House Rules), has proven himself to be a nimble filmmaker with a light and subtle touch. His underrated Casanova, starring Heath Ledger, managed to be both farcical and subtle, and The Hoax, with an excellent script by William Wheeler, achieves a similar complexity of tone. It is for the most part a jumpy, suspenseful caper, full of narrow escapes, improbable reversals and complicated intrigue. But it has a sinister, shadowy undertow, an intimation of dread that lingers after Irving’s game is up. Some of the shadow is cast by Hughes himself, who appears in old tape recordings and film clips and also in Irving’s creepy impersonations. As he sinks deeper into the autobiography, Irving conducts mock interviews with his subject, for which he puts on a thin mustache and a Texan drawl. At moments he seems to cross the line that separates deception from self-delusion. It’s not quite that Irving believes Hughes is cooperating; rather, he thinks he understands Hughes so well that the latter’s silence is a form of tacit approval. Mr. Gere’s Clifford Irving, a charlatan and a fool, is also an innocent, blundering into something far bigger and darker than his talent or imagination can contain. [8]

However, Clifford Irving regards the film as a distortion of events in his life with several fabricated scenes:

I was hired by the producers as technical adviser to the movie, but after reading the final script I asked that my name be removed from the movie credits. I didn't want anyone to believe that I had contributed to such a historically cockeyed story where the main character, almost by coincidence, happens to bear my name. It's hard to believe that sophisticated Manhattan publishers would fall for the nonsense this guy spouts in order to convince them that the moon is made of Stilton cheese. As played by Richard Gere – an actor I admire – Movie Clifford is desperate and humorless, a washed-up hack writer who lives in a conservative New York suburb. In fact I had a multi-book contract with my publisher and enjoyed the good life on Ibiza, a sunny Mediterranean island where I owned a beautiful 15-room farmhouse. Movie Clifford has the energy of a not-too-bright psychopath. If I were that man, I'd shoot myself. The movie misses the point that the Howard Hughes hoax was a live-action adventure story concocted by two middle-aged hippie expat writers and a Swiss heiress. Edith, my then-wife, a woman of great zest, is portrayed as a dull hausfrau; and Nina van Pallandt, my Danish mistress, as barely one level above a New York hotel hooker. Dick Suskind, witty friend and co-conspirator, is offered to the public as a self-righteous, sweaty buffoon. The scenes that deal with Movie Clifford feuding with Movie Dick, getting him drunk and hiring a bargirl to seduce him, are totally fictional. The Hughes people mailing the package of files to me is also made up... The movie is best thought of as a hoax. [9]

[edit] Books of Clifford Irving

  • On a Darkling Plain (1956)
  • The Losers (1958)
  • The Valley (1960)
  • The 38th Floor (1965)
  • The Battle of Jerusalem (1967)
  • Spy (1968)
  • Fake! The Story of Elmyr de Hory, the Greatest Art Forger of Our Time (1969)
  • Autobiography of Howard Hughes (1971)
  • The Death Freak (1976)
  • The Sleeping Spy (1979)
  • The Hoax (1981)
  • Tom Mix and Pancho Villa (1981)
  • The Angel of Zin (1983)
  • Daddy's Girl (1985)
  • Trial (1987)
  • Final Argument (1990)
  • The Spring (1995)
  • Phantom Rosebuds (2008)

[edit] Works about the Hughes autobiography affair

  • Stephen Fay, Lewis Chester and Magnus Linklater. Hoax: The Inside Story of the Howard Hughes-Clifford Irving Affair (1972)
  • Irving, Clifford and Richard Suskind. Project Octavio: The Story of the Howard Hughes Hoax (1977)
  • F for Fake, a documentary film by Orson Welles (1974), includes a segment on Irving filmed around the time the Hughes autobiography scandal broke.
  • Der Scheck heiligt die Mittel, another documentary film by Henry Kolarz on German TV (1974). Richard Suskind played himself.
  • Talbot, Ken. Enigma! The New Story of Elmyr de Hory (1991)
  • Irving, Clifford. 'Phantom Rosebuds' (2008) Irving's autobiography discusses the impact of the Hughes affair within the wider context of his entire career.

[edit] References

  1. ^ Lambiek Comiclopedia: Jay Irving
  2. ^ "The Fabulous Hoax of Clifford Irving." Time, February 21, 1972
  3. ^ Lyons, John O. "The College Novel in America: 1962-1974" (1962). Addendum in Critique, vol. 16, no. 2, 1974. Pages 121-128.
  4. ^ Castle, Robert. Bright Lights: "F for Fake"
  5. ^ "The Fabulous Hoax of Clifford Irving." Time, February 21, 1972
  6. ^ "The Secret Life of Clifford Irving". Time, February 14, 1972.
  7. ^ Clifford Irving
  8. ^ Scott, A.O. "True Story of a Fake Story About Hughes (Really)", The New York Times, April 6, 2007.
  9. ^ Irving, Clifford. "The New Movie"

[edit] Audio reference

[edit] External links

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