Cher effect
From Wikipedia, the free encyclopedia
The Cher effect is an informal term used to describe extreme digital pitch correction of singing to produce a semi-artificial voice sound effect[1]. In its typical application, the natural small variations of pitch in human singing are flattened to exact notes, with a noticeable gliding between the notes. The sound is comparable to certain effects that can be produced with a vocoder, but is closer to a natural human voice.
The technique was made popular by the 1998 Cher song "Believe"[1], and has since become prevalent to more obvious or more subtle degrees throughout electronic-oriented popular music. The effect has been closely associated with the Antares Auto-Tune audio effect software, which is reputed to have been used on "Believe", although competing products are available today as well.
Contents |
[edit] Uses of the effect
The effect has been employed in recent years by artists such as Daft Punk[2] (who also use vocoders and talk boxes).
The effect was referenced for comedic effect in episode "New Kids on the Blecch" of the animated series The Simpsons when Bart formed a boy band named the "Party Posse". Ralph Wiggum had the effect applied to his voice when singing the phrase "love formation" in the song "Drop da Bomb!".
[edit] List of songs utilizing the effect
- "Believe" by Cher[1]
- "Lollipop" by Lil Wayne[3]
- "Only God Knows Why" by Kid Rock[2]
- "One More Time" by Daft Punk[2]
- "Too Little Too Late" by JoJo[3]
All T-Pain Songs
[edit] References
- ^ a b c Sue Sillitoe, Sound On Sound, February, 1999. "Recording Cher's 'Believe'". Accessed 12 February 2008.
- ^ a b c Treacy, Christopher John. "Pitch-adjusting software brings studio tricks". The Boston Herald, February 19, 2007, The Edge, Pg. 032
- ^ a b Frere-Jones, Sasha (2008-06-09). The Gerbil’s Revenge. The New Yorker. Retrieved on 2008-06-02.

