Charlotte Slottsberg

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Charlotte Slottsberg
Born 29 May 1760
Stockholm, Sweden
Died 29 May 1800
Stockholm, Sweden
Residence Stockholm, Sweden
Other names Gustava Charlotta Slottsberg
Occupation Ballet dancer
Spouse Adolph Granholm
Notes
Among the first native ballet dancers of her country known by name. Royal mistress.

Charlotte (Gustava Charlotta) Slottsberg (29 May in Stockholm 1760 – 29 May in Stockholm 1800), was a Swedish ballerina-dancer, one of the first native dancers in the Royal Swedish Ballet on the Royal Swedish Opera and one of the most successful ones. In a time when the majority of the professional dancers in Sweden where from France and Italy, such as the French Ninon Dubois le Clerc and the Italian Giovanna Bassi, she represented native talent in this profession.

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[edit] Childhood and debut

Born in a poor home as the child of the whig-maker Andreas Slottsberg and the dancer Lovisa Charlotta Schumbardt, Charlotte Slottsberg danced as a child on smaller stages and at travelling theatre-companies around the city of Stockholm together with her mother and her aunts, who were also dancers. It appears she was later educated by the dancers in the French theatre-company hired to perform at the court of queen Louisa Ulrika of Prussia. In October 1771, her mother, "Madame Slottsberg", and her two aunts are mentioned as employes in the ballet in Bollhuset.

At the age of thirteen in 1773, she was formally hired at the Royal Swedish Opera in Bollhuset as a second-dancer. This first class of native talents on the grand stage consisted of former servants and children of musicians; it was soon to present great ballerinas such as Anna Sofia Lind and Ulrika Åberg, but in the first troup of 1773, Charlotte Slottsberg and Magdalena Lundblad was two of the very few Swedish dancers with formal training and experience. The situation was the same among the male dancers, were the most notable Swedish dancer was Louis Deland, whos father was from Luxembourg.

[edit] Career in the Royal Swedish ballet

In 1773, she took part in the famous play Thetis and Phelée, known as the first Swedish-speaking Opera-performance, with the Prima donna Elisabeth Olin and Carl Stenborg in the main parts; a nother participant in the play, who were to become famous, was Christoffer Christian Karsten, the grandfather of Marie Taglioni. She played the part of Virtue, which she did very well, according to the judgements, and was good friends with Elisabeth Olin's daughter Betty Olin, who played the part of Love. Carl Christoffer Gjörwell wrote about her: " Our new Mlle Slottsberg will become one of the greatest dancers in Europe, and never set foot in the theatre without the most constant applaus from the Royal box", and in 1778, Gjörwell describes her : "As beautiful as a spring day".

Charlotte Slottberg had a lot of confidence, and did not care much about good behaviour; she is described as vulgar, rude and a tease, and she certainly knew well how to attract attention - She is described racing through the streets of Stockholm in a fancy carriage after black horses. She was widely regarded as a courtesan, and she did have rich lovers she benefited finacially from, but she was also supported by her career as a dancer.

She continued her career as a dancer in parallel; she was more successful than any other native dancer in Sweden of her time, became the favourite dancing partner of Antoine Bournonville and was in the 1786-1787 season made premier-dancer. Among the parts she danced was Aurora in the Procris and Cephal by Grétry with Carl Stenborg and Lovisa Augusti the season 1777-1778 and Lucile in the pantomimeballet La Rosiére de Salency by Jean Marcadet with Antoine Bournonville and Carlo Uttini in 1786-1787 season and as Bellona oposite Giovanna Bassi as Pallas in the ballet in the opera Gustav Adolf och Ebba Brahe by Louis Gallodier 1787-88 . "The undenieble girl" Slottsbergs dance in Acis och Galalthea the 1773-74 season was one of the few individual performances to receive unanimous admiration in that opera. In 22 September 1789 she played Elmira in Soliman och de tre sultaninnorna (Soliman and the three sultanesses) in the Royal Dramatic Theatre in Bollhuset. She retired as a dancer after the 1788-1789 season.

[edit] Private life

Just as her colleague, Sophie Hagman, she became a mistress of one of the princes, duke Charles, the later king Charles XIII of Sweden, from 1777, and she is mainly remembered for this. She was not an official mistress as Hagman, nor as liked by the court as she was (she is mentioned quite condescendingly by Hedwig Elizabeth Charlotte of Holstein-Gottorp), and neither was she the only mistress of Prince Charles (who was talked about as having a harem of mistresses), though she was called his "favourite Sultaness", but she does seem to have had a great influence over him. She gave him a great interest in culture, made him write plays, and cheered him up when he was depressed, though it is not known if she ever had any political influence; she also gave him an interest in champagne, which she liked herself. She was also Charles' most long term mistress; their relationship, though not exclusive on either part, lasted for twenty years, until 1797.

She was not "kept" by duke Charles, rather, he was one of her clients. In one of her letters to a nobleman, she informs him that she had noticed that a loveletter from the duke had ben taken from her room, and that she knew that it was him (the nobleman); in this letter, she informs the nobleman, that "I did not expect a gentleman to behave thusly", and that she expects him to return it to her promptly; if he does not, she will have to inform the duke, "which I am sure Your Grace would prefer to avoid", but if he does, she would continue to be of service. Among her other lovers were the statesmen count Fredrik Sparre and C.W.Seele. she herself was in love with the rider Heitmüller, who pawned the jewelry given to her by the Duke.

In 1799, she married captain Adolph Granholm, a former marine officer. Through her connections, she had acquired quite a substantial fortune. When she died in 1800, her former lover duke Charles confiscated her fortune despite the protests of her widower and her surviving mother.

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