User:Caiaffa/test

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For more information, see the article about Charlie Chaplin

Dates given are those of the film's initial release. Films marked with a diamond (♦) were not written or directed by Chaplin.


[edit] Keystone Studios

All silent films made in 1914

Date Title Actor Director Writer Editor Producer Composer Personage Notes
Feb 2 Making a Living Actor Swindler
Feb 7 Kid Auto Races at Venice Actor Tramp
Feb 9 Mabel's Strange Predicament Actor Tramp


Contents

[edit] Keystone Studios

1914

  1. Making a Living (Feb 2) ♦
  2. Kid Auto Races at Venice (Feb 7) ♦
  3. Mabel's Strange Predicament (Feb 9) ♦
  4. Between Showers (Feb 28) ♦
  5. A Film Johnnie (Mar 2) ♦
  6. Tango Tangles (Mar 9) ♦
  7. His Favorite Pastime (Mar 16) ♦
  8. Cruel, Cruel Love (Mar 26) ♦
  9. The Star Boarder (Apr 4) ♦
  10. Mabel at the Wheel (Apr 18) ♦
  11. Twenty Minutes of Love (Apr 20)
  12. Caught in a Cabaret (Apr 27) ♦
  13. Caught in the Rain (May 4)
  14. A Busy Day (May 7)
  15. The Fatal Mallet (Jun 1) ♦
  16. Her Friend the Bandit (Jun 4) (Chaplin's only lost film)
  17. The Knockout (Jun 11) ♦
  18. Mabel's Busy Day (Jun 13) ♦
  19. Mabel's Married Life (Jun 20)
  20. Laughing Gas (Jul 9)
  21. The Property Man (Aug 1)
  22. The Face on the Bar Room Floor (Aug 10)
  23. Recreation (Aug 13)
  24. The Masquerader (Aug 27)
  25. His New Profession (Aug 31)
  26. The Rounders (Sep 7)
  27. The New Janitor (Sep 14)
  28. Those Love Pangs (Oct 10)
  29. Dough and Dynamite (Oct 26)
  30. Gentlemen of Nerve (Oct 29)
  31. His Musical Career (Nov 7)
  32. His Trysting Place (Nov 9)
  33. Tillie's Punctured Romance (Nov 14) ♦
  34. Getting Acquainted (Dec 5)
  35. His Prehistoric Past (Dec 7)

[edit] Essanay Studios

1915

  1. His New Job (Feb 1)
  2. A Night Out (Feb 15)
  3. The Champion (Mar 11)
  4. In the Park (Mar 18)
  5. A Jitney Elopement (Apr 1)
  6. The Tramp (Apr 11)
  7. By the Sea (Apr 29)
    His Regeneration (May 7) (cameo: a customer)
  8. Work (Jun 21)
  9. A Woman (Jul 12)
  10. The Bank (Aug 9)
  11. Shanghaied (Oct 4)
  12. A Night in the Show (Nov 20)
  13. Burlesque on Carmen (Dec 18)

1916

  1. Police (May 27)

1918

  1. Triple Trouble (put together by Essanay Studios from unfinished Chaplin films two years after he had left the company)

[edit] Mutual Film Corporation

1916

  1. The Floorwalker (May 15)
  2. The Fireman (Jun 12)
  3. The Vagabond (Jul 10)
  4. One A.M. (Aug 7)
  5. The Count (Sep 4)
  6. The Pawnshop (Oct 2)
  7. Behind the Screen (Nov 13)
  8. The Rink (Dec 4)

1917

  1. Easy Street (Jan 22)
  2. The Cure (Apr 16)
  3. The Immigrant (Jun 17)
  4. The Adventurer (Oct 22)

[edit] First National

1918

  1. A Dog's Life (Apr 14)
  2. The Bond (Sep 29)
  3. Shoulder Arms (Oct 20)

1919

  1. Sunnyside (Jun 15)
  2. A Day's Pleasure (Dec 15)
  3. The Professor uncompleted

1921

  1. The Kid (Feb 6)
  2. The Idle Class (Sep 25)

1922

  1. Pay Day (Apr 2)

1923

  1. The Pilgrim (Feb 26)

[edit] United Artists

1923

  1. A Woman of Paris (Sep 26) (cameo)

1925

  1. The Gold Rush (Jun 26)

1928

  1. The Circus (Jan 6)

1931

  1. City Lights (Feb 6)

1936

  1. Modern Times (Feb 5)

1940

  1. The Great Dictator (Oct 15)

1942

  1. The Gold Rush (May 19); re-edited sound version with newly recorded music and narration by Chaplin

1947

  1. Monsieur Verdoux (Apr 11)

1952

  1. Limelight (Oct 16)

[edit] Later productions

1957

  1. A King in New York (Sep 12)

1959

  1. The Chaplin Revue (Sep 1) (First National shorts A Dog’s Life, Shoulder Arms and The Pilgrim edited together by Chaplin to form a single feature-length film).

1967

  1. A Countess from Hong Kong (Jan 5) (cameo)

[edit] Miscellaneous

  • The Nut (Mar 6, 1921) (cameo: Chaplin impersonator)
  • Souls For Sale (Mar 27, 1923) (cameo: himself, celebrity director)
  • A Woman of the Sea (1926) (produced by Chaplin)
  • Show People (Nov 11, 1928) (cameo: himself)
  • The Freak (1960s-70s) (planned production, never made)


WP:ATHLETE is too large for football players, only the highest division is too small. I'm afraid it will be very difficult to establish an objective criteria for football players, otherwise, without it, the AfD discussions will be problematic as reason and common sense are in opposite sides. So I´ll try something :):

  • Vinculate the notability not with leagues, but with clubs (the 100th club of Brazil or England is more notable than the 1st club of many nations). So a 4th or 5th level league club is more notable than a 1st level league!
  • Not vinculate the notability of a player only with the clubs (1 game in a big club doesn't means nothing)

So, the rule for notability may be something like this:
1 - Players who have played for their National Teams in official competitions (FIFA or Olympics).
2 - Players that had dispute __ games (maybe 50?, more or less a regular season) for a ranked club^ (not necessarilly the same club, 20 games for Barcelona, 20 games for Milan and 10 games for Chelsea, for example)
^ - ranked club - Here is the big problem, FIFA doesn't have a ranking and the only credible ranking that I know is the IFFSH [1] and it's only a current ranking. For the past rankings I could only find the top 25. They also have an all time ranking but with only 200 clubs (it's nothing in world football). And they started their rankings only in 1991.
Well, it's only a suggestion, maybe somebody have another idea to help with this.

WP:FOOTYN (Have played for a fully professional club at a national level of the league structure) is more comprehensive than WP:ATHLETE (have competed in a high-level, fully professional league). Now we have hundreds of thousands of notable soccer players,

  • As DGG well remembered, we work with guidelines, not policies, the notability of a soccer player can't be determined only by the cold use of the references, as the same club may have notable and non notable players. A player can participate in a full championship disputing only a few games, as a football squad have 25-30 athletes and in a game only 11 (or 15 with all permitted substitutions) actually plays. I think it will be reasonable the use of more objectives guides to meet notability:
  • Associate the notability not only with leagues, but mostly with clubs (the 100th club of Brazil or England is more notable than the 1st club of many nations). A 4th or 5th level league may be more notable than a 1st level league!.
  • Not associate the notability of a player only with the clubs (1 game in a big club doesn't means nothing). The number of disputed games makes all difference.
  • The clubs may have very different phases. When may be also important.

Despite the fact that every player indicated here meets WP:ATHLETE and WP:FOOTYN and believing that an objetive rule is impossible, I'll use what I think is the best way to do it, the common sense:

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