Bring on the Lucie (Freeda Peeple)

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“Bring on the Lucie (Freeda People)”
“Bring on the Lucie (Freeda People)” cover
Song by John Lennon
Album Mind Games
Released November 16, 1973
Recorded 1973
Genre Rock
Length 4:12
Label Apple/EMI
Writer John Lennon
Producer John Lennon
Mind Games track listing
One Day (At a Time)
(4)
Bring on the Lucie (Freeda People)
(5)
Nutopian International Anthem
(6)


"Bring on the Lucie (Freeda Peeple)" is a protest song written and performed by John Lennon from his 1973 album Mind Games.

After the politically-heavy album Some Time in New York City in 1972, Lennon returned to the style of his previous albums, the emotionally revealing John Lennon/Plastic Ono Band and the more commercial yet equally emotional Imagine. "Bring on the Lucie (Freeda Peeple)" is one of the few political statements on the album.

Like many of Lennon's political songs, "Bring on the Lucie" protests war and killing (the song was released two years before the end of the Vietnam War), taking a critical stab at self-important government with lyrics such as, "We don't care what flag you're waving/We don't even want to know your name/We don't care where you're from or where you're going," later saying, "You're making all our decisions."

In the song, he demands that the government, "Free the people now" (the song's refrain, with Lennon shouting, "Stop the killing now!," over the final verse), and stops its efforts to control them and the world around them. With its repeated refrain and repetitive melody, the song is reminiscent of Lennon's past political anthems, "Give Peace a Chance" and "Power to the People." In the song, Lennon at one point likens the refrain to a prayer, urging listeners to "shout it aloud."

Lennon further continues to disparage the government by equating them to Satan by using the Number of the Beast, 666, before describing officials "jerking off each other" and telling them that, "You still gotta swallow your pill", possibly alluding to LSD and Timothy Leary's mantra of "Turn on, tune in, drop out".

This contributes to the second half of the song's darker, more biting atmosphere, wherein Lennon alerts the government to the citizens' power and mocks their unenlightened ways.

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